Australia Box Office for Victoria (2015)
-Thumbnail.jpg)
| Theatrical Performance (US$) | ||
| Australia Box Office | $49,549 | Details |
| Worldwide Box Office | $6,721,032 | Details |
| Further financial details... | ||
Synopsis
Victoria, a young woman from Madrid, meets four local Berliners outside a nightclub. Sonne and his friends promise to show her a good time and the real side of the city. But these lads have gotten themselves into hot water: they owe someone a dangerous favor that requires repaying that evening. As Victoria’s flirtation with Sonne deepens into something more, he convinces her to come along for the ride. And later, when things become more ominous and possibly lethally dangerous for Sonne, she insists on coming along. As the night takes on an ever more menacing character, what started out as a good time, quickly spirals out of control. As dawn approaches, Victoria and Sonne address the inevitable: it’s all or nothing and they abandon themselves to a heart-stopping race into the depths of hell.
Metrics
Movie Details
| Australia Releases: | March 11th, 2016 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 138 minutes |
| Keywords: | Life on the Outside, Organized Crime, Heist, Musicians, One Night, Narcotics, Improvised, Long Take |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Monkeyboy, deutschfilm, RadicalMedia, WDR/Arte |
| Production Countries: | Germany |
| Languages: | English, German |
Limited and VOD Releases: Steve Jobs and Killer Frogs
October 9th, 2015
This is not a particularly deep week for limited releases. Steve Jobs is the only film that has a significant chance of earning some measure of mainstream success. In fact, its reviews and buzz suggest it could be a player during Awards Season. On the other hand, The Forbidden Room, Victoria, and Yakuza Apocalypse are more interesting in my mind.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/03/11 | 56 | $4,234 | 1 | $4,234 | $4,234 | 1 | |
| 2016/03/18 | 55 | $1,699 | -60% | 1 | $1,699 | $6,802 | 2 |
| 2016/03/25 | 44 | $2,516 | +48% | 1 | $2,516 | $10,744 | 3 |
| 2016/04/01 | 48 | $3,119 | +24% | 2 | $1,560 | $14,540 | 4 |
| 2016/04/08 | 59 | $1,375 | -56% | 3 | $458 | $16,116 | 5 |
| 2016/04/15 | 58 | $1,117 | -19% | 2 | $559 | $18,660 | 6 |
| 2016/04/22 | 50 | $1,742 | +56% | 2 | $871 | $20,616 | 7 |
| 2022/06/10 | - | $386 | 1 | $386 | $54,467 | 327 | |
| 2022/06/17 | - | $549 | +42% | 1 | $549 | $54,108 | 328 |
| 2023/11/17 | - | $304 | 1 | $304 | $49,549 | 402 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 10/1/2015 | $10,513 | 10 | 10 | 18 | $16,173 | 12/1/2015 |
| Australia | 3/11/2016 | $4,234 | 1 | 3 | 15 | $49,549 | 11/20/2023 |
| Croatia | 10/29/2015 | $0 | 0 | 4 | 4 | $2,519 | 12/30/2018 |
| Germany | 6/11/2015 | $150,490 | 0 | 52 | 145 | $2,765,898 | 8/22/2018 |
| Lithuania | 8/21/2015 | $0 | 0 | 1 | 1 | $6,895 | 12/4/2018 |
| Mexico | 10/16/2015 | $0 | 0 | 5 | 9 | $32,336 | 11/25/2015 |
| Netherlands | 8/27/2015 | $15,751 | 21 | 21 | 55 | $64,277 | 11/24/2018 |
| New Zealand | 12/10/2015 | $0 | 0 | 1 | 1 | $65 | 10/19/2022 |
| North America | 10/9/2015 | $0 | 0 | 4 | 0 | $6,971 | 6/9/2017 |
| Norway | 9/4/2015 | $239,185 | 160 | 160 | 472 | $1,202,768 | 12/14/2015 |
| Portugal | 7/15/2016 | $942 | 3 | 3 | 7 | $3,252 | 8/3/2016 |
| Russia (CIS) | 11/26/2020 | $179 | 15 | 15 | 21 | $304 | 10/19/2022 |
| Spain | 10/23/2015 | $18,526 | 14 | 15 | 42 | $67,531 | 6/9/2016 |
| Turkey | 7/31/2015 | $0 | 0 | 10 | 11 | $679 | 12/30/2018 |
| United Kingdom | 4/1/2016 | $154,264 | 34 | 44 | 116 | $470,436 | 6/9/2016 |
| Rest of World | $2,031,379 | ||||||
| Worldwide Total | $6,721,032 | 11/20/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Laia Costa | Victoria |
| Frederick Lau | Sonne |
| Franz Rogowski | Boxer |
| Burak Yigit | Blinker |
Supporting Cast
| Max Mauff | Fuss |
| Kamer Senel | Bouncer 1 |
| Reza Jadgarieb | Bouncer 2 |
| Adolfo Assor | Kiosk Vendor |
| Jan Breustedt | Short Haired Hooligan |
| David Micas | Long Haired Hooligan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Sebastian Schipper | Director |
| Sebastian Schipper | Screenwriter |
| Olivia Neergaard Holm | Screenwriter |
| Eike Schulz | Screenwriter |
| Jan Dressler | Producer |
| Anatol Nitschke | Producer |
| Catherine Baikousis | Producer |
| David Keitsch | Producer |
| Dr. Barbara Buhl* | Co-Producer |
| Andreas Schreitmüller | Co-Producer |
| Uli Friedrichs | Production Designer |
| Nils Frahm | Composer |
| Sturla Brandth Grovlen | Director of Photography |
| Ires Jung | First Assistant Director |
| Steffen Leiser | Production Manager |
| Toni Jaschke | Location Manager |
| Suse Marquardt | Casting Director |
| Lucie Lenox | Casting Director |
| Iris Muller | Casting Director |
| Stefanie Jauss | Costume Designer |
| Fabian Schmitt | Sound Designer |
| Matthias Lempert | Sound Mixer |