Portugal Box Office for Z for Zachariah (2015)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $26,710 | Details |
| Worldwide Box Office | $548,979 | Details |
| Further financial details... | ||
Synopsis
In the wake of a nuclear war, a young woman survives on her own, fearing she may actually be the proverbial last woman on earth, until she discovers the most astonishing sight of her life: another human being. A distraught scientist, he’s nearly been driven mad by radiation exposure and his desperate search for others. A fragile, imperative strand of trust connects them. But when a stranger enters the valley, their precarious bond begins to unravel.
Metrics
Movie Details
| Portugal Releases: | March 23rd, 2016 (Wide) |
| Video Release: | August 25th, 2015 by Lionsgate Home Entertainment |
| MPAA Rating: | PG-13 for a scene of sexuality, partial nudity, and brief strong language. (Rating bulletin 2369, 4/15/2015) |
| Running Time: | 98 minutes |
| Keywords: | Post Apocalypse, Early / Simultaneous Video-on-Demand release, Love Triangle, Romance, Relationships Gone Wrong, Minimal Cast, Interracial Romance, Sundance Film Festival 2015 |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Zik Zak Filmworks, Sighvatsson Films, Material Pictures |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for October 20th, 2015
October 20th, 2015
It is a shallow week on the home market. The number one release is Jurassic World, which is one of the biggest hits of all time. The second biggest release according to Amazon.com is the Back to the Future Box Set. There's mostly filler by the time you get to the second page of new releases. As for the best release on this week's list, I'm going old school. ... Really, really old school. Diary of a Lost Girl is 86 years old, but the Blu-ray is Pick of the Week.
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Featured Blu-ray / DVD Review: Z for Zachariah
October 19th, 2015
Z for Zachariah opened below the Mendoza Line, but it was also a VOD premiere, which never helps the box office numbers. Should it find an audience on the home market? Or was it going to fail at the box office no matter how its was released?
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Per Theater Chart: Grandma Takes Victory Lap
September 2nd, 2015
Grandma remained on top of the per theater chart, which is impressive in its own right. While it is not uncommon for a movie to repeat on top of the overall box office, doing so on the per theater chart is a lot rarer. This is because the films most likely to win on the per theater chart are limited releases and if they do well enough to win, they tend to expand the following week. This is what happened with Grandma, which saw its theater count rise from 4 to 19, but its per theater average was still top at $15,330. The only other film in the $10,000 club was War Room, which earned an average of $10,001. That's cutting it really close.
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Limited and VOD Releases: Race to the Top
August 28th, 2015
There are practically no films on this week's list that I think have a shot at box office success. That's not to say there are no films earning great reviews, but all of them have something that will hold them back. Most of the time, it's a simultaneous Video on Demand run. This includes Turbo Kid (Video on Demand); Z for Zachariah (Video on Demand); and Queen of Earth (Video on Demand). All could find audiences, but they will find them on the home market.
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Z for Zachariah Trailer
June 5th, 2015
Sci-fi thriller starring Chiwetel Ejiofor, Margot Robbie and Chris Pine opens August 21 ... Full movie details...
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/03/25 | 13 | $11,832 | 12 | $986 | $11,832 | 1 | |
| 2016/04/01 | 20 | $4,538 | -62% | 12 | $378 | $25,455 | 2 |
| 2016/04/08 | 27 | $609 | -87% | 5 | $122 | $26,710 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Italy | 11/30/2016 | $62,871 | 0 | 0 | 0 | $192,292 | 12/21/2016 |
| North America | 8/28/2015 | $56,902 | 29 | 29 | 69 | $121,461 | 4/5/2023 |
| Portugal | 3/23/2016 | $11,832 | 12 | 12 | 29 | $26,710 | 6/9/2016 |
| South Korea | 12/28/2016 | $10,128 | 23 | 23 | 23 | $16,092 | 1/14/2017 |
| Thailand | 11/19/2015 | $1,709 | 6 | 6 | 6 | $1,708 | 11/25/2015 |
| Rest of World | $190,716 | ||||||
| Worldwide Total | $548,979 | 4/5/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Chiwetel Ejiofor | Mr. Loomis |
| Margot Robbie | Ann |
| Chris Pine | Caleb |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Craig Zobel | Director |
| Nissar Modi | Screenwriter |
| Robert C. O'Brien | Based on the Book by |
| Sigurjon Sighvatsson | Producer |
| Thor Sigurjonsson | Producer |
| Skuli Malmquist | Producer |
| Sophia Lin | Producer |
| Matthew Plouffe | Producer |
| Tobey Maguire | Producer |
| Bill Johnson | Executive Producer |
| Gary Ross | Executive Producer |
| Steve Bannatyne | Executive Producer |
| Craig Zobel | Executive Producer |
| Claudia Bluemhuber | Executive Producer |
| Florian Dargel | Executive Producer |
| Robert Williams | Executive Producer |
| Timothy Christian | Executive Producer |
| Ryan Johnson | Executive Producer |
| Barry Brooker | Executive Producer |
| Stan Wertlieb | Executive Producer |
| Jim Seibel | Executive Producer |
| Ara Keshishian | Executive Producer |
| Pall Grimsson | Co-Producer |
| Steven Johnson | Line Producer |
| Tim Orr | Director of Photography |
| Matthew Munn | Production Designer |
| Jane Rizzo | Editor |
| Bob Buck | Costume Designer |
| Heather McIntosh | Composer |
| Kerry Barden | Casting Director |
| Paul Schnee | Casting Director |
| Allison Estrin | Casting Director |
| Desray Armstrong | Unit Production Manager |
| Axel Paton | First Assistant Director |
| Rachael Rowe | Second Assistant Director |
| Barbara Tulliver | Additional Editor |
| Ken Turner | Supervising Art Director |
| Amber Richards | Set Decorator |
| Monique Knight | Script Supervisor |
| Paul Booth | Costume Supervisor |
| Hil Cook | Make-up and Prosthetic Effects Designer |
| Ant Davies | Third Assistant Director |
| Dave Young | Third Assistant Director |
| Michael S. Powsner* | Art Director |
| Lea Prainsack | Visual Effects Producer |
| John Bair | Visual Effects Supervisor |
| Kris Baucom | Post-Production Supervisor |
| Will Files | Re-recording Mixer |
| Michael Barry | Re-recording Mixer |
| Rich Bologna | Supervising Sound Editor |
| John Moros | Dialogue Editor |
| Chris Newlin | Music Editor |
| Dane Leon | Music Editor |
| Rodney Cook | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.