Spain Box Office for Ruega por nosotros (2021)
Theatrical Performance (US$) | ||
Spain Box Office | $1,189,061 | Details |
Worldwide Box Office | $30,792,024 | Details |
Home Market Performance | ||
North America DVD Sales | $1,136,902 | Details |
North America Blu-ray Sales | $1,304,254 | Details |
Total North America Video Sales | $2,441,156 | |
Further financial details... |
Synopsis
The Unholy follows Alice, a young hearing-impaired girl who, after a supposed visitation from the Virgin Mary, is inexplicably able to hear, speak and heal the sick. As word spreads and people from near and far flock to witness her miracles, a disgraced journalist hoping to revive his career visits the small New England town to investigate. When terrifying events begin to happen all around, he starts to question if these phenomena are the works of the Virgin Mary or something much more sinister.
Metrics
Movie Details
Production Budget: | $10,000,000 |
Spain Releases: | April 2nd, 2021 (Wide), released as Ruega por nosotros |
Video Release: | June 22nd, 2021 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for violent content, terror and some strong language. (Rating bulletin 2671 (cert #52633), 3/10/2021) |
Running Time: | 99 minutes |
Keywords: | Supernatural Horror, Deaf, Miracle, Faith Healer, Religious |
Source: | Based on Fiction Book/Short Story |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Ghost House Pictures |
Production Countries: | United States |
Languages: | English |
Weekend estimates: Mortal Kombat and Demon Slayer knock it out the park
April 25th, 2021
After a few pleasant surprises in recent months, this looks like the weekend that the theatrical business has been looking for. Not only is Mortal Kombat beating expectations with a weekend projected to hit $22.5 million, per Warner Bros.’ Sunday morning numbers, but Demon Slayer The Movie: Mugen Train is headed for the second-best opening for an anime movie ever, behind 1999’s Pokemon: The First Movie, with a projected $19.5 million. What’s more, both films are R-rated, meaning that they firmly fall outside the family-film space that has been the brightest spot in the market recently.
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Weekend predictions: Mortal Kombat and Demon Slayer go head to head
April 23rd, 2021
This weekend is shaping up to be a real David and Goliath battle, with indie distributor FUNimation going up against the might of Warner Bros., and looking likely to come out with their heads held high, even if a weekend win looks out of reach.
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Weekend predictions: Godzilla vs. Kong looking for another weekend over $10 million
April 16th, 2021
With no new wide releases and an already formidable lead at the box office, Godzilla vs. Kong is about as certain a winner in theaters this weekend as it’s possible to be. The main question is how much it will decline this weekend after dropping 57% in its second outing. Our model thinks the benchmark figure for the film will be around $10 million this weekend.
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Weekend estimates: Godzilla vs. Kong still number one as Voyagers disappoints
April 11th, 2021
After last weekend’s relatively excellent opening for Godzilla vs. Kong, the theatrical market is treading water this time around, based on the studios’ Sunday morning estimates. GvK itself is performing a little worse than expected, although not terribly considering its coming off the biggest weekend of the pandemic. Voyagers will earn a disappointing $1.35 million opening, and the returning films are something of a mixed bag.
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Weekend predictions: Voyagers won’t trouble Godzilla vs. Kong
April 9th, 2021
There will be no prizes for predicting the winner at the box office this weekend, but the race for second place looks as though it’ll be close, with three returning films—Nobody, Raya and the Last Dragon, The Unholy—and debutant Voyagers all looking like they have a shot. Here’s what our model thinks going into the weekend…
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Weekend estimates: Godzilla vs. Kong delivers monster* $32.2-million weekend
April 4th, 2021
Godzilla vs. Kong will earn $32.2 million over the Friday–Sunday weekend, and deliver a $48.5-million 5-day opening, according to Warner Bros.’ Sunday morning projection. The film will earn an additional $3 million in Canada from its PVOD release there, which the studio offered to allow Canadian audiences to see the film while around 80% of the Canadian market remains closed. It’s also showing on HBO Max in the US, but the studio hasn’t offered any numbers on its performance there.
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Weekend predictions: Godzilla vs. Kong could top $30 million this weekend
April 2nd, 2021
Godzilla vs. Kong has stormed out the gate over the past two days, at least by pandemic standards. Its $9.6-million opening day was the best single day by a film in the past year, and it didn’t drop by all that much yesterday, posting $6.7 million. That puts it on track for easily the biggest weekend box office for a film since theaters started reopening. Predicting how much it will make is complicated by its unusual release pattern—opening on Wednesday in 2,409 theaters and expanding to 3,064 theaters today—and by the fact that, well, there’s still a pandemic on.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/04/02 | 4 | $237,737 | 219 | $1,086 | $352,647 | 1 | |
2021/05/28 | - | $7,438 | 32 | $232 | $1,189,061 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/15/2021 | $590,007 | 229 | 229 | 965 | $1,492,127 | 10/20/2022 |
Czech Republic | 6/18/2021 | $9,293 | 51 | 51 | 51 | $9,293 | 10/20/2022 |
France | 7/7/2021 | $263,379 | 116 | 116 | 228 | $502,224 | 7/23/2021 |
Germany | 6/17/2021 | $24,312 | 0 | 0 | 0 | $24,312 | 6/28/2021 |
Italy | 5/20/2021 | $125,841 | 0 | 9 | 9 | $313,670 | 10/20/2022 |
Lithuania | 5/7/2021 | $24,522 | 11 | 11 | 38 | $61,178 | 10/20/2022 |
Mexico | 4/22/2021 | $1,274,431 | 0 | 0 | 0 | $6,087,218 | 10/20/2022 |
Netherlands | 7/16/2021 | $50,057 | 54 | 54 | 156 | $141,836 | 8/11/2021 |
North America | 4/2/2021 | $3,153,456 | 1,850 | 2,057 | 12,519 | $15,532,137 | |
Portugal | 5/6/2021 | $32,741 | 40 | 40 | 127 | $109,028 | 6/2/2021 |
Romania | 6/18/2021 | $76,166 | 72 | 72 | 200 | $196,736 | 10/20/2022 |
Russia (CIS) | 4/22/2021 | $212,494 | 662 | 662 | 662 | $252,792 | 10/20/2022 |
Slovakia | 6/18/2021 | $9,874 | 41 | 41 | 56 | $18,369 | 7/1/2021 |
Spain | 4/2/2021 | $237,737 | 219 | 219 | 251 | $1,189,061 | 6/4/2021 |
United Kingdom | 5/17/2021 | $573,964 | 314 | 314 | 497 | $802,745 | 6/2/2021 |
Rest of World | $4,059,298 | ||||||
Worldwide Total | $30,792,024 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jeffrey Dean Morgan | Gerry Fenn |
Supporting Cast
Katie Aselton | Natalie Gates |
William Sadler | Father Hagan |
Cricket Brown | Alice |
Diogo Morgado | Monsignor Delgarde |
Cary Elwes | Bishop Gyles |
Danny Corbo | Toby Walsh |
Sonny Corbo | Toby Walsh |
Madison LaPlante | Teenage Girl |
Christine Adams | Monica Slade |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Evan Spiliotopoulos | Director |
Evan Spiliotopoulos | Screenwriter |
James Herbert | Story based on the book “Shrine” by |
Robert Tapert | Producer |
Sam Raimi | Producer |
Evan Spiliotopoulos | Producer |
Andrea Ajemian | Executive Producer |
Romel Adam | Executive Producer |
Michael C. Stone | Set Decorator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.