Austria Box Office for Warcraft (2016)
| Theatrical Performance (US$) | ||
| Austria Box Office | $1,653,565 | Details |
| Worldwide Box Office | $438,899,824 | Details |
| Home Market Performance | ||
| North America DVD Sales | $4,948,043 | Details |
| North America Blu-ray Sales | $12,509,543 | Details |
| Total North America Video Sales | $17,457,586 | |
| Further financial details... | ||
Synopsis
The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: Orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people and their home. So begins a spectacular saga of power and sacrifice in which war has many faces, and everyone fights for something.
Metrics
Movie Details
| Production Budget: | $160,000,000 |
| Austria Releases: | May 27th, 2016 (Wide) |
| Video Release: | September 13th, 2016 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for extended sequences of intense fantasy violence. (Rating bulletin 2400 (Cert #49858), 11/18/2015) |
| Running Time: | 123 minutes |
| Keywords: | Sword & Sorcerer, Invented Language, Visual Effects, Motion Capture Performance, 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Source: | Based on Game |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Universal Pictures, Legendary Pictures, Blizzard Entertainment, Atlas Entertainment |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/05/27 | 1 | $473,811 | 65 | $7,289 | $497,667 | 1 | |
| 2016/06/03 | 1 | $352,368 | -26% | 70 | $5,034 | $1,175,468 | 2 |
| 2016/06/10 | 1 | $179,963 | -49% | 70 | $2,571 | $1,417,796 | 3 |
| 2016/06/17 | 2 | $96,735 | -46% | 66 | $1,466 | $1,543,523 | 4 |
| 2016/06/24 | 3 | $39,825 | -59% | 38 | $1,048 | $1,595,884 | 5 |
| 2016/07/01 | 3 | $15,307 | -62% | 15 | $1,020 | $1,622,291 | 6 |
| 2016/07/08 | 3 | $7,490 | -51% | 8 | $936 | $1,638,726 | 7 |
| 2016/07/15 | 4 | $5,505 | -27% | 4 | $1,376 | $1,648,009 | 8 |
| 2016/07/22 | 4 | $1,365 | -75% | 3 | $455 | $1,650,036 | 9 |
| 2016/07/29 | 5 | $864 | -37% | 1 | $864 | $1,651,609 | 10 |
| 2016/08/05 | 6 | $739 | -14% | 1 | $739 | $1,652,575 | 11 |
| 2016/08/12 | 6 | $516 | -30% | 1 | $516 | $1,653,406 | 12 |
| 2016/08/19 | - | $159 | -69% | 1 | $159 | $1,653,565 | 13 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 7/1/2016 | $902,977 | 142 | 142 | 335 | $1,960,910 | 11/30/2018 |
| Australia | 6/17/2016 | $2,514,928 | 430 | 430 | 1075 | $4,772,734 | 8/24/2016 |
| Austria | 5/27/2016 | $473,811 | 65 | 70 | 343 | $1,653,565 | 8/24/2016 |
| Belgium | 6/1/2016 | $667,169 | 135 | 135 | 693 | $1,778,359 | 8/10/2016 |
| Brazil | 6/2/2016 | $2,691,059 | 1212 | 1212 | 1882 | $5,882,511 | 8/3/2016 |
| Bulgaria | 6/10/2016 | $228,507 | 0 | 0 | 0 | $706,163 | 2/26/2019 |
| Chile | 6/30/2016 | $330,767 | 60 | 60 | 117 | $611,462 | 12/31/2018 |
| China | 6/7/2016 | $65,030,000 | 125330 | 125330 | 214916 | $213,541,456 | 8/13/2018 |
| Colombia | 6/30/2016 | $841,614 | 193 | 193 | 396 | $1,699,972 | 12/20/2018 |
| Croatia | 6/9/2016 | $121,035 | 27 | 27 | 98 | $245,794 | 12/31/2018 |
| Cyprus | 6/17/2016 | $33,000 | 0 | 0 | 0 | $33,000 | 6/20/2016 |
| Czech Republic | 6/10/2016 | $790,158 | 145 | 145 | 483 | $1,794,716 | 12/31/2018 |
| Denmark | 5/26/2016 | $718,916 | 69 | 72 | 334 | $1,968,944 | 8/3/2016 |
| Ecuador | 6/10/2016 | $250,000 | 0 | 0 | 0 | $250,000 | 12/31/2018 |
| Finland | 6/10/2016 | $266,770 | 123 | 123 | 375 | $695,343 | 8/16/2016 |
| France | 5/25/2016 | $4,438,788 | 490 | 517 | 3122 | $14,136,472 | 8/3/2016 |
| Germany | 5/26/2016 | $5,804,790 | 608 | 652 | 3995 | $15,664,189 | 9/1/2016 |
| Greece | 6/10/2016 | $305,699 | 112 | 112 | 286 | $701,645 | 7/20/2016 |
| Hong Kong | 6/10/2016 | $1,291,672 | 46 | 46 | 157 | $2,499,502 | 7/12/2016 |
| Hungary | 5/26/2016 | $436,292 | 60 | 65 | 291 | $1,187,030 | 12/31/2018 |
| India | 6/10/2016 | $676,000 | 0 | 0 | 0 | $676,000 | 9/5/2016 |
| Israel | 6/10/2016 | $295,443 | 24 | 24 | 96 | $665,661 | 12/31/2018 |
| Italy | 6/1/2016 | $1,652,881 | 641 | 641 | 1382 | $3,975,641 | 7/27/2016 |
| Japan | 7/1/2016 | $272,247 | 47 | 47 | 162 | $658,557 | 8/10/2016 |
| Lithuania | 6/10/2016 | $77,385 | 155 | 155 | 393 | $188,237 | 7/20/2016 |
| Malaysia | 6/10/2016 | $1,467,434 | 134 | 134 | 461 | $2,518,539 | 7/20/2016 |
| Mexico | 6/17/2016 | $2,677,075 | 0 | 674 | 705 | $5,580,883 | 7/12/2016 |
| Netherlands | 6/2/2016 | $695,443 | 105 | 105 | 573 | $2,208,361 | 8/10/2016 |
| New Zealand | 6/17/2016 | $411,235 | 96 | 96 | 266 | $754,499 | 8/24/2016 |
| North America | 6/10/2016 | $24,166,110 | 3,400 | 3,406 | 9,650 | $47,365,290 | |
| Norway | 5/27/2016 | $691,077 | 142 | 142 | 349 | $1,479,944 | 8/16/2016 |
| Panama | 6/30/2016 | $521,207 | 23 | 23 | 36 | $921,370 | 12/31/2018 |
| Peru | 6/30/2016 | $716,138 | 91 | 91 | 212 | $1,312,890 | 12/31/2018 |
| Philippines | 5/25/2016 | $1,334,654 | 159 | 159 | 415 | $2,481,117 | 12/31/2018 |
| Poland | 6/10/2016 | $837,220 | 142 | 149 | 719 | $2,481,866 | 11/18/2018 |
| Portugal | 6/9/2016 | $285,400 | 68 | 75 | 262 | $786,057 | 8/3/2016 |
| Russia (CIS) | 5/26/2016 | $10,298,176 | 1249 | 1253 | 5258 | $22,850,672 | 12/31/2018 |
| Singapore | 6/10/2016 | $1,040,261 | 77 | 77 | 173 | $1,742,609 | 7/20/2016 |
| Slovakia | 6/9/2016 | $362,562 | 73 | 73 | 198 | $611,093 | 8/3/2016 |
| Slovenia | 5/26/2016 | $33,743 | 10 | 10 | 63 | $137,873 | 7/27/2016 |
| South Africa | 6/10/2016 | $282,857 | 140 | 143 | 431 | $785,145 | 8/10/2016 |
| South Korea | 6/10/2016 | $4,240,500 | 736 | 736 | 1520 | $8,709,364 | 7/20/2016 |
| Spain | 6/3/2016 | $2,518,617 | 614 | 650 | 2400 | $6,075,890 | 8/11/2016 |
| Sweden | 5/27/2016 | $1,284,953 | 143 | 143 | 506 | $3,443,697 | 8/3/2016 |
| Switzerland | 5/25/2016 | $616,038 | 59 | 73 | 324 | $1,681,321 | 8/10/2016 |
| Taiwan | 6/10/2016 | $2,868,245 | 133 | 133 | 395 | $4,854,972 | 7/20/2016 |
| Thailand | 5/26/2016 | $1,272,477 | 157 | 157 | 349 | $2,419,696 | 6/21/2016 |
| Trinidad | 6/10/2016 | $118,000 | 0 | 0 | 0 | $118,000 | 12/31/2018 |
| Turkey | 6/3/2016 | $947,967 | 453 | 453 | 1632 | $2,591,024 | 2/26/2019 |
| Ukraine | 6/10/2016 | $911,000 | 0 | 0 | 0 | $911,000 | 12/31/2018 |
| United Kingdom | 6/3/2016 | $5,261,689 | 500 | 509 | 1743 | $8,892,000 | 9/8/2018 |
| Uruguay | 7/8/2016 | $32,000 | 0 | 0 | 0 | $32,000 | 12/31/2018 |
| Venezuela | 6/17/2016 | $26,417 | 64 | 64 | 116 | $94,510 | 7/12/2016 |
| Vietnam | 6/10/2016 | $544,000 | 0 | 0 | 0 | $544,000 | 12/31/2018 |
| Rest of World | $26,566,279 | ||||||
| Worldwide Total | $438,899,824 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Travis Fimmel | Anduin Lothar |
| Paula Patton | Garona |
| Ben Foster | Medivh |
| Dominic Cooper | Llane Wrynn |
| Toby Kebbell | Durotan/Antonidas |
Supporting Cast
| Ben Schnetzer | Khadgar |
| Robert Kazinsky | Orgrim |
| Clancy Brown | Blackhand |
| Daniel Wu | Gul'dan |
| Ruth Negga | Lady Taria |
| Anna Galvin | Draka |
| Callum Keith Rennie | Moroes |
| Burkely Duffield | Callan |
| Ryan Robbins | Karos |
| Dean Redman | Varis/Caged Frostwolf |
| Glenn Ennis | Compound Guard |
| Terry Notary | Peon |
| Elena Wurlitzer | Draenei Mother |
| Michael Adamthwaite | King Magni |
| Anna Van Hooft | Aloman |
| Callan Mulvey | Warrior |
| Adrian McMorran | Officer |
| Kyle Rideout | Officer |
| Michael Antonakos | Officer |
| Elisabeth Rosen | Westfall Woman |
| Patrick Sabongui | Footman |
| Kent O’Connor | Footman |
| Wesley MacInnes | Gate Guard |
| Mackenzie Gray | Lordaerian Delegate |
| Christian Sloan | Elf Delegate |
| Valerie Wiseman | Kul Tiran Delegate |
| Dan Payne | Clansman |
| Eugene Lipinski | Finden |
| Christina Jastrzembska | Archmage |
| Travis MacDonald | Prison Mage |
| Frank C. Turner | Prison Mage |
| Tommy Rieder | Young Medivh |
| Dylan Schombing | Varian Wrynn |
| Donavon Stinson | Prison Soldier |
| Meelah Robbins | Scared Girl |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Duncan Jones | Director |
| Duncan Jones | Screenwriter |
| Charles Leavitt | Screenwriter |
| Charles Rosen | Producer |
| Thomas Tull | Producer |
| Jon Jashni | Producer |
| Alex Gartner | Producer |
| Stuart Fenegan | Producer |
| Jillian Share | Executive Producer |
| Brent O’Connor | Executive Producer |
| Mike Morhaime | Executive Producer |
| Paul Sams | Executive Producer |
| La Peikang | Executive Producer |
| Edward Cheng | Executive Producer |
| Qian Shimu | Executive Producer |
| Wang Zhonglei | Executive Producer |
| Gavin Bocquet | Production Designer |
| Paul Hirsch | Editor |
| Ramin Djawadi | Composer |
| Simon Duggan | Director of Photography |
| Chris Metzen | Co-Producer |
| Nick Carpenter | Co-Producer |
| Rob Pardo | Co-Producer |
| Mayes C. Rubeo | Costume Designer |
| Bill Westenhofer | Visual Effects Supervisor |
| Jeff White | Visual Effects Supervisor |
| Jason Smith | Visual Effects Supervisor |
| Hal Hickel | Animation Supervisor |
| Mark Soper | Visual Effects Producer |
| Mary Vernieu | Casting Director |
| Lindsay Graham | Casting Director |
| Brent O’Connor | Unit Production Manager |
| LeeAnn Stonebreaker | Unit Production Manager |
| Cecil O’Connor | Production Manager |
| Pete Whyte | First Assistant Director |
| Cindy Smith | Second Assistant Director |
| Rebecca Steel Roven | Co-Producer |
| Tom Struthers | Second Unit Director |
| Tom Struthers | Stunt Coordinator |
| Wylie Stateman | Supervising Sound Editor |
| Tom Bellfort | Supervising Sound Editor |
| Michael Tronick | Additional Editor |
| Gina Hirsch | Additional Editor |
| David E. Hall | Post-Production Supervisor |
| Mike Prestwood Smith | Re-recording Mixer |
| Michael Keller | Re-recording Mixer |
| Helen Jarvis | Supervising Art Director |
| Rod McLean | Art Director |
| Dan Hermansen | Art Director |
| Grant Van Der Slagt | Art Director |
| Margot Ready | Art Director |
| Douglas Higgins | Assistant Art Director |
| Harrison Yurkiw | Assistant Art Director |
| Elizabeth Wilcox | Set Decorator |
| Jessica Clothier | Script Supervisor |
| Eric Batut | Sound Mixer |
| Jana Rayne MacDonald | Costume Supervisor |
| Carolyn Bentley | Sets Supervisor |
| Connie Parker | Make up |
| Toby Lindala | Special Make-up Effects |
| Sanna Seppanen | Make up |
| Cameron Waldbauer | Special Effects Supervisor |
| Mark Tuminello | First Assistant Editor |
| Steve Bobertz | First Assistant Editor |
| Thom M. Kyle | Assistant Editor |
| Shae Salmon | Assistant Editor |
| Aaron Brock | Assistant Editor |
| Michael Bauer | Music Editor |
| Peter Myles | Music Editor |
| Jina Johnson | Location Manager |
| Jaceson Mann | Additional Casting-Casting Associate |
| Marisol Roncali | Additional Casting-Casting Assistant |
| Natalye Vivian | Additional Casting-Casting Assistant |
| Michael Barton | Set Designer |
| Sheila Millar | Set Designer |
| Jay Mitchell | Set Designer |
| Nancy Anna Brown | Set Designer |
| Peter Reginald Stratford* | Set Designer |
| Siri Hermanski | Set Designer |
| Douglas A. Girling | Set Designer |
| Laurel Bergman | Set Designer |
| Ron Turner | Set Designer |
| Hector Gika | Sound Effects Editor |
| Sylvain Lasseur | Sound Effects Editor |
| Lauren Hadaway | Sound Effects Editor |
| Jackie Zhou | Sound Effects Editor |
| Michael Hertlein | Dialogue Editor |
| Gary A. Rizzo | Additional Sound Re-recording Mixer |
| Michael Babcock | Additional Sound Re-recording Mixer |
| Eric Hoehn | Additional Sound Re-recording Mixer |
| Tim LeBlanc | Additional Sound Re-recording Mixer |
| Nerses Auguste Gezalyan* | Foley Mixer |
| Peter Afterman | Music Supervisor |
| Margaret Yen | Music Supervisor |
| Brandon Campbell | Additional Music |
| Gustavo Borner | Score Mixer |
| Nick Wollage | Score Recordist |
| Fiona Cruickshank | Score Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.