China Box Office for The Wandering Earth (流浪地球) (2019)
Theatrical Performance (US$) | ||
China Box Office | $694,400,000 | Details |
Worldwide Box Office | $701,801,455 | Details |
Further financial details... |
Metrics
Movie Details
Production Budget: | $50,000,000 |
China Releases: | February 4th, 2019 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 125 minutes |
Franchise: | The Wandering Earth |
Keywords: | End of the World, Artificial Intelligence, Dysfunctional Family, Adopted Family, Disaster, Action Adventure |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Beijing Jingxi Culture and Tourism Company, China Film Co. LTD, United Entertainment |
Production Countries: | China |
Languages: | Mandarin |
International Box Office: Endgame Second Weekend Sends it Past $2 billion Worldwide
May 5th, 2019
Avengers: Endgame added another $282.2 million in 55 markets over the weekend, according to Disney’s estimates, for totals of $1.569 billion internationally and $2.189 billion worldwide. The weekend total is much smaller than it was last weekend, but that’s because we are comparing five-day openings in many markets to a three-day weekend this time around. If you compare three-day weekends, then Endgame only dropped 55%, which is better than the similarly-calculated 61% decline Infinity War managed last year. The film became just the third film to reach $1.5 billion internationally and overtook Titanic for second place on the all-time chart. Avatar’s position in first place does not seem safe. Endgame is just the fourth film to reach $2 billion worldwide and will finish the weekend in third place, just ahead of The Force Awakens and just behind Titanic. (Note that our total for Titanic include its various re-releases, and, when those are included, Endgame is still in third place—some other sources report it ahead of Titanic already, but they’re not including all revenue for Titanic.)
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Friday Estimates: Captain Marvel Sets 2019 Weekend Record in One Day
March 9th, 2019
It took just one day for Captain Marvel to set the record for biggest 2019 weekend, as it dominated the chart with $61.38 million. In fact, it is already in sixth place on the 2019 domestic chart, just behind Alita: Battle Angel. The reviews are on the lower end of the MCU average, but that says more about the high quality of the MCU than the low quality of the film, as its Tomatometer Score is 79% positive. The audience reactions are even more positive; Disney released its CinemaScore and it is a solid A. The film should have no trouble topping our prediction with Disney projecting a $145 million to $155 million weekend. I think they are being a little conservative here, but we will see tomorrow when the weekend estimates show up.
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International Box Office: Dragons Regain Top Spot
March 7th, 2019
How to Train Your Dragon: The Hidden World returned to first place on the international chart in almost exactly a month. It earned $54.9 million in 60 markets for totals of $280.9 million internationally and $378.6 million worldwide. The film debuted in first place in China with $33.38 million in approximately 10,000 theaters. It has yet to open in Japan and could break even before it gets there. It depends on how long its legs are and how much its advertising budget was.
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International Box Office: China Propels Alita to the Top
February 27th, 2019
Alita: Battle Angel rose to first place with $92.42 in 82 markets for totals of $202.68 million internationally and $263.70 million worldwide. The film debuted in China with $63.26 million over the weekend for a total opening of $64.31 million. This is a great start in that market and better than the film’s predicted $50 million opening and even better than its early $60 million projection. It won’t be enough to save the film’s financial future, but it will be enough to save face. The film only made $3.2 million during its opening in Japan, which is disappointing, as the movie was based on a Manga / Anime from Japan and many assumed it would perform better there. The film has no more openings but should top $400 million internationally with relative ease and with a bit of luck, could get to $450 million. We will know more next week, once we see how long its legs will be in China.
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International Box Office: Alita Playing Across the Earth, but Wandering Wins
February 20th, 2019
The Wandering Earth remained in first place on the international chart with $96.94 million over the weekend for a running tally of $606.87 million after fourteen days of release.
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International Box Office: The Wandering Earth goes Global
February 13th, 2019
The international box office lived up to its name with the top three films all being international films. The Wandering Earth dominated the box office with $179.80 million over the weekend of a total seven-day opening of $298.27 million. This is an outstanding debut, even when you consider the benefits of Chinese New Year at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/02/08 | 1 | $179,804,526 | 0 | $298,267,731 | 1 | ||
2019/02/15 | 1 | $89,578,901 | -50% | 0 | $558,330,378 | 2 | |
2019/02/22 | 1 | $34,840,267 | -61% | 0 | $647,322,386 | 3 | |
2019/03/01 | 4 | $13,660,000 | -61% | 57,891 | $236 | $673,040,000 | 4 |
2019/03/08 | 6 | $4,910,000 | -64% | 21,125 | $232 | $683,640,000 | 5 |
2019/03/15 | 6 | $1,890,000 | -62% | 11,701 | $162 | $689,720,000 | 6 |
2019/03/22 | - | $750,000 | -60% | 5,433 | $138 | $691,960,000 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 2/1/2019 | $2,720 | 1 | 30 | 130 | $1,201,420 | 6/2/2021 |
China | 2/4/2019 | $179,804,526 | 0 | 57891 | 96562 | $694,400,000 | 3/20/2023 |
New Zealand | 2/5/2019 | $0 | 0 | 1 | 1 | $224,704 | 10/19/2022 |
North America | 2/5/2019 | $1,685,287 | 64 | 129 | 425 | $5,875,487 | |
South Korea | 4/18/2019 | $82,201 | 178 | 178 | 356 | $99,844 | 5/4/2019 |
Worldwide Total | $701,801,455 | 3/20/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Fan Guo (郭帆) | Director |
Gong Geer | Screenwriter |
Ye Junce | Screenwriter |
Yan Dongxu | Screenwriter |
Fan Guo (郭帆) | Screenwriter |
Yang Zhixue | Screenwriter |
Gao Ang | Production Designer |
Cheung Ka Fai | Editor |
Roc Chen | Composer |
Michael Liu | Director of Photography |