Mexico Box Office for Ya Veremos (2018)

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Ya Veremos
Theatrical Performance (US$)
Mexico Box Office $9,975,555Details
Worldwide Box Office $14,141,504Details
Further financial details...

Synopsis

The story of Santi, a preteen who is dealing with the recent separation of his parents Rodrigo and Alejandra. Despite their divorce, Santi’s parents are both desperately devoted to their son. When the three learn that Santi has a medical condition that could jeopardize his eyesight, Santi’s father encourages him to make a list of places and things he wants to see and do before losing his sight completely. Santi immediately obliges with an elaborate list but with one condition—the estranged couple must come together to help him fulfill his dreams. As the three embark on the amazing, sometimes wacky adventure, the couple must learn how to live together for the sake of their son. But will the adventure open their eyes and make separating impossible? We’ll see…

Metrics

Movie Details

Mexico Releases: August 2nd, 2018 (Wide)
Video Release: August 1st, 2023 by Prime Video
MPAA Rating: PG-13 for some language and suggestive content.
(Rating bulletin 2540 (Cert #51754), 8/15/2018)
Running Time: 90 minutes
Keywords: Children Dealing with Divorce, Divorced Couple Falling Back in Love, Medical and Hospitals, Romance, Family Movie, Hispanic, Comedy Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Trompo Studios, Pantelion Films
Production Countries: Mexico
Languages: Spanish

Theater Averages: Collette Collects First Place with $40,295

September 25th, 2018

Collette

Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday. More...

Theater Averages: To Infinity, or to the Top of the Chart, Whichever is Closer

September 13th, 2018

Kusama: Infinity

Kusama: Infinity led the way on the theater average chart with an impressive $15,499 in two theaters. This isn’t enough to think it will earn a real measure of mainstream success, but it is the latest success story in a year of documentary hits. The Nun was in second place with an average of $13,882. The Hows of Us had arguably the most impressive limited opening of the weekend, as it earned an average of $12,895, while playing in 38 theaters. More...

Theater Averages: Puppies Rescue the PTA Chart

September 6th, 2018

Pick of the Litter

No film reached the $10,000 club over the three-day weekend, but Pick of the Litter came close with an average of $9,539 in two theaters. More...

Weekend Estimates: Labor Monday Update

September 3rd, 2018

Crazy Rich Asians

We have some Monday morning updates for the weekend box office and as expected, Crazy Rich Asians continued to dominate at the box office. It earned $6.21 million on Monday for a four-day total of $28.31 million and a three-week total of $117.04 million. It became just the fourth film released by Warner Bros. this year to get to the century mark and it will quickly become the studio’s biggest hit of the year so far, as it will overtake Ocean’s 8 shortly. More...

Weekend Estimates: Crazy Killing it at the Box Office with $28 million

September 2nd, 2018

Crazy Rich Asians

Crazy Rich Asians is just destroying the competition over the weekend and should pull in an estimated $22.24 million over the three days. We won’t have a Monday estimate from Warner Bros. until Monday, but I would imagine the four-day weekend would be about $28 million, giving the film a running tally of $117 million after 20 days of release. This is a little lower than our weekend prediction, but close enough that I’m calling it a victory. Internationally, the film made $10.4 million on 1,565 screens in 24 markets for an early total of $19.9 million. The film opened in Australia with $5.4 million on 447 screens, which is better than its opening here, relative to the size of the two markets. More...

Friday Estimates: Crazy Matches Expectations with $5.87 million

September 1st, 2018

Crazy Rich Asians

Crazy Rich Asians will easily remain on top of the chart this weekend, as it earned $5.87 million on Friday. Depending on when you are reading this, it might have already crossed $100 million domestically, a milestone it will certainly reach by the end of business on Saturday. The film is on pace for $24 million over the three-day weekend and $30 million over four, matching our prediction perfectly. More...

Limited and VOD Releases: Don’t Wait for Tomorrow to see a Limited Release

August 31st, 2018

Inventing Tomorrow

It is a very busy week for limited releases, at least in terms of secondary VOD titles. There are only eight entries in the main list, and a couple of those didn’t have enough reviews, but I included anyway, because all of their reviews are currently positive. Inventing Tomorrow and Pick of the Litter are among a handful of documentaries that are worth checking out, as is Let the Corpses Tan. More...

Ya Veremos Trailer

August 6th, 2018

Romantic drama starring Mauricio Ochmann, Fernanda Castillo, and Emiliano Aramayo opens August 31 ... Full Movie Details.

The story of Santi, a preteen who is dealing with the recent separation of his parents Rodrigo and Alejandra. Despite their divorce, Santi’s parents are both desperately devoted to their son. When the three learn that Santi has a medical condition that could jeopardize his eyesight, Santi’s father encourages him to make a list of places and things he wants to see and do before losing his sight completely. Santi immediately obliges with an elaborate list but with one condition—the estranged couple must come together to help him fulfill his dreams. As the three embark on an amazing, and sometimes wacky, adventure, the couple must learn how to live together for the sake of their son. But will the adventure open their eyes and make separating impossible? We’ll see… More...

2018 Preview: August

August 1st, 2018

Christopher Robin

Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/08/03 1 $3,287,656   0     $3,935,927 1
2018/08/10 2 $1,670,187 -49% 0     $7,392,544 2
2018/08/17 4 $831,038 -50% 0     $9,082,658 3
2018/08/24 7 $436,284 -48% 0     $9,975,555 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Mexico 8/2/2018 $3,287,656 0 0 0 $9,975,555 9/1/2018
North America 8/31/2018 $1,807,322 369 369 1,201 $4,165,949
 
Worldwide Total$14,141,504 9/1/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pedro Pablo Ibarra Director
Alberto Bremer Screenwriter
Jacobo Nazar Producer
Rodrigo Trujillo Producer