Portugal Box Office for Vice (2015)
-Thumbnail.jpg)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $540,151 | Details |
| Worldwide Box Office | $935,485 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,362,206 | Details |
| North America Blu-ray Sales | $534,015 | Details |
| Total North America Video Sales | $1,896,221 | |
| Further financial details... | ||
Synopsis
Julian Michaels has designed the ultimate resort: VICE, where anything goes and the customers can play out their wildest fantasies with artificial inhabitants who look, think and feel like humans. When an artificial becomes self-aware and escapes, she finds herself caught in the crossfire between Julian's mercenaries and a cop who is hell-bent on shutting down Vice, and stopping the violence once and for all.
Metrics
Movie Details
| Portugal Releases: | February 15th, 2019 (Wide) |
| Video Release: | March 17th, 2015 by Lionsgate Home Entertainment |
| MPAA Rating: | R for violence, language and some sexual content/nudity. (Rating bulletin 2343 (Cert #49361), 10/8/2014) |
| Running Time: | 96 minutes |
| Keywords: | Robot, Artificial Intelligence, Revenge, Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Emmett Furla Oasis Films, Aperture Entertainment |
| Production Countries: | United States |
| Languages: | English |
DVD Sales: Annie vs. Kings
April 7th, 2015
Just as it was on the Blu-ray Sales Chart, there was a tight race for top spot in the DVD sales chart, only the combatants weren't entirely the same. Exodus: Gods and Kings topped Annie in terms of units at 226,000 units to 202,000 units, but the pair finished in the opposite order in terms of revenue with $3.59 million to $3.38 million.
More...
Blu-ray Sales: Penguins Become King in Tight Race
April 7th, 2015
New releases earned the top three spots on the Blu-ray Sales Chart this week, including a tight race for top spot. Penguins of Madagascar earned first place over Exodus: Gods and Kings in terms of units, 269,000 vs 257,000. However, in terms of revenue, the pair finished in the reverse order at $5.91 million to $5.38 million. As far the their opening week Blu-ray shares are concerned, Penguins managed a very strong 58%, while Exodus managed a very healthy 54%
More...
Limited Release: Still Struggling to Find a Hit
January 16th, 2015
It is a really, really bad weekend to release a limited release. Not only do fans of art house cinema have a lot of films to choose from, but many of them are busy talking about the Oscar nominations, which were just announced. Even so, there are about a dozen limited releases on this week's list. I seriously doubt most of them will do well enough to make a real impact on the box office. There is one exception, as Still Alice is earning great reviews and even picked up a number of major nominations this Awards Season.
More...
2015 Preview: January
January 1st, 2015
2014 is over and for the most part, December was a soft ending to a weak year. This is bad news for two reasons. Firstly, it means the overall box office is still soft and it is unlikely that January will start strong. Secondly, last January was a great month, thanks in part to Frozen and other holdovers. The slump can't last forever and Taken 3 should help 2015 get off to a reasonably fast start and it even has a shot at $100 million. American Sniper got off to a really fast start in limited release, so it too could be a hit when it expands wide. By comparison, last January was led by Ride Along, but there were only two other films that didn't completely bomb. I want to say 2015 will start out on a winning note, but given the box office losing streak, it will likely pay to be pessimistic.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/02/15 | 2 | $146,977 | 57 | $2,579 | $146,977 | 1 | |
| 2019/02/22 | 3 | $107,835 | -27% | 62 | $1,739 | $308,726 | 2 |
| 2019/03/01 | 5 | $61,584 | -43% | 57 | $1,080 | $404,323 | 3 |
| 2019/03/08 | 9 | $35,548 | -42% | 44 | $808 | $481,757 | 4 |
| 2019/03/15 | 13 | $15,431 | -57% | 17 | $908 | $513,480 | 5 |
| 2019/03/22 | 16 | $7,767 | -50% | 10 | $777 | $524,893 | 6 |
| 2019/03/29 | 18 | $4,700 | -39% | 6 | $783 | $529,356 | 7 |
| 2019/04/05 | 21 | $3,481 | -26% | 5 | $696 | $533,438 | 8 |
| 2019/04/12 | 23 | $1,752 | -50% | 3 | $584 | $541,394 | 9 |
| 2019/04/19 | 34 | $549 | -69% | 1 | $549 | $540,151 | 10 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 1/16/2015 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 2/15/2019 | $146,977 | 57 | 62 | 262 | $540,151 | 4/23/2019 |
| Russia (CIS) | 4/17/2015 | $120,531 | 320 | 320 | 320 | $120,531 | 11/19/2018 |
| South Korea | 1/1/2018 | $0 | 0 | 0 | 0 | $1,467 | 1/17/2018 |
| Taiwan | 2/6/2015 | $106,573 | 0 | 39 | 40 | $273,336 | 11/2/2018 |
| Worldwide Total | $935,485 | 4/23/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Thomas Jane | Roy |
| Bruce Willis | Julian |
| Ambyr Childers | Kelly |
Supporting Cast
| Johnathon Schaech | Chris |
| Bryan Greenberg | Evan |
| Charlotte Kirk | Melissa |
| Tyler J. Olson | Steve |
| Brett Granstaff | James |
| Ryan O'Nan | Detective Matthews |
| Colin Egglesfield | Reiner |
| Don Harvey | Kasansky |
| Lydia Hull | Stacey |
| Nikki Wells | Newscaster |
| Douglas M. Griffin | Serrano |
| Damon Lipari | Ryan |
| Courtney Turk | Hostess |
| Eddie Matthews | Bozz |
| Stephen Cyrus Sepher | Guard |
| Geoff Reeves | Mercenary 4 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Brian A. Miller | Director |
| Andre Fabrizio | Screenwriter |
| Jeremy Passmore | Screenwriter |
| Randall Emmett | Producer |
| George Furla | Producer |
| Adam Goldworm | Producer |
| Oliver Simon | Executive Producer |
| Daniel Baur | Executive Producer |
| Barry Brooker | Executive Producer |
| Stan Wertlieb | Executive Producer |
| Wayne Marc Godfrey | Executive Producer |
| Robert Jones | Executive Producer |
| Mark Stewart | Executive Producer |
| Steven Saxton | Executive Producer |
| Elisa Salinas | Executive Producer |
| Steven Galanis | Executive Producer |
| Brett Granstaff | Executive Producer |
| Ted Fox | Executive Producer |
| Corey Large | Executive Producer |
| Gus Furla | Co-Executive Producer |
| Vance Owen | Executive Producer |
| Tim Sullivan | Co-Executive Producer |
| Ryan Black | Co-Executive Producer |
| Yaron Levy | Director of Photography |
| Nate Jones | Composer |
| Paul Harb | Editor |
| Rick Shaine | Editor |
| Bonnie Stauch | Costume Designer |
| William B. Steakley | Line Producer |
| Hybrid | Composer |
| Mike Burns | Music Supervisor |
| Anne McCarthy | Casting Director |
| Kellie Roy | Casting Director |