Philippines Box Office for Uncle Drew (2018)
Theatrical Performance (US$) | ||
Philippines Box Office | $285,281 | Details |
Worldwide Box Office | $46,594,261 | Details |
Home Market Performance | ||
North America DVD Sales | $3,429,172 | Details |
North America Blu-ray Sales | $2,858,771 | Details |
Total North America Video Sales | $6,287,943 | |
Further financial details... |
Synopsis
After draining his life savings to enter a team in the Rucker Classic street ball tournament in Harlem, Dax is dealt a series of unfortunate setbacks, including losing his team to his longtime rival. Desperate to win the tournament and the cash prize, Dax stumbles upon the man, the myth, the legend Uncle Drew and convinces him to return to the court one more time. The two men embark on a road trip to round up Drew’s old basketball squad and prove that a group of septuagenarians can still win the big one.
Metrics
Movie Details
Production Budget: | $18,000,000 |
Philippines Releases: | June 27th, 2018 (Wide) |
Video Release: | September 11th, 2018 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for suggestive material, language and brief nudity. (Rating bulletin 2526 (Cert #51514), 5/9/2018) |
Running Time: | 103 minutes |
Keywords: | Basketball, Road Trip, Out of Retirement, Ensemble, Gratuitous Cameos, Set in Harlem, Set in New York City, Sports Comedy |
Source: | Based on TV |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Temple Hill Entertainment, Pepsi Productions, Summit Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for September 25th, 2018
September 25th, 2018
This week, Solo: A Star Wars Story hits the home market and while the film missed expectations at the box office, it is still a big enough hit to scare away most of the competition. There are a number of releases on this week’s list that are worth picking up, like Pin Cushion, Welcome to the Dollhouse, as well as Solo itself. As for contenders for Pick of the Week, it is Fraggle Rock: The Complete Series on Blu-ray and nothing else.
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Home Market Releases for September 11th, 2018
September 10th, 2018
It is not a very busy week on the home market. Ocean’s 8 is the biggest release of the week, but it is not a Pick of the Week contender. In fact, there was only one real contender for that title, Hearts Beat Loud on Blu-ray. That said, Ocean’s 8 is worth picking up, as is Modern Family: Season Nine.
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Weekend Predictions: Will the Wasp Help Ant-Man Grow at the Box Office?
July 5th, 2018
It’s technically the July 4th Weekend, although July 4th was yesterday. This is a good weekend to release a film and Ant-Man and the Wasp is looking to take advantage of the holiday. Meanwhile, The First Purge already started its run with $2.5 million in previews. Jurassic World: Fallen Kingdom and Incredibles 2 will continue to be a major presence at the box office. This weekend last year, Spider-Man: Homecoming opened with $117.03 million. There’s no way Ant-Man and the Wasp is going to match that. It’s highly unlikely Ant-Man and the Wasp and The First Purge combined will match that. The depth this year is a little better, but I think 2018 will lose in the year-over-year comparison. Hopefully it will be close.
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Weekend Wrap-Up: Dinos Help the Box Office Hold On
July 3rd, 2018
Jurassic World: Fallen Kingdom was within a rounding error of our prediction with $60.91 million over the weekend. Additionally, both new releases, Sicario: Day of the Soldado and Uncle Drew, beat expectations, as did every other film in the top five helping the overall box office reach $178 million. Granted, this weekend still plummeted 36% from last weekend, but last weekend was the biggest ever weekend in June, so falling from that figure isn’t disappointing. In fact, it is 4.8% higher than the same weekend last year, which is higher than the rate of inflation, so I would call that a significant margin. Year-to-date, 2018 has pulled in $6.15 billion, making it the fastest year to get to the $6 billion mark. This is also $560 million or 10.0% higher than the same pace last year. I’m going to make a prediction that is the the peak lead 2018 will have over 2017, at least in terms of percentage.
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Weekend Estimates: The Fallen Jurassic World Still Comes out on Top with $60.0 million
July 1st, 2018
Jurassic World: Fallen Kingdom fell like a typical blockbuster hit, down 59% to $60 million over the weekend for a two-week total of $264.8 million. This matches our prediction perfectly. The film will have no trouble crossing $300 million next weekend and should finish north of $350 million domestically. As for its international numbers, it added $56.1 million to its running tally, which now sits at $667.6 million, while its worldwide total is a hair under $1 billion at $932.4 million.
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Friday Estimates: Soldado is Solid, but Dinosaurs Dominate
June 30th, 2018
Jurassic World: Fallen Kingdom added $17.44 million on Friday, after hitting $200 million on Thursday. It was easily the best film on the day; however, this was still 70% lower than its opening Friday. Granted, it will bounce back tomorrow and should come close to our $60 million prediction, but it is not going to have great legs, like its predecessor had.
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Thursday Night Previews: CIA Dunks on Drew
June 29th, 2018
Sicario: Day of the Soldado earned $2 million during previews, which is better than expected. Granted, we’ve seen too many films open well in previews before settling down to Earth over the rest of the weekend, but I’m still optimistic after this start. It should beat our prediction and $20 million is within range. It does depend on the word-of-mouth, which if its reviews are any indication, should be good, but not great.
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Weekend Predictions: Putting a Hit out on the Box Office
June 28th, 2018
After two monster hits in a row, the weekend crashes back down to Earth. Neither Sicario: Day of the Soldado nor Uncle Drew are expected to do much at the box office, but they are expected to open with similar amounts and there’s no consensus which film will do better, so at least there’s something to talk about. This weekend last year, Despicable Me 3 opened with $72.43 million. We will be relying almost entirely on holdovers to win in the year-over-year comparison. I think we’ve got an excellent shot of doing that by a significant margin.
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2018 Preview: June
June 1st, 2018
This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017.
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Uncle Drew Trailer
May 31st, 2018
Comedy starring Kyrie Irving, Lil Rel Howery, and Shaquille O’Neal opens June 29 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/06/29 | - | $285,281 | 121 | $2,358 | $285,281 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 6/28/2018 | $3,841 | 0 | 0 | 0 | $3,841 | 1/1/2019 |
Brazil | 7/20/2018 | $11,609 | 0 | 0 | 0 | $19,047 | 8/2/2018 |
China | 1/11/2019 | $1,040,000 | 16826 | 16826 | 16826 | $1,786,702 | 2/12/2019 |
Curacao | 6/28/2018 | $1,906 | 0 | 0 | 0 | $1,906 | 1/1/2019 |
Germany | 9/21/2018 | $16,014 | 0 | 0 | 0 | $17,953 | 10/9/2018 |
Hong Kong | 6/28/2018 | $309,446 | 23 | 23 | 23 | $309,446 | 7/6/2018 |
India | 7/6/2018 | $17,528 | 0 | 0 | 0 | $17,528 | 8/2/2018 |
Japan | 11/9/2018 | $0 | 0 | 34 | 34 | $401,753 | 12/14/2018 |
Mexico | 6/29/2018 | $2,430 | 31 | 31 | 31 | $6,161 | 8/25/2018 |
North America | 6/29/2018 | $15,242,781 | 2,742 | 2,742 | 9,720 | $42,469,946 | 12/23/2019 |
Philippines | 6/27/2018 | $285,281 | 121 | 121 | 121 | $285,281 | 1/1/2019 |
Portugal | 8/10/2018 | $10,508 | 18 | 18 | 36 | $19,480 | 8/22/2018 |
Taiwan | 9/14/2018 | $0 | 0 | 0 | 0 | $131,304 | 10/9/2018 |
United Kingdom | 7/6/2018 | $200,712 | 272 | 272 | 272 | $364,699 | 7/27/2018 |
West Indies | 6/27/2018 | $2,740 | 0 | 0 | 0 | $2,740 | 7/6/2018 |
Rest of World | $756,474 | ||||||
Worldwide Total | $46,594,261 | 12/23/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Kyrie Irving | Uncle Drew |
Lil Rel Howery | Dax |
Shaquille O'Neal | Big Fella |
Chris Webber | Preacher |
Reggie Miller | Lights |
Nate Robinson | Boots |
Erica Ash | Maya |
Lisa Leslie | Betty Lou |
J.B. Smoove | Angelo |
Mike Epps | Louis |
Tiffany Haddish | Jess |
Nick Kroll | Mookie |
Supporting Cast
Aaron Gordon | Casper |
Wesley Witherspoon | Mario |
Thomas Mills | Duke Tango |
Lavar Walker | Marty the Manager |
Maurice G. Smith | Dominic ‘The Glove’ Willis |
Kevin Benton | Zeke ‘The Mouth’ Murray |
Aiden Williams | Adopted Kid |
Tinuke Adetunji | Angelo’s Girl |
Deadra Moore | Attending Nurse |
Enoch King | Baby’s Dad |
Crystal Lee Brown | Baby’s Mom |
Kenneth Crudup | Baller |
Mark Ellis | Basketball Coach |
Terence Rosemore | Customer |
Dwayne Boyd | Customer |
Terrence "T.C." Carson | Customer |
Rick Ross | Customer |
Trey Griffith | Dax-4 Years Old |
Judah Howery | Dax-10 Years Old |
Ashton Tyler | Dax-13 Years Old |
Carrie Walrond | Foot Locker Mother |
Lorenzo Davis | Opponent |
Brian Kortovich | Opponent |
Keith Evans | Other Kid |
Josh Henry | Paramedic |
Phil Ductan | Player |
Elijah Everett | Player |
Rocco Poveromo | Referee |
Barry S. Rorhssen | Referee |
Matt McHugh | Security Guard |
Brandon Rice | Someone |
Jeremy Green | Choreographer |
Keith Jamal Nedd Bridgeman | Young Dude Dancer |
Marc Innis | Young Dude Dancer |
Narrator(s)
Adam Lazarre-White | Frankie the Tournament Director/Narrator |
Cameos
Sal Masekela | Himself |
John Calipari | Himself |
Joe Hammond | Himself |
Scoop Jackson | Himself |
Pee Wee Kirkland | Himself |
Earl Monroe | Himself |
Chris Mullin | Himself |
Bill Walton | Himself |
George Gervin | Himself |
Steve Nash | Himself |
David Robinson | Himself |
Jerry West | Himself |
Rick Barry | Himself |
Dikembe Mutombo | Himself |
NeNe Leakes | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Charles Stone III | Director |
Jay Longino | Screenwriter |
Marty Bowen | Producer |
Wyck Godfrey | Producer |
John Fischer | Producer |
Louis Arbetter | Executive Producer |
Aziel Rivers | Executive Producer |
Marc Gilbar | Executive Producer |
Colin Smeeton | Executive Producer |
Perry Rogers | Executive Producer |
Jeff Wechsler | Executive Producer |
Erik Feig | Executive Producer |
Michael Flynn | Executive Producer |
Mike Upton | Executive Producer |
Crash | Director of Photography |
Douglas J. Meerdink* | Production Designer |
Jeff Freeman | Editor |
Sean Valla | Editor |
Johnetta Boone | Costume Designer |
Christopher Lennertz | Composer |
Stephanie Diaz-Matos | Music Supervisor |
Jason Brown | Co-Producer |
Adam Harter | Co-Producer |
Jay Longino | Co-Producer |
Victoria Thomas | Casting Director |
Michael Upton* | Unit Production Manager |
Benita Allen | First Assistant Director |
Tim Fitzgerald | Second Assistant Director |
Steven Ritzi | Stunt Coordinator |
Jon Poll | Additional Editor |
Karen Jarnecke | Production Supervisor |
Mark Garner | Art Director |
Matthew Groves | Set Decorator |
Sheryl Benko | Post-Production Supervisor |
Brett D. Carroll* | Assistant Editor |
Jason Barnoski | Assistant Editor |
Carolyn Calvert | Assistant Editor |
Lori Grabowski | Script Supervisor |
Karen M. Cantley | Script Supervisor |
Erik H. Magnus | Sound Mixer |
Yolande Thame | Set Designer |
Ken Gorrell | Special Effects Coordinator |
Darlene Jackson | Costume Supervisor |
Matthew Silva | Make-up and Prosthetic Effects Designer |
David Presto | Make-up and Prosthetic Effects Designer |
Patrice Coleman | Make up |
Andrea C. Brotherton | Hairstylist |
Talya R. Melvey | Hairstylist |
Ryan Schaetzle | Location Manager |
Steven Ritzi | Second Unit Director |
Elliott L. Koretz | Sound Designer |
Bruce Barris | Sound Designer |
Elliott L. Koretz | Sound Supervisor |
Bruce Barris | Sound Supervisor |
Terry Porter | Re-recording Mixer |
Gabriel J. Serrano | Re-recording Mixer |
Susan Dudeck | Supervising Dialogue/ADR Editor |
Bruce Tanis | Sound Effects Editor |
Martin Jacob Lopez | Sound Effects Editor |
Chase Keehn | Dialogue Editor |
Mike Wilhoit | Dialogue Editor |
Michele Perrone | Dialogue Editor |
Jason Stanford | Visual Effects Executive Producer |
Chris LeDoux | Visual Effects Executive Producer |
Mark Ledoux | Visual Effects Supervisor |
Wes Dorough | Visual Effects Producer |
Dara Taylor | Additional Music |
Sam Zeines | Supervising Music Editor |
Johnny Caruso | Music Editor |
Jeff Vaughn | Score Recordist |
Joshua Margolis | Score Recordist |
Jeff Vaughn | Score Mixer |
Joshua Margolis | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.