Portugal Box Office for Agnus Dei - As Inocentes (2016)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $27,341 | Details |
| Worldwide Box Office | $9,249,142 | Details |
| Home Market Performance | ||
| North America DVD Sales | $168,587 | Details |
| North America Blu-ray Sales | $104,907 | Details |
| Total North America Video Sales | $273,494 | |
| Further financial details... | ||
Synopsis
Warsaw, December 1945: the second World War is finally over and French Red Cross doctor Mathilde is treating the last of the French survivors of the German camps. When a panicked Benedictine nun appears at the clinic begging Mathilde to follow her back to the convent, what she finds there is shocking: a holy sister about to give birth and several more in advanced stages of pregnancy. A non-believer, Mathilde enters the sisters’ fiercely private world, dictated by the rituals of their order and the strict Rev. Mother Ida Fearing the shame of exposure, the hostility of the occupying Soviet troops and local Polish communists and while facing an unprecedented crisis of faith, the nuns increasingly turn to Mathilde as their beliefs and traditions clash with harsh realities.
Metrics
Movie Details
| Production Budget: | $6,200,000 |
| Portugal Releases: | November 4th, 2016 (Wide), released as Agnus Dei - As Inocentes |
| Video Release: | September 27th, 2016 by Music Box Films Video |
| MPAA Rating: | PG-13 for disturbing thematic material including sexual assault, and for some bloody images and brief suggestive content. (Rating bulletin 2424 (Cert #50456), 5/11/2016) |
| Running Time: | 115 minutes |
| Keywords: | 1940s, Set in Poland, Monks and Nuns, Medical and Hospitals, World War II, Unexpected Pregnancy |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Aeroplan Films, France 2 Cinema, Mandarin Cinema, Mars Films, Scope Pictures, Cofinova 11, La Banque Postale Image 8, A Plus Image, Canal Plus, Cine Plus, Eurimages, Polish Film Institute |
| Production Countries: | France, Poland |
| Languages: | French, Polish |
Home Market Releases for September 27th, 2016
September 27th, 2016
It is a pretty good week on the home market with a few releases worth picking up. The biggest of these is Central Intelligence, but while it is worth picking up, it isn’t a contender for Pick of the Week. There are some smaller releases that were up for that title, including The Shallows, An American Werewolf in London and The Innocents. However, in the end, I went with Captain America: Civil War. The Blu-ray screener arrived late, and I held off on naming it Pick of the Week when it came out for that very reason.
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Theater Averages: Cameraperson Finishes First, Not Last, with $12,760
September 13th, 2016
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A trio of films reached the $10,000 club on the theater average chart this week, lead by Cameraperson with $12,760 in one theater. The Last Princess was also playing in one theater and was right behind with $11,607. The final film in the $10,000 club was Kicks with an average of $10,704 in three theaters.
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Theater Averages: Purge Produces at the Box Office, Earning Average of $11,271
July 6th, 2016
The Purge: The Election Year earned top spot on the theater average chart, at least among those films we don’t have doubts about their box office numbers. It pulled in an average of $11,271, putting it just ahead of The Legend of Tarzan, which earned an average of $10,819. The only other film in the $10,000 club was The Innocents at $10,500 in three theaters.
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Limited and VOD Releases: Loyal and True
July 1st, 2016
It is a slow week for limited releases, with only five earning enough reviews to talk about. Of these, Our Kind of Traitor is earning the loudest buzz, but its reviews are only good and not great. There are three films that are earning great reviews, but two of them are foreign-language films and the other is a documentary. None of them are expected to be hits in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/11/04 | 13 | $10,632 | 6 | $1,772 | $10,632 | 1 | |
| 2016/11/11 | 18 | $3,771 | -65% | 5 | $754 | $18,160 | 2 |
| 2016/11/18 | 23 | $2,156 | -43% | 3 | $719 | $25,551 | 3 |
| 2016/11/25 | 30 | $894 | -59% | 2 | $447 | $27,341 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/30/2016 | $0 | 0 | 0 | 0 | $97,686 | 11/30/2018 |
| Australia | 4/28/2017 | $13,652 | 15 | 16 | 61 | $60,946 | 10/4/2018 |
| Brazil | 7/15/2016 | $39,843 | 0 | 0 | 0 | $180,383 | 11/16/2018 |
| France | 2/12/2016 | $1,001,395 | 0 | 0 | 0 | $4,449,794 | 8/17/2018 |
| Italy | 11/24/2016 | $97,976 | 0 | 0 | 0 | $208,211 | 12/7/2016 |
| Lithuania | 12/9/2016 | $1,017 | 12 | 12 | 30 | $4,777 | 1/13/2017 |
| Mexico | 4/14/2017 | $96,064 | 0 | 0 | 0 | $96,064 | 4/20/2017 |
| Netherlands | 3/11/2016 | $0 | 0 | 25 | 25 | $31,551 | 11/18/2018 |
| New Zealand | 3/3/2017 | $7,154 | 14 | 38 | 270 | $210,933 | 8/1/2022 |
| North America | 7/1/2016 | $30,896 | 3 | 69 | 403 | $1,065,665 | 10/11/2022 |
| Poland | 3/11/2016 | $0 | 0 | 0 | 0 | $177,803 | 12/31/2018 |
| Portugal | 11/4/2016 | $10,632 | 6 | 6 | 16 | $27,341 | 12/1/2016 |
| South Korea | 3/31/2017 | $13,327 | 0 | 0 | 0 | $43,359 | 10/12/2018 |
| Spain | 12/23/2016 | $32,645 | 45 | 45 | 165 | $223,405 | 2/3/2017 |
| United Kingdom | 11/11/2016 | $30,223 | 21 | 21 | 21 | $139,108 | 10/2/2018 |
| Rest of World | $2,232,116 | ||||||
| Worldwide Total | $9,249,142 | 10/11/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Lou de Laage | Mathilde Beaulieu |
Supporting Cast
| Agata Buzek | Sister Maria |
| Agata Kulesza | Mother Abbess |
| Vincent Macaigne | Samuel |
| Joanna Kulig | Irena |
| Eliza Rycembel | Teresa |
| Anna Prochniak | Zofia |
| Katarzyna Dabrowska | Anna |
| Helena Sujecka | Ludwika |
| Dorota Kuduk | Wanda |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Anne Fontaine | Director |
| Eric Altmayer | Producer |
| Nicolas Altmayer | Producer |
| Sabrina B. Karine | Screenwriter |
| Alice Vial | Screenwriter |
| Philippe Maynial | Story by |
| Caroline Champetier | Director of Photography |
| Annette Dutertre | Editor |
| Olivier Mauvezin | Sound Designer |
| Francis Wargnier | Sound Designer |
| Jean-Pierre Laforce | Sound Designer |
| Gregoire Hetzel | Composer |
| Joanna Macha | Production Designer |
| Katarzyna Lewinska | Costume Designer |
| Weronika Migon | Casting Director |
| Pascale Beraud | Casting Director |
| Boguslaw Bielanski | First Assistant Director |
| Anna Zenowicz | Script Supervisor |
| Dagmara Bonczyk | Line Producer |
| Thibault Mattei | Line Producer |
| Patricia Colombat | Post-Production Supervisor |
| Klaudia Smieja-Rostworowska | Co-Producer |
| Eliza Oczkowska | Co-Producer |