United Kingdom Box Office for Umma (2022)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $47,087 | Details |
Worldwide Box Office | $2,301,255 | Details |
Further financial details... |
Synopsis
Umma, which is the Korean word for “mother,” follows Amanda and her daughter living a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
Metrics
Movie Details
United Kingdom Releases: | March 25th, 2022 (Wide) |
Video Release: | May 10th, 2022 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for terror, brief strong language and some thematic elements. (Rating bulletin 2721 (cert #53648), 3/2/2022) |
Keywords: | Supernatural Horror, Supernatural, Adult Child Dealing with the Death of a Parent, Asian-Americans |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Stage 6 Films, Starlight Media, Raimi Productions |
Production Countries: | United States |
Languages: | English |
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March 25th, 2022
The Lost City posted a very respectable $2.5 million in previews on Thursday ahead of its official release today, which puts it on course to win the weekend, although its race with The Batman could be close. Infinite Storm isn’t likely to be in the running for a place in the top three, but will provide a bit of extra oomph to the weekend and could help the market as a whole increase from last weekend. And RRR provides us with a wildcard element to keep things interesting for everyone.
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March 18th, 2022
The Batman isn’t in much danger of losing top spot at the box office this weekend, in spite of facing competition from four new wide releases. We could, however, see a new film in second place: Jujutsu Kaisen 0: The Movie looks set to post a weekend in the mid teens if it maintains its momentum from an excellent $2.88 million in previews on Thursday.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/03/25 | 17 | $47,087 | 138 | $341 | $47,087 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 3/18/2022 | $915,290 | 805 | 805 | 1,948 | $2,121,025 | |
South Korea | 5/11/2022 | $76,660 | 187 | 187 | 211 | $133,143 | 5/25/2022 |
United Kingdom | 3/25/2022 | $47,087 | 138 | 138 | 138 | $47,087 | 4/5/2022 |
Worldwide Total | $2,301,255 | 5/25/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Iris K. Shim | Director |
Iris K. Shim | Screenwriter |
Sam Raimi | Producer |
Zainab Azizi | Producer |
Peter Luo | Executive Producer |
Cheng Yang | Executive Producer |
Yedong Mu | Executive Producer |
Tao Zhou | Executive Producer |
André Øvredal | Executive Producer |
Matt Black | Executive Producer |
Marcei A. Brown | Executive Producer |
Jeanette Volturno | Executive Producer |
Sandra Oh | Executive Producer |
Mark Rayner | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.