United Kingdom Box Office for The World Is Not Enough (1999)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $44,627,140 | Details |
| Worldwide Box Office | $361,730,660 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $135,000,000 |
| United Kingdom Releases: | November 26th, 1999 (Wide), released as The World Is Not Enough |
| Video Release: | May 16th, 2000 by MGM Video |
| MPAA Rating: | PG-13 for intense sequences of action violence, some sexuality and innuendo |
| Running Time: | 128 minutes |
| Franchise: | James Bond |
| Keywords: | Secret Agent |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Eon Productions, Metro-Goldwyn-Mayer Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
DVD and Blu-ray Releases for October 2nd, 2012
October 2nd, 2012
It's the first week of the month and there is a wide variety of releases worth checking out, but not exactly a strong selection of best sellers. The biggest first-run release is Dark Shadows and while I'm looking forward to possibly reviewing the Blu-ray Combo Pack, I don't think it will be a huge hit. New Girl: Season One and The Princess Bride: 25th Anniversary Edition Blu-ray look great, but I'm waiting for the screeners to make final decisions. I won't get a chance to review Universal Classic Monsters: The Essential Collection, but it is a contender for Pick of the Week. The winner of that honor is Cinderella Blu-ray, which is a classic, even if it is a little old-fashioned.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/07/03 | 35 | $2,590 | 27 | $96 | $44,627,140 | 815 | |
| 2022/08/19 | - | $8,188 | 99 | $83 | $8,188 | 1,187 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| New Zealand | 12/23/1999 | $0 | 0 | 6 | 6 | $397 | 10/19/2022 |
| North America | 11/19/1999 | $35,519,007 | 3,163 | 3,165 | 25,502 | $126,930,660 | |
| United Kingdom | 11/26/1999 | $0 | 0 | 99 | 126 | $44,627,140 | 8/24/2022 |
| Rest of World | $190,172,463 | ||||||
| Worldwide Total | $361,730,660 | 10/19/2022 | |||||
Leading Cast
| Pierce Brosnan | James Bond |
Supporting Cast
| Sophie Marceau | Elektra King |
| Robert Carlyle | Viktor Zokas (Renard) |
| Denise Richards | Dr. Christmas Jones |
| Robbie Coltrane | Valentin Dimitreveych Zukovsky |
| Judi Dench | M |
| Samantha Bond | Miss Moneypenny |
| Desmond Llewelyn | Q |
| John Cleese | R |
| Maria Grazia Cucinotta | Gulietta |
| Goldie | Bull |
| Ulrich Thomsen | Sasha Davidov |
| Claude-Oliver Rudolph | Colonel Akakievich |
| Colin Salmon | Charles Robinson |
| Michael Kitchen | Bill Tanner |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Michael Apted | Director |
| Neal Purvis | Screenwriter |
| Robert Wade | Screenwriter |
| Bruce Feirstein | Screenwriter |
| Neal Purvis | Story Creator |
| Michael G. Wilson | Producer |
| Barbara Broccoli | Producer |
| Robert Wade | Story Creator |
| Anthony Waye | Line Producer |
| Peter Lamont | Production Designer |
| Adrian Biddle | Cinematographer |
| Jim Clark | Editor |
| David Arnold | Composer |
| Lindy Hemming | Costume Designer |
| Nigel Goldsack | Associate Producer |
| Gerry Gavigan | Assistant Director |
| Vic Armstrong | Second Unit Director |
| Philip Kohler | Production Supervisor |
| Janine Modder | Production Supervisor |
| Hugh Harlow | Production Supervisor |
| Neil Lamont | Supervising Art Director |
| Andrew Ackland-Snow | Art Director |
| Steve Lawrence | Art Director |
| Fred Hole | Art Director |
| Simon Lamont | Art Director |
| Mark Harris | Art Director |
| Jim Morahan | Art Director |
| Simon Wakefield | Set Decorator |
| Jonathan Taylor | Second Unit Camera |
| Tim Wooster | Underwater Photography |
| Mara Bryan | Visual Effects Supervisor |
| Chris Corbould | Special Effects Coordinator |
| John Richardson | Special Effects |
| Chris Munro | Production Sound Mixer |
| John Hayward | Re-recording Mixer |
| Graham Hartstone* | Re-recording Mixer |
| Richard Pryke | Re-recording Mixer |
| Michael Carter | Re-recording Mixer |
| Martin Evans | Supervising Sound Editor |
| Peter Bond | Sound Effects Editor |
| Andy Kennedy | Sound Effects Editor |
| John Cochrane | Dialogue Editor |
| Dina Eaton | Music Editor |
| Linda de Vetta | Makeup |
| Colin Jamison | Hairstylist |
| Debbie McWilliams | Casting Director |
| Simon Crane | Stunt Coordinator |
| Richard Roberts | Set Decorator |
| Terry Madden | Assistant Director: Second Unit |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.