Portugal Box Office for Todo o Tempo Que Temos (2024)

← Go to main We Live in Time page

We Live in Time
Theatrical Performance (US$)
Portugal Box Office $88,626Details
Worldwide Box Office $314,537Details
Further financial details...

Synopsis

A chance encounter with Tobias, a recently divorced man, changes Almut forever. But after they fall in love, build a house and start a family, a difficult truth comes to light.

Metrics

Movie Details

Portugal Releases: October 10th, 2024 (Limited), released as Todo o Tempo Que Temos
MPAA Rating: R for language, sexuality and nudity.
(Rating bulletin 2841 (cert #54879), 7/3/2024)
Running Time: 108 minutes
Keywords: Romance, Filmed in London, England, Romantic Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: StudioCanal, Sunny March, Film4, Shoebox Films, Canal Plus, Cine Plus, OCS.
Production Countries: France, United Kingdom
Languages: English

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2024/10/11 3 $88,626   61 $1,453   $88,626 1

Box Office Summary Per Territory

$00$00$00$00$00$00$00$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/23/2025 00$0
Brazil 10/31/2024 00$0
Finland 11/22/2024 00$0
France 1/22/2025 00$0
Germany 1/9/2025 00$0
Mexico 10/31/2024 00$0
North America 10/11/2024 $225,911 5 5 5 $225,911
Portugal 10/10/2024 $88,626 61 61 61 $88,626 10/14/2024
Russia (CIS) 10/31/2024 00$0
Spain 1/3/2025 00$0
Sweden 11/1/2024 00$0
United Kingdom 1/1/2025 00$0
 
Worldwide Total$314,537 10/14/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Crowley Director
Nick Payne Screenwriter
Adam Ackland Producer
Leah Clarke Producer
Guy Heeley Producer
Benedict Cumberbatch Executive Producer
Ollie Madden Executive Producer
Daniel Battsek Executive Producer
David Kimbangi Executive Producer
Anna Marsh Executive Producer
Ron Halpern Executive Producer
Joe Naftalin Executive Producer
Tim Dennison Co-Producer
Stuart Bentley Director of Photography
Alice Normington Production Designer
Justine Wright Editor
Bryce Dessner Composer
Nick Angel Music Supervisor
Liza Bracey Costume Designer
Ivana Primorac Make-up and Hair Designer
Gisela Evert Post-Production Supervisor
Fiona Weir Casting Director