Portugal Box Office for Uma viagem pelo cinema francês com Bertrand Tavernier (2016)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $2,308 | Details |
| Worldwide Box Office | $73,353 | Details |
| Home Market Performance | ||
| North America DVD Sales | $70,976 | Details |
| North America Blu-ray Sales | $105,580 | Details |
| Total North America Video Sales | $176,556 | |
| Further financial details... | ||
Synopsis
Writer-director Bertrand Tavernier is truly one of the grand auteurs of the movies. His experience is vast, his knowledge is voluminous, his love is inexhaustible and his perspective is matched only by that of Martin Scorsese. This documentary has been a lifetime in the making. Tavernier knows his native cinema inside and out, from the giants like Renoir, Godard, and Melville to now overlooked and forgotten figures like Edmund T. Gréville and Guy Gilles, and his observations and reminiscences are never less than penetrating and always deeply personal.
Metrics
Movie Details
| Portugal Releases: | August 4th, 2016 (Wide), released as Uma viagem pelo cinema francês com Bertrand Tavernier |
| Video Release: | November 21st, 2017 by Sony Pictures Home Entertainment |
| MPAA Rating: | Not Rated |
| Running Time: | 195 minutes |
| Keywords: | Biography, Movie Maker, Movie Business, Movie Director, Set in France, Voiceover/Narration |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Little Bear, Gaumont, Pathe Production, Canal Plus, Cine Plus, Sacem, Region Ile-de-France, CNC |
| Production Countries: | France |
| Languages: | French |
Home Market Releases for November 21st, 2017
November 20th, 2017
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It is a slow week on the home market for two reasons. Technically it is one reason, but it is having two effects. It’s Thanksgiving weekend, which means the schedule is really busy and I need to keep this list short in order to save time. Also, while Thanksgiving means Black Friday and Cyber Monday, two of the busiest shopping days of the year, you don’t want to release something new into that storm of chaos. The biggest release of the week, not counting VOD releases is The Hitman’s Bodyguard, which I reviewed. As for the best release on this week’s list, I’m torn between Good Time, NEW GAME: The Complete First Season, and The Villainess. It was down to a roll of the dice, but The Villainess on Blu-ray Combo Pack is the Pick of the Week.
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Theater Averages: Big Sick has a Very Healthy $84,315 Opening
June 28th, 2017
Two limited releases that came out this past weekend topped the previous theater average record for 2017. The Big Sick earned an average of $84,315 in five theaters, which bodes well for its planned wide expansion in a couple of weeks. The Beguiled was next with an average of $57,323 in four theaters. Both of these are well ahead of the $41,508 average Beauty and the Beast earned during its opening weekend. The only other film in the $10,000 club was the overall number one film, Transformers: The Last Knight, which earned an average of $10,981.
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Limited and VOD Releases: Sick and Tired
June 23rd, 2017
Not many limited releases are earning any real buzz this week. The Beguiled has the best pedigree and its reviews might be good enough to help it thrive in theaters. The Bad Batch is the biggest in terms of theaters, but its box office potential is close to zero. This leaves The Big Sick as the best new release. That said, if you are not near one of the five theaters it is playing, you could always stay home and binge GLOW on Netflix. I reviewed it this week and it is worth the praise.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/08/04 | 26 | $964 | 1 | $964 | $964 | 53 | |
| 2017/08/11 | - | $621 | -36% | 1 | $621 | $2,308 | 54 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| New Zealand | 6/10/2021 | $774 | 1 | 3 | 6 | $2,335 | 10/20/2022 |
| North America | 6/23/2017 | $10,636 | 3 | 4 | 19 | $52,058 | |
| Portugal | 8/4/2016 | $0 | 0 | 1 | 2 | $2,308 | 8/17/2017 |
| Spain | 5/26/2017 | $1,965 | 6 | 6 | 9 | $7,460 | 6/15/2017 |
| United Kingdom | 9/15/2017 | $9,192 | 7 | 7 | 7 | $9,192 | 9/28/2017 |
| Worldwide Total | $73,353 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Narrator(s)
| Andre Marcon | Narrator |
Interviewee(s)
| Bertrand Tavernier | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Bertrand Tavernier | Director |
| Bertrand Tavernier | Screenwriter |
| Jean Olle-LaPrune | Screenwriter-In Collaboration with |
| Stéphane Lerouge | Screenwriter-In Collaboration with |
| Frederic Bourboulon | Producer |
| Bruno Coulais | Composer |
| Guy Lecorne | Editor |
| Juliette Alexandre | Assistant Editor |
| Mathilde Forissier | Assistant Editor |
| Marie Deroudille | Assistant Editor |
| Emmanuelle Jego | Assistant Editor |
| Maxence Loubeyre | Assistant Editor |
| Emmanuelle Sterpin | First Assistant Director and Researcher |
| Fanny Weinzaepflen | Sound Designer |
| Olivier Do Huu | Sound Designer |
| Clément Trehin-Lalane | Production Designer |
| Mathieu Havoudjian | Production Designer |
| Cyprien Prevost | Production Designer |