Japan Box Office for Wî â Ritoru Zonbîzu (2019)
Theatrical Performance (US$) | ||
Japan Box Office | $0 | Details |
Worldwide Box Office | $0 | Details |
Further financial details... |
Synopsis
When four young orphans—Hikari, Ikuko, Ishi, and Takemura—first meet, their parents’ bodies are being turned into dust, like fine Parmesan atop a plate of spaghetti Bolognese, and yet none of them can shed a tear. They are like zombies; devoid of all emotion. With no family, no future, no dreams, and no way to move forward, the young teens decide that the first level of this new existence involves salvaging a gaming console, an old electric bass, and a charred wok from their former homes—just enough to start a band-and then conquer the world. Tragedy, comedy, music, social criticism, and teenage angst are all subsumed in this eccentric cinematic tsunami.
Metrics
Movie Details
Japan Releases: | June 14th, 2019 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 120 minutes |
Keywords: | Sundance Film Festival 2019 |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | Japan |
Languages: | Japanese |
Will These Limited and Virtual Releases have Audiences in the Palm of Their Hands?
July 9th, 2020
I am not hopeful about this weekend’s box office chances. Granted, there are some movies earning stellar reviews, but none of them have a hope of box office success. Palm Springs is the biggest and arguably best film on this week’s list, but it is also streaming on Hulu, so I expect it to go nowhere at the box office.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Japan | 6/14/2019 | $0 | 0 | 0 | 0 | $0 | |
North America | 7/10/2020 | $0 | 0 | 0 | 0 | $0 | |
Worldwide Total | $0 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Makoto Nagahisa | Director |
Makoto Nagahisa | Screenwriter |