United Kingdom Box Office for Wicked Little Letters (2024)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $11,979,444 | Details |
| Worldwide Box Office | $24,146,405 | Details |
| Further financial details... | ||
Synopsis
A 1920s English seaside town bears witness to a farcical and occasionally sinister scandal in this riotous mystery comedy. A story of two neighbours: deeply conservative local Edith Swan and rowdy Irish migrant Rose Gooding. When Edith and fellow residents begin to receive wicked letters full of unintentionally hilarious profanities, foul-mouthed Rose is charged with the crime. The anonymous letters prompt a national uproar, and a trial ensues. However, as the town’s women—led by Police Officer Gladys Moss—begin to investigate the crime themselves, they suspect that something is amiss, and Rose may not be the culprit after all.
Metrics
Movie Details
| United Kingdom Releases: | February 23rd, 2024 (Limited) |
| MPAA Rating: | R for language throughout and sexual material. (Rating bulletin 2822 (cert #54861), 2/21/2024) |
| Running Time: | 100 minutes |
| Keywords: | 1920s, Scandal, Set in England, Black Comedy, Immigration, Falsely Accused |
| Source: | Based on Real Life Events |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Blueprint Pictures, South of the River Pictures, StudioCanal, Film4, People Person Pictures, Sony Pictures Classics |
| Production Countries: | France, United Kingdom |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2024/02/23 | 2 | $2,082,628 | 683 | $3,049 | $2,082,628 | 1 | |
| 2024/03/01 | 3 | $1,483,920 | -29% | 706 | $2,102 | $5,389,124 | 2 |
| 2024/03/08 | 2 | $1,154,595 | -22% | 702 | $1,645 | $7,810,171 | 3 |
| 2024/03/15 | 2 | $751,287 | -35% | 690 | $1,089 | $9,368,623 | 4 |
| 2024/03/22 | 4 | $470,706 | -37% | 630 | $747 | $10,284,567 | 5 |
| 2024/03/29 | 8 | $253,188 | -46% | 316 | $801 | $11,051,816 | 6 |
| 2024/04/05 | 9 | $147,471 | -42% | 224 | $658 | $11,523,719 | 7 |
| 2024/04/12 | 13 | $72,456 | -51% | 191 | $379 | $11,580,739 | 8 |
| 2024/04/19 | 18 | $42,627 | -41% | 164 | $260 | $11,701,106 | 9 |
| 2024/04/26 | - | $18,521 | -57% | 102 | $182 | $11,849,582 | 10 |
| 2024/05/03 | - | $15,248 | -18% | 55 | $277 | $11,979,444 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/21/2024 | $503,620 | 300 | 300 | 1731 | $3,067,577 | 5/14/2024 |
| Belgium | 3/13/2024 | $0 | 0 | 0 | 0 | $0 | |
| Brazil | 7/25/2024 | $0 | 0 | 0 | 0 | $0 | |
| Finland | 5/3/2024 | $23,036 | 85 | 85 | 158 | $80,095 | 5/13/2024 |
| France | 3/13/2024 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 3/28/2024 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 4/18/2024 | $361,281 | 0 | 0 | 0 | $1,235,817 | 5/13/2024 |
| Mexico | 7/25/2024 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 3/8/2024 | $239,148 | 115 | 120 | 871 | $1,650,456 | 5/13/2024 |
| New Zealand | 3/21/2024 | $139,724 | 97 | 106 | 694 | $978,373 | 5/13/2024 |
| North America | 3/29/2024 | $76,654 | 5 | 1,009 | 3,405 | $4,606,802 | |
| Portugal | 4/25/2024 | $47,386 | 57 | 57 | 114 | $108,656 | 5/14/2024 |
| South Africa | 3/1/2024 | $0 | 0 | 0 | 0 | $0 | |
| Spain | 4/5/2024 | $133,173 | 115 | 125 | 364 | $439,185 | 5/3/2024 |
| United Kingdom | 2/23/2024 | $2,082,628 | 683 | 706 | 4463 | $11,979,444 | 5/8/2024 |
| Worldwide Total | $24,146,405 | 5/14/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Olivia Colman | Edith Swan |
| Jessie Buckley | Rose Gooding |
| Anjana Vasan | Gladys Moss |
| Malachi Kirby | Bill |
| Timothy Spall | Edward Swan |
Supporting Cast
| Joanna Scanlan | Ann |
| Gemma Jones | Victoria Swan |
| Lolly Adefope | Kate |
| Eileen Atkins | Mabel |
| Hugh Skinner | Constable Papperwick |
| Paul Chahidi | Chief Constable Spedding |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Thea Sharrock | Director |
| Jonny Sweet | Screenwriter |
| Graham Broadbent | Producer |
| Pete Czernin | Producer |
| Ed Sinclair | Producer |
| Olivia Colman | Producer |
| Jo Wallett | Producer |
| Anna Marsh | Executive Producer |
| Ron Halpern | Executive Producer |
| Joe Naftalin | Executive Producer |
| Daniel Battsek | Executive Producer |
| Ollie Madden | Executive Producer |
| Farhana Bhula | Executive Producer |
| Diarmuid McKeown | Executive Producer |
| Ben Knight | Executive Producer |
| Tom Carver | Executive Producer |
| Jonny Sweet | Executive Producer |
| Simon Bird | Executive Producer |
| Emma Mager | Co-Producer |
| Ben Davis | Director of Photography |
| Melanie Ann Oliver | Editor |
| Cristina Casali | Production Designer |
| Charlotte Walter | Costume Designer |
| Isobel Waller-Bridge | Composer |
| Sarah Bridge | Music Supervisor |
| Nick Angel | Music Supervisor |
| Jina Jay | Casting Director |