South Korea Box Office for Will You Please Stop, Please (더 납작 엎드릴게요) (2024)
Theatrical Performance (US$) | ||
South Korea Box Office | $21,488 | Details |
Worldwide Box Office | $21,488 | Details |
Further financial details... |
Synopsis
It’s been 5 years since Hye-in, the youngest, started working at the publishing company next to the Buddhist temple, and is still suffering from ‘Habitual Stooping Syndrome’. She is in charge of proofreading and editing at a publishing company. She reports work to a monk, and since she is called Bodhisattva by her title, she tries to work like a Bodhisattva…
Metrics
Movie Details
South Korea Releases: | July 10th, 2024 (Limited) |
Running Time: | 63 minutes |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | Republic of Korea |
Languages: | Korean |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2024/07/12 | - | $3,980 | 24 | $166 | $10,839 | 1 | |
2024/07/19 | - | $2,723 | -32% | 19 | $143 | $16,262 | 2 |
2024/07/26 | - | $1,420 | -48% | 14 | $101 | $18,933 | 3 |
2024/08/02 | - | $981 | -31% | 8 | $123 | $21,488 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
South Korea | 7/10/2024 | $3,980 | 24 | 24 | 65 | $21,488 | 8/7/2024 |
Worldwide Total | $21,488 | 8/7/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Kim Eun-young IV | Director |