Nigeria Box Office for When the Bough Breaks (2016)
Theatrical Performance (US$) | ||
Nigeria Box Office | $92,649 | Details |
Worldwide Box Office | $30,768,449 | Details |
Home Market Performance | ||
North America DVD Sales | $3,020,228 | Details |
North America Blu-ray Sales | $995,314 | Details |
Total North America Video Sales | $4,015,542 | |
Further financial details... |
Synopsis
John and Laura Taylor are a young, professional couple who desperately want a baby. After exhausting all other options, they finally hire Anna, the perfect woman to be their surrogate — but as she gets further along in her pregnancy, so too does her psychotic and dangerous fixation on the husband. The couple becomes caught up in Anna's deadly game and must fight to regain control of their future before it's too late.
Metrics
Movie Details
Production Budget: | $10,000,000 |
Nigeria Releases: | September 16th, 2016 (Wide) |
Video Release: | December 13th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for violence, sexuality/partial nudity, thematic elements, some disturbing images, and language. (Rating bulletin 2422 (Cert #49740), 4/27/2016) |
Running Time: | 107 minutes |
Keywords: | African Americans, Unconventional Pregnancies, Obsession, Psychological Thriller, Killing in Self Defence, Erotic Thriller |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Screen Gems, Unique Features |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 27th, 2016
December 26th, 2016
This Tuesday is the day after Boxing Day. I don’t know if there is a worse possible day to release something on the home market. There are a few films on this week’s list you could call busted Oscar bait, but almost nothing that is a contender for Pick of the Week. Fortunately, it is almost nothing and not completely nothing. A Man Called Ove is the best release and the DVD or Blu-ray are clearly the Pick of the Week.
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Home Market Releases for December 13th, 2016
December 12th, 2016
This is a strange week on the home market. We have one of the biggest domestic hits of the year, Suicide Squad, but it is one of the worst movies I’ve seen this year. (Granted, I’ve done fewer reviews this year and skipped a lot of terrible looking movies, like Independence Day: Resurgence, Warcraft, Gods of Egypt, Allegiant... Ben Hur, The Huntsman, The Legend of Tarzan. I could keep going. Wow! It was a bad year for $100 million movies.) After Suicide Squad, the next biggest release according to Amazon is the Chicago Cubs 2016 World Series Collector's Edition Blu-ray. That’s a huge drop in sales. As far as quality is concerned, I have to give a shout out to that World Series Blu-ray. Real fans want full games and this one provides them. On the other hand, I personally find baseball boring to watch. Unfortunately, there’s no one release that stands out as an obvious Pick of the Week, but instead we have a lot of releases that are close, but wouldn’t be close enough during a good week. The Twilight Zone: The Complete Series on Blu-ray is the best, assuming you didn’t grab the individual seasons when they came out.
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Weekend Predictions: Baby vs. Witch
September 15th, 2016
There are three wide releases this week, plus another that could sneak into the top ten. Two of the three new releases, Blair Witch and Bridget Jones’s Baby, are expected to do well. On the other hand, Snowden is only going to reach the top five due to the lack of competition. Meanwhile, Hillsong: Let Hope Rise is a faith-based concert film. It could reach the top five, or it could miss the Mendoza Line. There’s no way to predict its box office potential. Despite the number of new releases, Sully is expected to remain in top spot thanks to its reviews and target demographic. This weekend last year, Maze Runner: The Scorch Trials led the way with just over $30 million. It is likely no film will make that this year, while the depth is a mixed bag, so it looks like 2016 will lose in the year-over-year comparison.
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Weekend Wrap-Up: Sully Saves the Box Office with $35.03 million
September 13th, 2016
Four films opened wide or semi-wide over the weekend, but only one of them, Sully, did well at the box office. It earned more than double its nearest competition, When the Bough Breaks, at $35.03 million to $14.20 million. The other two new releases bombed. Overall, the box office was flat, up 1.1% from last weekend to $101 million. This was also flat when compared to last year, down just 1.7%. Since this weekend was so close to last weekend, it should come as no surprise that the year-over-year comparison hardly moved. This time last week, 2016 was ahead of 2016 by just over 6.7%, while this week its lead is just under 6.8% at $8.10 billion to $7.58 billion.
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Weekend Estimates: Sully Executes Safe Landing with $35.5 Million
September 11th, 2016
Friday Estimates: Sully Breaks Bough
September 10th, 2016
Sully is the only new release not to disappoint this weekend, as it earned $12.21 million on Friday. This is well ahead of Tom Hanks’ recent trio of real-life movies. It tops Captain Philips’ opening day by nearly 50%, and that movie went on to earn more than $100 million domestically. Additionally, the film’s reviews improved and hit 84% positive. That’s on the low end of potential Awards Season buzz, but it isn’t impossible to get there. It also earned a solid A from CinemaScore, which suggests good word-of-mouth. As for its opening weekend chances, it is on pace for about $35 million over the weekend and I’m predicting $100 million domestically. There’s no way the studio isn’t happy with that.
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Weekend Predictions: The Real Work Begins
September 8th, 2016
The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition.
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Contest: Don’t Sully Your Reputation
September 1st, 2016
There may be as many as four wide releases coming out next week; however, the weekend will be a two-horse race between Sully and When the Bough Breaks. Sully should have no trouble being the biggest hit overall, but When the Bough Breaks is a thriller and those films tend to open a lot faster, but collapse quickly. Because of that, it has a chance at earning first place during its opening weekend. In these cases, I flip a coin to decide which film should be the target film and Sully is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Sully.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: September
September 1st, 2016
August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/09/16 | - | $19,032 | 27 | $705 | $19,032 | 1 | |
2016/09/23 | - | $20,988 | +10% | 27 | $777 | $53,178 | 2 |
2016/10/07 | - | $6,760 | 21 | $322 | $83,966 | 4 | |
2016/10/14 | - | $2,199 | -67% | 7 | $314 | $90,521 | 5 |
2016/10/28 | - | $147 | 2 | $74 | $92,649 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 9/8/2016 | $0 | 0 | 3 | 9 | $19,569 | 12/31/2018 |
Curacao | 9/8/2016 | $0 | 0 | 4 | 14 | $49,298 | 12/31/2018 |
Denmark | 9/22/2016 | $735 | 1 | 1 | 2 | $1,404 | 10/4/2016 |
Ghana | 9/16/2016 | $0 | 0 | 2 | 8 | $17,758 | 12/31/2018 |
Jamaica | 9/14/2016 | $25,552 | 5 | 5 | 18 | $89,278 | 12/31/2018 |
Kenya | 9/16/2016 | $0 | 0 | 7 | 8 | $8,470 | 12/31/2018 |
Lebanon | 9/15/2016 | $11,687 | 9 | 9 | 9 | $11,687 | 12/31/2018 |
Nigeria | 9/16/2016 | $19,032 | 27 | 27 | 84 | $92,649 | 12/31/2018 |
North America | 9/9/2016 | $14,202,323 | 2,246 | 2,246 | 7,692 | $29,747,603 | 4/4/2018 |
South Africa | 11/4/2016 | $0 | 0 | 45 | 133 | $326,161 | 11/29/2016 |
Suriname | 9/15/2016 | $5,038 | 1 | 1 | 6 | $15,769 | 12/31/2018 |
Trinidad | 9/14/2016 | $67,429 | 14 | 14 | 52 | $194,580 | 12/31/2018 |
United Arab Emirates | 9/15/2016 | $55,281 | 35 | 35 | 35 | $55,281 | 12/31/2018 |
Rest of World | $138,942 | ||||||
Worldwide Total | $30,768,449 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Morris Chestnut | John Taylor |
Regina Hall | Laura Taylor |
Jaz Sinclair | Anna Walsh |
Supporting Cast
Romany Malco | Todd Decker |
Michael Kenneth Williams | Roland White |
Theo Rossi | Mike Mitchell |
Glenn Morshower | Martin Cooper |
Gigi Erneta | Dr. Grace Park |
Tom Nowicki | Peter Kaye |
Denise Gossett | Carol |
Janee Michelle | John's Mother |
Carrie Lazar | Yoga Instructor |
Ariadne Joseph | Nurse |
Matt Mitchell | Security Guard |
Maurice Johnson | Security Guard |
John Boutte | Charity Singer |
Ted Ferguson | Judge Paulson |
Steve Terada | Young Researcher |
Brett Baker | Police Officer |
Jonathan Arthur | Police Officer |
Greg Rementer | Police Officer |
Edwin Compass | Party Guest |
Cameos
Chef John Folse* | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jon Cassar | Director |
Bob Shaye | Producer |
Michael Lynne | Producer |
Jack Olsen | Screenwriter |
Dylan Sellers | Executive Producer |
Glenn S. Gainor | Executive Producer |
Morris Chestnut | Executive Producer |
David Moxness | Director of Photography |
Chris Cornwell | Production Designer |
Scott Powell | Editor |
John Frizzell | Composer |
Olivia Miles | Costume Designer |
Valerie Bleth Sharp | Co-Producer |
Eric Geisler | Visual Effects Supervisor |
Gary J. Tunnicliffe | Special Make-up Effects |
Glenn S. Gainor | Unit Production Manager |
Mark Anthony Little | First Assistant Director |
George R Bott | Assistant Director |
Sean M. Gowrie* | Production Supervisor |
Brian Dukes | Associate Producer |
Charlie Campbell | Art Director |
Teresa Visinare | Set Decorator |
Jody Blose | Script Supervisor |
Steffany Bernstein-Pratt | Costume Supervisor |
Vonda Morris | Make up |
Kellie Robinson | Make up |
Melissa Forney | Hairstylist |
Justi Embree | Hairstylist |
Dick Hansen | Sound Mixer |
Ken Clark | Special Effects Coordinator |
Brian O'Neill | Location Manager |
Dave Kelsey | Set Designer |
Bart Rachmil | Assistant Editor |
Steve Pederson | Re-recording Mixer |
Steven Ticknor | Re-recording Mixer |
Steven Ticknor | Supervising Sound Editor |
Daniel Pagan | Sound Effects Editor |
Jamie Hardt | Sound Effects Editor |
Robert C. Jackson | Dialogue/ADR Editor |
Brian Richards | Music Editor |
Derek Syverud | Music Editor |
Peter Fuchs | Score Recordist |
Schuyler Johnson | Score Mixer |
Raoul Yorke Bolognini | Visual Effects Producer |
Lance Gilbert | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.