France Box Office for Wildlife (2018)
Theatrical Performance (US$) | ||
France Box Office | $935,764 | Details |
Worldwide Box Office | $3,754,539 | Details |
Further financial details... |
Synopsis
Sensitive 16-year-old Joe is the only child of Jeanette and Jerry—a housewife and golf pro in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job-and his sense of purpose he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves. Suddenly forced into the role of an adult, Joe witnesses his mother embark on her own adventure, as she transgresses into an affair with an older man.
Metrics
Movie Details
France Releases: | December 21st, 2018 (Wide) |
Video Release: | May 19th, 2020 by IFC Video |
MPAA Rating: | PG-13 for thematic material including a sexual situation, brief strong language, and smoking. (Rating bulletin 2536 (Cert #51693), 7/18/2018) |
Running Time: | 104 minutes |
Keywords: | Coming of Age, Relationships Gone Wrong, 1960s, Actors Making Their Directorial Debut, Sundance Film Festival 2018 |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | June Pictures, Nine Stories Productions, IFC Films, Magic Child, Sight Unseen |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for May 26th, 2020
May 26th, 2020
The main list of DVD and Blu-ray releases is much shorter than usual, but the hit-to-miss ratio is amazing as there are no real duds. Solid Metal Nightmares has the smallest target audience, but even then, it will be loved by fans. As for Pick of the Week contenders, The Invisible Man and Konosuba were the two best bets. I went with The Invisible Man, as you need to be a fan of isekai anime to really get Konosuba. You also need a higher tolerance of pervvy humor. Although that might be a selling point for some.
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Theater Averages: Box Office Feels the Winter Chill
December 27th, 2018
There were not many new limited releases releases, which let If Beale Street Could Talk remain on top with an average of $21,853 in five theaters. Cold War was the best of the new releases with an average of $18,118 in three theaters. The only other film in the $10,000 club over the weekend was Aquaman with an average of $16,485. Two films had averages of over $10,000 during their Christmas Day debuts, On the Basis of Sex (average of $14,483 in 33 theaters) and Destroyer (average of $10,246 in three).
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2018 - Awards Season: Independent Spirit Awards - Nominations
November 17th, 2018
The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio.
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Theater Averages: Mid90s Kickflips to the Top
October 25th, 2018
Mid90s had a much better than expected start earning an average of $64,539 in four theaters. This is the third highest theater average of 2018 behind just Free Solo ($73,572 in four theaters) and Eighth Grade ($65,949 also in four theaters). On the other hand, its reviews are good, but not great, so it could struggle to expand wide. That said, I would be absolutely shocked if the film didn’t earn some measure of mainstream success after this start. Can You Ever Forgive Me? opened in second place with an average of $32,302 in five theaters. Its reviews are award-worthy, so it should have very long legs and if it actually picks up some major award nominations, it could expand truly wide. Wildlife also rode amazing reviews to an average of $26,147 in four theaters. The overall box office leader, Halloween, was next with an average of $19,405. The Price of Everything opened with $16,817 in one theater, while the re-release of Wings of Desire managed $12,885, also in one theater.
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Limited and VOD Releases: Missing these Limited Releases is Unforgivable
October 19th, 2018
It’s an excellent week for limited releases with a trio of amazing films that have great star power as well. Can You Ever Forgive Me?, What They Had, and Wildlife all have a shot at box office success. Not to mention several documentaries, like On Her Shoulders, Sharkwater Extinction, Transformer, that could do well in limited release.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/2/2018 | $10,610 | 7 | 9 | 33 | $58,092 | 1/3/2019 |
Austria | 4/12/2019 | $1,731 | 1 | 7 | 31 | $18,626 | 6/25/2019 |
Croatia | 12/20/2018 | $0 | 0 | 1 | 2 | $11,532 | 1/23/2019 |
France | 12/21/2018 | $0 | 0 | 139 | 379 | $935,764 | 3/9/2019 |
Japan | 7/5/2019 | $22,330 | 7 | 9 | 45 | $130,459 | 9/8/2019 |
Netherlands | 12/21/2018 | $43,680 | 31 | 35 | 124 | $242,315 | 3/15/2019 |
North America | 10/19/2018 | $104,589 | 4 | 105 | 509 | $1,050,616 | |
Russia (CIS) | 10/18/2018 | $52,928 | 139 | 139 | 270 | $134,824 | 3/9/2019 |
South Africa | 1/11/2019 | $0 | 0 | 6 | 8 | $5,867 | 1/29/2019 |
South Korea | 12/25/2019 | $24,449 | 49 | 49 | 113 | $85,027 | 2/7/2020 |
Thailand | 11/15/2018 | $1,250 | 1 | 2 | 7 | $5,322 | 12/27/2018 |
Turkey | 1/4/2019 | $18,090 | 40 | 40 | 71 | $37,021 | 2/10/2019 |
United Kingdom | 11/9/2018 | $88,213 | 59 | 59 | 243 | $361,765 | 2/12/2019 |
Rest of World | $677,309 | ||||||
Worldwide Total | $3,754,539 | 2/7/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Carey Mulligan | Jeanette Brinson |
Jake Gyllenhaal | Jerry Brinson |
Supporting Cast
Ed Oxenbould | Joe Brinson |
Bill Campbell | Warren Miller |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Paul Dano | Director |
Paul Dano | Screenwriter |
Zoe Kazan | Screenwriter |
Richard Ford | Story based on the book by |
Andrew Duncan | Producer |
Alex Saks | Producer |
Paul Dano | Producer |
Oren Moverman | Producer |
Ann Ruark | Producer |
Jake Gyllenhaal | Producer |
Riva Marker | Producer |
Zoe Kazan | Executive Producer |
Ted Deiker | Executive Producer |
Eddie Vaisman | Executive Producer |
Bess Weatherman | Executive Producer |
Diego Garcia | Director of Photography |
Akin McKenzie | Production Designer |
Matthew Hannam | Editor |
Louise Ford | Editor |
Amanda Ford | Costume Designer |
Susan Jacobs | Music Supervisor |
Dani Johnson | Associate Producer |
Laura Rosenthal | Casting Director |