Lithuania Box Office for Šešėlių namai (2017)
Theatrical Performance (US$) | ||
Lithuania Box Office | $28,219 | Details |
Worldwide Box Office | $12,212,837 | Details |
Home Market Performance | ||
North America DVD Sales | $19,965 | Details |
North America Blu-ray Sales | $29,163 | Details |
Total North America Video Sales | $49,128 | |
Further financial details... |
Metrics
Movie Details
Lithuania Releases: | November 24th, 2017 (Wide), released as Šešėlių namai |
Video Release: | August 7th, 2018 by Magnolia Home Entertainment |
MPAA Rating: | R for some violence. (Rating bulletin 2519 (Cert #51521), 3/21/2018) |
Running Time: | 110 minutes |
Keywords: | Early / Simultaneous Video-on-Demand release, Unnamed Character, Young Child Dealing with the Death of a Parent, Voiceover/Narration, 1960s, Life in a Small Town, Isolation Horror, Haunting, Non-Chronological, Mental Illness, Multiple Personality, Surprise Twist |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | Spain |
Languages: | English |
Home Market Releases for August 7th, 2018
August 8th, 2018
It is a deceptively busy week on the home market, and not in a good way. There’s no one big release, at least not on DVD / Blu-ray, but there’s a sea of mediocrity this week. I’m not talking about quality here, but sales rank. There are a lot of films that wouldn’t even be filler during a normal week, but this week are selling well enough to be mentioned. There are several that are worth picking up, including limited releases like Bye Bye Germany and Revenge, classics like The Changeling, and even some Anime titles like Big Fish & Begonia or Tsuredure Children. Deadpool 2 is by far the biggest release of the week and I suspect the Blu-ray will be the Pick of the Week when it comes out, but I don’t want to give it that title until than. As a result, there’s no real winner this week. There were a lot that came close.
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Theater Averages: Box Office is Full of Grace
April 18th, 2018
Grace Jones: Bloodlight and Bami had the best opening of the limited releases earning an average of $18,724 in three theaters. The only other film in the $10,000 Club was The Rider, which earned an average of $14,081, also in three theaters.
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Limited and VOD Releases: Who Will be the Limited Releases’ Saving Grace
April 13th, 2018
There are not many limited releases that have a shot at box office success on this week’s list. The biggest ones are either opening too wide, like Beirut, or are already playing on VOD, like Borg vs. McEnroe, Wildling, and others. This leaves Grace Jones: Bloodlight and Bami as the film I think has the best shot at earning some measure of mainstream success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/11/24 | 7 | $10,295 | 35 | $294 | $10,295 | 1 | |
2017/12/01 | 13 | $4,664 | -55% | 17 | $274 | $20,616 | 2 |
2017/12/08 | 16 | $2,017 | -57% | 8 | $252 | $24,914 | 3 |
2017/12/15 | 17 | $1,153 | -43% | 3 | $384 | $27,323 | 4 |
2017/12/22 | 17 | $294 | -75% | 3 | $98 | $28,219 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/23/2018 | $0 | 0 | 0 | 0 | $79,765 | 1/1/2019 |
Cambodia | 2/19/2018 | $0 | 0 | 0 | 0 | $4,078 | 1/1/2019 |
France | 3/7/2018 | $485,397 | 0 | 79 | 116 | $842,573 | 6/13/2018 |
Indonesia | 11/10/2017 | $0 | 0 | 0 | 0 | $18,430 | 1/1/2019 |
Japan | 4/12/2019 | $35,803 | 12 | 12 | 23 | $117,897 | 5/24/2019 |
Lithuania | 11/24/2017 | $10,295 | 35 | 35 | 66 | $28,219 | 12/29/2017 |
Malaysia | 2/1/2018 | $0 | 0 | 0 | 0 | $48,900 | 4/12/2018 |
Mexico | 7/27/2018 | $73,170 | 0 | 0 | 0 | $73,170 | 9/26/2018 |
North America | 4/13/2018 | $624 | 7 | 7 | 11 | $1,377 | |
Poland | 2/16/2018 | $13,507 | 0 | 0 | 0 | $91,804 | 1/1/2019 |
Portugal | 3/2/2018 | $19,404 | 27 | 27 | 52 | $32,147 | 3/14/2018 |
Russia (CIS) | 11/17/2017 | $58,771 | 251 | 251 | 251 | $96,604 | 1/1/2019 |
Spain | 10/27/2017 | $1,188,734 | 358 | 358 | 2356 | $8,671,428 | 9/12/2018 |
Turkey | 4/6/2018 | $39,241 | 106 | 106 | 138 | $69,082 | 2/26/2019 |
United Kingdom | 7/13/2018 | $226,194 | 383 | 383 | 383 | $433,698 | 7/27/2018 |
Rest of World | $1,603,665 | ||||||
Worldwide Total | $12,212,837 | 5/24/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Sergio G. Sanchez | Director |