Portugal Box Office for Vox Lux (2018)
Theatrical Performance (US$) | ||
Portugal Box Office | $20,773 | Details |
Worldwide Box Office | $1,288,571 | Details |
Home Market Performance | ||
North America DVD Sales | $34,453 | Details |
North America Blu-ray Sales | $87,027 | Details |
Total North America Video Sales | $121,480 | |
Further financial details... |
Synopsis
In 1999, teenage Celeste survives a violent tragedy. After singing at a memorial service, Celeste transforms into a burgeoning pop star with the help of her songwriter sister and talent manager. Celeste’s meteoric rise to fame dovetails with a personal and national loss of innocence, consequently elevating the young powerhouse to a new kind of celebrity: American icon, secular deity, global superstar. By 2017, adult Celeste is mounting a comeback after a scandalous incident almost derailed her career. Touring in support of her sixth album, a compendium of sci-fi anthems entitled, “Vox Lux,” the indomitable, foul-mouthed pop savior must overcome her personal and familial struggles to navigate motherhood, madness and monolithic fame.
Metrics
Movie Details
Portugal Releases: | January 11th, 2019 (Wide) |
Video Release: | March 5th, 2019 by Universal Home Entertainment |
MPAA Rating: | R for language, some strong violence, and drug content. (Rating bulletin 2550 (Cert #51876), 10/24/2018) |
Running Time: | 112 minutes |
Keywords: | Singers, Music Industry, Comeback, 1990s, Same Role, Multiple Actors, Celebrity Worship, Terrorism |
Source: | Original Screenplay |
Genre: | Musical |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Bold Films, Killer Films, Andrew Lauren Productions, Three Six Zero |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 5th, 2019
March 6th, 2019
It’s a weird week at the box office. There are no massive releases; Creed II, is by far the biggest release of the week. However, there are a ton of releases that would make the regular list in a normal week, but have been pushed into the Secondary Blu-ray list, mainly because I have nothing to say about them. There are some contenders for Pick of the Week, including The Favourite on Blu-ray Combo Pack and Liz and the Blue Bird on Blu-ray. It came down to a literally coin-toss here and The Favourite won.
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Theater Averages: Mary Reigns over the Competition
December 12th, 2018
Mary Queen of Scots led the way on the theater average chart with an average of $48,694 in four theaters. Unfortunately, its reviews strongly suggest it won’t have long legs in limited release. Likewise, Vox Lux got off to a fast start with an average of $25,952 in six theaters, but it is earning nearly identical reviews, so it too will likely have short legs. Up next was Ben is Back with an average of $20,183 in four theaters. The Favourite remained in the $10,000 club for the third weekend in a row with an average of $16,523 in 91 theaters. It will almost certainly expand at least semi-wide at this point, especially if it continues to pick up Awards Season nominations.
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Weekend Estimates: Christmas Comes Early for Animation
December 9th, 2018
Both animated films are doing great at the box office with Ralph Breaks the Internet matching our prediction nearly perfectly with a studio estimate of $16.1 million over the weekend, which would give it a running tally of $140.9 million. Internationally, the film has barely opened in half the world earning $18.0 million over the weekend for a total of $117.3 million. This includes a first place debut in Spain with $4.6 million over the five-day weekend. Its next major market isn’t until December 21st when it opens in Japan, while it is a Boxing Day release in Australia.
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Limited and VOD Releases: Oscar-Bait is Back
December 7th, 2018
It’s a strange week for limited releases. There is not an overwhelming number of releases on this week’s list, but three of them were widely expected to be Awards Season players: Ben is Back, Mary Queen of Scots, and Vox Lux. However, of these three, none of them of earning award-worthy reviews. In fact, none of them are earning reviews that suggest they will truly thrive in limited release. Worse still, the competition between the three of them could result in none of them doing particularly well over the weekend. Hopefully that’s not the case.
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2018 Preview: December
December 1st, 2018
November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month.
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Vox Lux Trailer
October 29th, 2018
Musical drama starring Natalie Portman opens December 7 ... Full Movie Details.
In 1999, teenage Celeste survives a violent tragedy. After singing at a memorial service, Celeste transforms into a burgeoning pop star with the help of her songwriter sister and talent manager. Celeste’s meteoric rise to fame dovetails with a personal and national loss of innocence, consequently elevating the young powerhouse to a new kind of celebrity: American icon, secular deity, global superstar. By 2017, adult Celeste is mounting a comeback after a scandalous incident almost derailed her career. Touring in support of her sixth album, a compendium of sci-fi anthems entitled, “Vox Lux,” the indomitable, foul-mouthed pop savior must overcome her personal and familial struggles to navigate motherhood, madness and monolithic fame.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/01/11 | 16 | $13,152 | 20 | $658 | $13,152 | 1 | |
2019/01/18 | - | $3,602 | -73% | 20 | $180 | $20,773 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/19/2019 | $14,025 | 17 | 17 | 17 | $14,817 | 5/4/2019 |
Australia | 2/22/2019 | $23,338 | 15 | 16 | 41 | $64,256 | 10/22/2022 |
Italy | 9/12/2019 | $22,720 | 0 | 7 | 7 | $55,886 | 9/30/2019 |
Netherlands | 4/19/2019 | $15,878 | 27 | 27 | 66 | $88,148 | 5/31/2019 |
North America | 12/7/2018 | $155,714 | 6 | 325 | 466 | $727,119 | |
Poland | 4/26/2019 | $66,354 | 123 | 123 | 246 | $180,236 | 5/12/2019 |
Portugal | 1/11/2019 | $13,152 | 20 | 20 | 40 | $20,773 | 1/24/2019 |
Russia (CIS) | 3/7/2019 | $45,250 | 207 | 207 | 295 | $75,955 | 5/4/2019 |
Turkey | 9/27/2019 | $2,791 | 24 | 26 | 56 | $8,592 | 10/19/2022 |
United Kingdom | 5/3/2019 | $52,789 | 36 | 36 | 36 | $52,789 | 5/8/2019 |
Worldwide Total | $1,288,571 | 10/22/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Natalie Portman | Celeste |
Supporting Cast
Jude Law | Manager |
Stacy Martin | Eleanor |
Jennifer Ehle | Josie |
Raffey Cassidy | Young Celeste |
Maria Dizzia | Ms. Dwyer |
Meg Gibson | Celeste’s Mother |
Daniel London | Father Cliff |
Micheál Richardson | The Musician |
Matt Servitto | Celeste’s Father |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Brady Corbet | Director |
Brady Corbet | Screenwriter |
Gary Michael Walters | Producer |
Michel Litvak | Producer |
Svetlana Metkina | Producer |
David Litvak | Producer |
Christine Vachon | Producer |
David Hinojosa | Producer |
Andrew Lauren | Producer |
Robert Salerno | Producer |
D.J. Gugenheim | Producer |
Natalie Portman | Executive Producer |
Jude Law | Executive Producer |
Joshua Throne | Executive Producer |
Mark Gillespie | Executive Producer |
Ron Curtis | Executive Producer |
Sia* | Song Writer |
Benjamin Millepied | Choreography |
Margaret Yen | Music Supervisor |
Lol Crawley | Director of Photography |
Sam Lisenco | Production Designer |
Matthew Hannam | Editor |
Keri Langerman | Costume Designer |
Scott Walker | Composer |
Cassandra Kulukundis | Casting Director |