Portugal Box Office for A Rapariga Selvagem (2022)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $203,403 | Details |
| Worldwide Box Office | $144,353,965 | Details |
| Home Market Performance | ||
| North America DVD Sales | $4,090,671 | Details |
| North America Blu-ray Sales | $2,891,558 | Details |
| Total North America Video Sales | $6,982,229 | |
| Further financial details... | ||
Synopsis
Kya is an abandoned girl who raised herself to adulthood in the dangerous marshlands of North Carolina. For years, rumors of the “Marsh Girl” haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, Kya opens herself to a new and startling world; but when one of them is found dead, she is immediately cast by the community as the main suspect. As the case unfolds, the verdict as to what actually happened becomes increasingly unclear, threatening to reveal the many secrets that lay within the marsh.
Metrics
Movie Details
| Production Budget: | $24,000,000 |
| Portugal Releases: | September 1st, 2022 (Wide), released as A Rapariga Selvagem |
| Video Release: | August 30th, 2022 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG-13 for sexual content and some violence including a sexual assault. (Rating bulletin 2739 (cert #53621), 7/6/2022) |
| Running Time: | 125 minutes |
| Keywords: | Murder Mystery, Dysfunctional Family, Abandoned Child, Addiction, Domestic Abuse, Child Abuse, Sex Crimes, Relationships Gone Wrong, Coming of Age, Mystery Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 3000 Pictures, Hello Sunshine, Columbia Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Three new entries predicted in top ten, but Thor won’t be challenged at the top
July 15th, 2022
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This is another busy week at the box office, with four new movies opening nationwide and two films that each topped $100 million on opening weekend going into their second and third weeks in theaters. There’s not much doubt which film will top the chart (spoiler alert: it’s Thor: Love and Thunder), but our model has been working overtime to compile a predicted top ten.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/09/02 | 6 | $53,393 | 59 | $905 | $53,393 | 1 | |
| 2022/09/09 | 5 | $44,233 | -17% | 62 | $713 | $128,024 | 2 |
| 2022/09/16 | 7 | $21,641 | -51% | 50 | $433 | $173,882 | 3 |
| 2022/09/23 | 10 | $8,934 | -59% | 22 | $406 | $184,781 | 4 |
| 2022/09/30 | 17 | $4,177 | -53% | 11 | $380 | $194,161 | 5 |
| 2022/10/07 | - | $2,437 | -42% | 7 | $348 | $198,627 | 6 |
| 2022/10/14 | - | $258 | -89% | 2 | $129 | $198,493 | 7 |
| 2022/10/21 | - | $292 | +13% | 1 | $292 | $201,295 | 8 |
| 2022/10/28 | - | $414 | +42% | 2 | $207 | $203,403 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/21/2022 | $1,706,798 | 485 | 487 | 3352 | $7,924,276 | 2/27/2023 |
| Brazil | 9/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| China | 11/25/2022 | $20,000 | 53 | 28845 | 40280 | $1,180,000 | 1/30/2023 |
| Croatia | 8/19/2022 | $18,446 | 35 | 35 | 117 | $65,611 | 9/30/2022 |
| Czech Republic | 9/29/2022 | $5,081 | 30 | 110 | 251 | $89,590 | 11/15/2022 |
| Denmark | 9/29/2022 | $530,000 | 0 | 0 | 0 | $530,000 | 10/2/2022 |
| Finland | 9/2/2022 | $209,934 | 109 | 109 | 813 | $1,713,402 | 11/26/2022 |
| France | 8/17/2022 | $560,000 | 0 | 0 | 0 | $560,000 | 8/22/2022 |
| Germany | 8/18/2022 | $1,000,000 | 0 | 0 | 0 | $1,000,000 | 8/22/2022 |
| Italy | 10/13/2022 | $142,195 | 0 | 0 | 0 | $247,629 | 10/24/2022 |
| Japan | 11/18/2022 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 9/1/2022 | $381,392 | 0 | 0 | 0 | $1,166,591 | 9/13/2022 |
| Netherlands | 7/28/2022 | $163,836 | 115 | 115 | 916 | $1,095,562 | 10/11/2022 |
| New Zealand | 7/21/2022 | $249,176 | 113 | 113 | 800 | $1,073,010 | 11/7/2022 |
| North America | 7/15/2022 | $17,253,227 | 3,650 | 3,650 | 28,742 | $90,230,760 | |
| Portugal | 9/1/2022 | $53,393 | 59 | 62 | 216 | $203,403 | 11/1/2022 |
| Romania | 8/19/2022 | $51,945 | 65 | 65 | 438 | $468,215 | 12/14/2022 |
| Slovakia | 9/29/2022 | $21,072 | 60 | 60 | 134 | $57,967 | 11/23/2022 |
| South Korea | 11/2/2022 | $38,076 | 258 | 258 | 303 | $105,725 | 11/23/2022 |
| Spain | 9/30/2022 | $108,589 | 322 | 322 | 722 | $340,563 | 11/4/2022 |
| Sweden | 8/19/2022 | $435,000 | 0 | 0 | 0 | $435,000 | 8/22/2022 |
| Turkey | 9/9/2022 | $12,484 | 108 | 108 | 169 | $25,404 | 9/8/2023 |
| United Kingdom | 7/22/2022 | $1,677,529 | 684 | 703 | 3640 | $9,363,937 | 9/26/2022 |
| Rest of World | $26,477,320 | ||||||
| Worldwide Total | $144,353,965 | 9/8/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Supporting Cast
| Taylor John Smith | Tate |
| Harris Dickinson | Chase |
| Michael Hyatt | Mabel |
| Sterling Macer, Jr. | Jumpin’ |
| David Strathairn | Tom Milton |
| Garret Dillahunt | Pa |
| Ahna O'Reilly | Ma |
| Jojo Regina | Little Kya |
| Bill Kelly | Sheriff Jackson |
| Eric Ladin | Eric Chastain |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Olivia Newman | Director |
| Reese Witherspoon | Producer |
| Lauren Levy Neustadter | Producer |
| Lucy Alibar | Screenwriter |
| Delia Owens | Story based upon the novel by |
| Rhonda Fehr | Executive Producer |
| Betsy Danbury | Executive Producer |
| Jonathan Wu | Executive Producer |
| Polly Morgan | Director of Photography |
| Sue Chan | Production Designer |
| Alan Edward Bell | Editor |
| Taylor Swift | Song Writer |
| Mychael Danna | Composer |
| Mirren Gordon-Crozier | Costume Designer |