Mexico Box Office for Vuelven (2017)
Theatrical Performance (US$) | ||
Mexico Box Office | $367,126 | Details |
Worldwide Box Office | $577,258 | Details |
Further financial details... |
Synopsis
A haunting horror fairy tale set against the backdrop of Mexico's devastating drug wars, TIGERS ARE NOT AFRAID follows a group of orphaned children armed with three magical wishes, running from the ghosts that haunt them and the cartel that murdered their parents.
Metrics
Movie Details
Mexico Releases: | November 2nd, 2017 (Wide) |
Video Release: | December 3rd, 2019 by RLJ |
MPAA Rating: | Not Rated |
Running Time: | 83 minutes |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | Videocine, Filmadora Nacional, Peligrosa, ART, 1891 Productions |
Production Countries: | Mexico |
Languages: | Spanish |
Theater Averages: Brittany Sprints to the Top
August 28th, 2019
Brittany Runs a Marathon led the way on the theater average chart earning an average of $36,142 in five theaters. This is more than enough to expand significantly. Additionally, the film has more mainstream appeal than many limited releases, so it should expand enough to earn some measure of mainstream success. Miles Davis: Birth of the Cool was well back with $18,258 in one theater, but this is still a great start for a documentary. The final film in the $10,000 club was Give Me Liberty, which earned an average of $11,087 in three theaters.
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Limited and VOD Releases: Run to the Theaters
August 23rd, 2019
There are several releases on this week’s list earning amazing reviews, including Brittany Runs a Marathon, which has the best shot at attracting a mainstream audience. On the other hand, Fiddler: A Miracle of Miracles and Miles Davis: Birth of the Cool could do well on the art house scene.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/11/03 | 7 | $165,199 | 0 | $215,749 | 1 | ||
2017/11/10 | 9 | $56,118 | -66% | 0 | $367,126 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Mexico | 11/2/2017 | $165,199 | 0 | 0 | 0 | $367,126 | 11/15/2017 |
Netherlands | 8/30/2019 | $12,831 | 27 | 27 | 50 | $34,573 | 10/19/2022 |
North America | 8/21/2019 | $30,710 | 6 | 19 | 75 | $175,559 | |
Worldwide Total | $577,258 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Issa Lopez | Director |
Issa Lopez | Screenwriter |
Marco Polo Constandse | Producer |
Francisco Gonzalez Compean | Executive Producer |
Issa Lopez | Executive Producer |
Carlos Taibo | Executive Producer |
Joaquim Martí | Editor |
Vince Pope | Composer |
Juan Jose Saravia | Director of Photography |
Tania Benítez | Co-Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.