South Korea Box Office for VALERIAN : The City of A Thousand Planets (2017)
Theatrical Performance (US$) | ||
South Korea Box Office | $3,655,603 | Details |
Worldwide Box Office | $215,098,356 | Details |
Home Market Performance | ||
North America DVD Sales | $3,630,039 | Details |
North America Blu-ray Sales | $8,431,535 | Details |
Total North America Video Sales | $12,061,574 | |
Further financial details... |
Synopsis
Valerian and Laureline are special operatives for the government of the human territories charged with maintaining order throughout the universe. Valerian has more in mind than a professional relationship with his partner—blatantly chasing after her with propositions of romance. But his extensive history with women, and her traditional values, drive Laureline to continuously rebuff him. Under directive from their Commander, Valerian and Laureline embark on a mission to the breathtaking intergalactic city of Alpha, an ever-expanding metropolis comprised of thousands of different species from all four corners of the universe. Alpha’s seventeen million inhabitants have converged over time—uniting their talents, technology and resources for the betterment of all. Unfortunately, not everyone on Alpha shares in these same objectives; in fact, unseen forces are at work, placing our race in great danger.
Metrics
Movie Details
Production Budget: | $180,000,000 |
South Korea Releases: | August 11th, 2017 (Special Engagement), released as VALERIAN : The City of A Thousand Planets August 30th, 2017 (Wide), released as VALERIAN : The City of A Thousand Planets |
Video Release: | November 21st, 2017 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for sci-fi violence and action, suggestive material and brief language. (Rating bulletin 2475 (Cert #50830), 5/10/2017) |
Running Time: | 129 minutes |
Keywords: | Set in Outer Space, Space Opera, Romance, Alien Encounters, Robot, Unrequited Love, Motion Capture Performance, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Heroic Adventure |
Source: | Based on Comic/Graphic Novel |
Genre: | Adventure |
Production Method: | Animation/Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | EuropaCorp, Fundamental Films, BNP Paribas Film Fund, River Road Entertainment, Belga Films, Valerian S.A.S., TF1 Film Productions, OCS., Orange Studio, Universum Film, Novo Pictures |
Production Countries: | France |
Languages: | English |
Home Market Releases for November 21st, 2017
November 20th, 2017
It is a slow week on the home market for two reasons. Technically it is one reason, but it is having two effects. It’s Thanksgiving weekend, which means the schedule is really busy and I need to keep this list short in order to save time. Also, while Thanksgiving means Black Friday and Cyber Monday, two of the busiest shopping days of the year, you don’t want to release something new into that storm of chaos. The biggest release of the week, not counting VOD releases is The Hitman’s Bodyguard, which I reviewed. As for the best release on this week’s list, I’m torn between Good Time, NEW GAME: The Complete First Season, and The Villainess. It was down to a roll of the dice, but The Villainess on Blu-ray Combo Pack is the Pick of the Week.
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International Box Office: Dunkirk Invades China with $30.27 million
September 7th, 2017
Dunkirk returned to the international top five for the first time in nearly a month with $36.5 million in 60 markets for totals of $280.0 million international and $459.0 million worldwide. Nearly all of this came from its first place opening in China, where it pulled in $29.80 million over the weekend for a four-day opening of $30.27 million. The film also opened in Italy, but had to settle for second place with $3.6 million on 606 screens. Dunkirk wraps up its international run in Japan this weekend and will finish with north of $500 million worldwide. Unless it cost an obscene amount to advertise, this will be enough to ensure profitability by its initial push into the home market.
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International Box Office: Valerian Has $28.88 million Reasons to Visit China
August 31st, 2017
Valerian and the City of a Thousand Planets earned first place on the international chart with $32.78 million in 32 countries for totals of $124.12 million internationally and $163.81 million worldwide. The film earned first place in China with $28.88 million over the weekend for a total of $29.24 million. The film has yet to open in South Korea and Italy so it will likely top its production budget worldwide; that’s nowhere near enough to break even, but if it can get to $200 million worldwide, then it can at least safe face.
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Theater Averages: Ingrid Westward Trip nets $45,100
August 16th, 2017
Ingrid Goes West opened in first place on the theater average chart with an average of $45,100 in three theaters. This is the third best average of the year behind The Big Sick (average of $84,315 in five) and The Beguiled ($57,323 in four). A24 had another success with Good Time earning an average of $31,275 in four theaters. The Trip to Spain opened with an average of $15,102 in three theaters, which is in the middle of the franchise average so far. Finally there’s Wind River, which was the only holdover in the $10,000 club. It managed an average of $13,615 in 45 theaters and already has nearly $1 million in limited release.
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Weekend Wrap-Up: Dunkirk Does in the Competition with $26.61 million
August 1st, 2017
Summer is coming to a close, as the two new releases, The Emoji Movie and Atomic Blonde had okay openings over the weekend. Dunkirk was able to earn first place with $26.61 million, which is great news for that movie, but bad news for the overall box office, as it is the worst result for a number one film since April. Overall, the box office fell 20% from last week to $144 million. This is 24% lower than the same weekend last year. Year-to-date, 2017 is now behind 2016 by 1.7% or $120 million at $6.70 billion to $6.82 billion.
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Thursday Night Previews: Atomic Nukes the Competition with $1.52 million
July 28th, 2017
Atomic Blonde easily topped The Emoji Movie during previews, earning $1.52 million. However, had the action flick not topped the family film, it would have been a disaster. Compared to other recent action films, Atomic Blonde underperformed Valerian and the City of a Thousand Planets ($1.7 million) and Baby Driver ($2.1 million), but at least it topped King Arthur: Legend of the Sword ($1.15 million). This summer, the average action film has opened with just over 10 times what it made during its previews, which is bad news for Atomic Blonde, as it puts the film’s opening weekend at $15 million to $16 million. Its reviews are good, but not great enough to really change this trend. Even $20 million would be a boon after this start.
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Weekend Wrap-Up: Dunkirk has Stellar $50.51 million Opening
July 25th, 2017
Both Dunkirk and Girls Trip topped expectations earning $50.51 million and $31.20 million respectively. Valerian and the City of a Thousand Planets didn’t do as well, but it should do well internationally. Overall, the weekend box office rose 11% from last weekend earning $181 million. On the downside, this was 7.8% lower than the same weekend last year and 2017 had already lost its lead over 2016, so this is really bad news. Year-to-date, 2017 is now behind 2016 by $31 million / 0.5% at $6.46 billion to $6.49 billion. Things really need to turn around soon, but I don’t think that’s going to happen. Hopefully the fall will be much better.
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Weekend Estimates: Dunkirk, Girls Trip Post Impressive Debuts
July 23rd, 2017
Dunkirk will easily top the chart at the box office this weekend, with a $50.5 million opening weekend from 3,720 theaters that’s broadly in line with expectations, and also remarkably similar to the first weekend for Interstellar, which opened with $47.5 million from 3,561 theaters back in 2014. It seems that the film has reached the Christopher Nolan fan base, but not extended much beyond that. Remarkably, Pearl Harbor remains the record holder for biggest opening weekend for a World War II movie, with the $59 million it earned back in 2001 (equivalent to roughly $93 million with today’s ticket prices).
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Friday Estimates: Dunkirk Dunks on the Competition with $19.8 million
July 22nd, 2017
Dunkirk dominated the Friday box office chart. Okay, maybe dominate is too strong a word, but more on that down below. The film earned a better than anticipated opening day of $19.8 million. Additionally, its reviews are award-worthy, while it earned an A minus from CinemaScore. Frankly, given its reviews, I’m surprised it only got an A minus. With its $5.5 million in previews, I was expecting an opening day a little north of $20 million, so hopefully this isn’t a sign of short legs. Look for an opening weekend of $55 million. On a side note, the reason we are not using Dunkirk images is we only got two of them and we’ve already used them both, twice. I tried to find the French site to see if they had more images (This is what I did for Kong: Skull Island.) but I ended up on the Dunkirk tourist site by accident and now all of the ads I see on YouTube are in French.
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Thursday Night Previews: Dunkirk and Girls Trip Make Promising Starts
July 21st, 2017
I was expecting Dunkirk to make about $4 million during previews and it made $5.5 million. Since its reviews are award-worthy and the film is aimed at a more mature target audience, it should have better legs than most similar films. Perhaps $60 million is more likely than I thought.
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Weekend Predictions: Take a Trip with Valerian and Laureline to Dunkirk
July 20th, 2017
So far this summer, box office is running about $200 million behind last year’s pace. The numbers have fallen so far that, year to date, 2017 is now behind 2016’s box office pace. This is even more depressing as last weekend, five of the top six films earned Tomatometer Scores that were over 90% positive. This week, we are continuing the amazing run with critics as two of the three wide releases are earning 90% positive reviews or better, but it doesn’t look like we will be able to improve our box office woes. This weekend last year, Star Trek Beyond opened with nearly $60 million and four other films earned more than $20 million. This weekend, Dunkirk will open in first place and it might top Star Trek Beyond, but that seems unlikely. Even getting to $50 million could be asking too much. Girls Trip should have a box office run somewhere between Rough Night and Bad Moms. ... Yes, I know that’s a lot of wiggle room, but there’s a lot of uncertainty here. Finally there’s Valerian and the City of a Thousand Planets, which cost $180 million to make but is earning almost no buzz here. (It should do a lot better internationally.) We would have to have all three new releases beat expectations and have solid holdovers for 2017 to come out ahead in the year-over-year comparison.
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Contest: Stick Together
July 13th, 2017
Next weekend, there are three wide releases. Originally, I thought Dunkirk would walk away with the weekend, but I’ve heard rumblings that the film isn’t going to live up to expectations, either at the box office or with critics. It is still likely going to be the biggest new release of the week, but Valerian and the City of a Thousand Planets at least has a shot at the upset. Dunkirk is still the best choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Dunkirk.
Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay!
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2017 Preview: July
July 1st, 2017
I hate it when the first of the month lands on a Saturday. By the time this story goes live, we will still have almost no box office data for Despicable Me 3, so we won’t know if June ended on a positive note. Fortunately, Wonder Woman beat expectations and might end up as the biggest hit of the summer, at least for a little while. July begins with Spider-Man: Homecoming, which should make at least $300 million and is the last film being released this summer that has a shot at being a $400 million hit domestically. It is very likely that nothing else this month will come within $100 million of that movie, so that could help its legs. There are a few potential $100 million hits, including War for the Planet of the Apes, Dunkirk, and a couple of other long shots. Last July had a similar feel with The Secret Life of Pets topping the list with well over $300 million, while there were five other $100 million hits. This July would have to beat expectations substantially to match this performance. I’m not confident 2017 will be able to maintain its pace at the box office. I’m worried at least one big film will struggled and 2017 will end the month behind 2016’s pace.
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Valerian and the City of a Thousand Planets Trailer
March 29th, 2017
Sci-fi adventure starring Dane DeHaan and Cara Delevingne, written and directed by Luc Besson opens July 21 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/08/25 | 18 | $41,442 | 41 | $1,011 | $74,925 | 3 | |
2017/09/01 | 3 | $1,889,477 | +4,459% | 629 | $3,004 | $2,613,992 | 4 |
2017/09/08 | 7 | $397,039 | -79% | 411 | $966 | $3,435,790 | 5 |
2017/09/15 | - | $20,069 | -95% | 39 | $515 | $3,553,994 | 6 |
2020/12/18 | 20 | $4,415 | 64 | $69 | $3,655,603 | 176 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 8/25/2017 | $381,808 | 0 | 0 | 0 | $756,637 | 1/1/2019 |
Australia | 8/11/2017 | $992,240 | 433 | 433 | 1184 | $2,276,354 | 10/3/2017 |
Brazil | 8/11/2017 | $1,082,081 | 0 | 0 | 0 | $2,463,492 | 6/26/2018 |
Bulgaria | 7/20/2017 | $50,810 | 0 | 0 | 0 | $280,411 | 2/26/2019 |
China | 8/24/2017 | $29,070,000 | 81436 | 81436 | 115885 | $62,073,824 | 10/12/2018 |
Czech Republic | 7/21/2017 | $178,946 | 127 | 127 | 388 | $607,187 | 1/1/2019 |
France | 7/28/2017 | $12,200,000 | 0 | 0 | 0 | $36,781,160 | 6/28/2018 |
Germany | 7/21/2017 | $2,900,000 | 0 | 0 | 0 | $13,534,383 | 6/29/2018 |
Hong Kong | 7/28/2017 | $718,261 | 46 | 46 | 151 | $1,791,365 | 10/27/2018 |
India | 7/28/2017 | $190,676 | 0 | 0 | 0 | $289,331 | 10/3/2018 |
Indonesia | 8/4/2017 | $394,109 | 180 | 180 | 232 | $607,436 | 1/1/2019 |
Italy | 9/21/2017 | $1,182,521 | 0 | 0 | 0 | $2,807,811 | 10/18/2017 |
Lithuania | 7/28/2017 | $28,273 | 133 | 133 | 334 | $132,955 | 9/1/2017 |
Mexico | 8/3/2017 | $2,049,258 | 0 | 0 | 0 | $4,979,880 | 10/12/2018 |
Netherlands | 7/28/2017 | $414,260 | 173 | 173 | 678 | $1,500,931 | 11/3/2018 |
New Zealand | 8/11/2017 | $184,771 | 126 | 126 | 415 | $464,871 | 9/25/2017 |
North America | 7/21/2017 | $17,007,624 | 3,553 | 3,553 | 11,129 | $40,479,370 | |
Poland | 8/4/2017 | $540,000 | 0 | 0 | 0 | $2,499,034 | 1/1/2019 |
Portugal | 7/28/2017 | $209,652 | 88 | 88 | 310 | $717,726 | 9/26/2017 |
Russia (CIS) | 8/11/2017 | $5,791,620 | 1565 | 1569 | 6203 | $14,453,896 | 1/1/2019 |
Slovakia | 7/21/2017 | $88,766 | 80 | 80 | 195 | $266,130 | 9/13/2017 |
South Korea | 8/30/2017 | $0 | 0 | 629 | 1184 | $3,655,603 | 12/22/2020 |
Spain | 8/18/2017 | $885,234 | 615 | 615 | 1993 | $3,684,591 | 10/30/2018 |
Taiwan | 8/4/2017 | $421,000 | 0 | 67 | 122 | $939,141 | 10/28/2018 |
Turkey | 7/27/2017 | $196,555 | 402 | 402 | 924 | $707,322 | 2/26/2019 |
United Kingdom | 8/4/2017 | $2,427,214 | 551 | 551 | 1101 | $5,161,611 | 9/30/2018 |
Rest of World | $11,185,904 | ||||||
Worldwide Total | $215,098,356 | 12/22/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Dane DeHaan | Major Valerian |
Cara Delevingne | Sergeant Laureline |
Supporting Cast
Clive Owen | Commander Arün Filitt |
Rihanna | Bubble |
Ethan Hawke | Jolly the Pimp |
Kris Wu | Sergeant Neza |
John Goodman | Igon Siruss |
Herbie Hancock | Defence Minister |
Sam Spruell | General Okto Bar |
Alain Chabat | Bob the Pirate |
Rutger Hauer | President of the World State Federation |
Peter Hudson | Captain Crowford |
Xavier Giannoli | Captain Norton |
Louis Leterrier | Captain Welcoming Mercurys |
Eric Rochant | Captain Welcoming Palm Muret |
Benoit Jacquot | Captain Welcoming Arysum |
Olivier Megaton | Captain Welcoming KCO2 |
Gerard Krawczyk | Captain Welcoming Martapurais |
Pierre Cachia | Kortan Dahuk |
David Saada | Kortan Dahuk |
Hippolyte Burkhart-Uhlen | Kortan Dahuk |
Florian Guichard | Mercury |
Stéphane Mir | Mercury |
Thierry Barthe | Mercury |
Pier Ewudu | Palm Muret |
Andrew Tisba | Palm Muret |
Yannick Lorte | Palm Muret |
Charly Akakpo | Arysum-Kormn |
Clément Beauruelle | Arysum-Kormn |
Audrey Kamp | Arysum-Kormn |
Anthony Hornez | Martapurais |
Julien Bleitrach | Martapurais |
Maxime Babara Toure | Martapurais |
Sasha Luss | Princess Liho-Minaa/Creature Candy Dress |
Aymeline Valade | Emperor Haban-Limai |
Elizabeth Debicki | Emperor Haban-Limai |
Pauline Hoarau | Empress Aloi/Creature Swing Angel |
Barbara Weber Scaff* | Empress Aloi |
Marilhea Peillard | Tsuuri |
Lee Delong | Tsuuri/Tourist |
Diva Cam | Maatri |
Judith Brunett | Maatri |
Marie Barrouillet | Tsuuri Child |
Cindy Bruna | Guard |
Sija Titko | Guard |
Daphnée Kbidi | Tortured Pearl |
Nick Marzock | Tortured Pearl |
Ola Rapace | Major Gibson |
Stefan Konarske | Captain Zito |
Mahamadou Coulibaly | Major Gibson’s Soldier/Igon Junior |
Julien Marlin | Major Gibson’s Soldier |
Yvan Lucker | Major Gibson’s Soldier |
Tom Hygreck | Major Gibson’s Soldier |
Gavin Drea | Sergeant Cooper |
Abel Jafry | Bus Driver |
Laurent Ferraro | Igon Siruss/Doghan-Daguis |
Jean-Robert Lombard | Igon Sirus Guard |
Leonid Glushchenko | Igon Sirus Guard |
Peter Eberst | Igon Sirus Guard |
Akim Chir | Igon Sirus Guard |
Aurélien Gaya | Igon Sirus Guard |
Jean-Francois Lenogue | Igon Sirus Guard |
Lamine Ba | Igon Sirus Guard |
Eric Lampaert | Guide Thaziit |
Paul Lefevre | Siirt Guard/Siirt Salesman |
Patrick Cottet Moine | Siirt Cop |
Guillaume Maison | Siirt Salesman |
Jean-Christophe Brizard | Siirt Salesman |
Irene Palco | Female Tourist |
Sam Douglas | Male Tourist |
Tonio Descanvelle | DA/Doghan-Daguis |
Velvet D’Amour | Tourist |
James Flynn | Guide #2 |
Doug Rand | Doghan-Daguis |
Grant Moninger | Doghan-Daguis |
Robbie Rist | Doghan-Daguis |
Christopher Swindel | Doghan-Daguis |
Emilie Goldblum | Bubble Dancer |
Claire Tran | Bubble/Glamopod/Control Room Sergeant |
Anders Heinrichsen | Police Officer |
Alain “Biff” Etoundi* | Club Bouncer |
Fayet Nsumoto | Club Bouncer |
Kristina Kachinskaya | Creature Twin |
Veronika Khayla | Creature Twin |
Sissi Duparc | Creature Louis XVI |
Noam Frost | Creature Bird Woman |
Sand Van Roy | Creature Jessica Rabbit |
Pauline Serreau | Creature Tattoo |
Tristan Robin | Roper |
Philippe Rigot | Hero Merchant |
Alexandre Willaume | Captain Kris |
Reginal Kudiwu | Major Samk |
Etienne Menard | Red Zone Captain |
Peter LaMarque | Warship Captain |
Maximilien Seweryn | K-Tron Captain |
Zouheir Zerhouni | K-Tron Warrior |
Tristan Zerbib | K-Tron Warrior |
Jonas Bloquet | K-Tron Warrior/Control Room Soldier |
Elliot Jenicot | Interrogation Room Captain |
Staiv Gentis | Control Room Soldier |
Chloe Hollings | Alex-Intruder |
Aguendia Fotabong | Boulan Bathor Emperor |
Tania Dessources | Boulan Bathor Emperor’s Wife |
Gaëtan Cotigny | Fisherman |
François Bredon | Fisherman |
Cedric Chevalme | Bubble/Boulan-Bathor/Valerian |
Narrator(s)
Mathieu Kassovitz | Hawker |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Luc Besson | Director |
Pierre Christin | Screenwriter |
Jean Claude Mezieres | Screenwriter |
Luc Besson | Screenwriter |
Pierre Christin | Story based on ‘Valerian and Laureline’ by |
Jean Claude Mezieres | Story based on ‘Valerian and Laureline’ by |
Virginie Silla* | Producer |
Hugues Tissander | Production Designer |
Alexandre Desplat | Composer |
Thierry Arbogast | Director of Photography |
Olivier Beriot | Costume Designer |
Sophie Leclerc | Visual Effects Producer |
Julien Rey | Editor |
Stephane Gluck | First Assistant Director |
Emmanuelle Fourault | Second Assistant Director |
Abbi Yardley | Second Assistant Director |
Marie Gennesseaux | Script Supervisor |
Nathalie Cheron | Casting Director |
Laurent Demianoff | Stunt Supervisor |
Thi Thanh Tu Nguyen | Make up |
Guilaine Tortereau | Hairstylist |
Gilles Boillot | Art Director |
Thierry Zemmour | Art Director |
Stephane Robuchon | Art Director |
Christian Vallat | Art Director |
Etienne Rohde | Art Director |
Evelyne Tissandier | Set Decorator |
Philippe Hubin | Special Effects Supervisor |
Jean-Christophe Magnaud | Special Effects Coordinator |
Adam lagattuta | Visual Effects Production Supervisor |
Martin Hill | Visual Effects Supervisor |
Eric Reynolds | Animation Supervisor |
Paul Story | Animation Supervisor |
Ben Pickering | Visual Effects Producer |
Joe Letteri | Senior Visual Effects Supervisor |
Ken McGaugh | Visual Effects Supervisor |
Wayne Taz Stables | Visual Effects Supervisor |
R. Christopher White | Visual Effects Supervisor |
David Conley | Executive Producer |
Christopher Egden | Production Manager |
Josh Gold | Sound Designer |
Nia Hansen | Sound Designer |
Samson Neslund | Sound Effects Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.