Croatia Box Office for Triangle of Sadness (2022)
Theatrical Performance (US$) | ||
Croatia Box Office | $84,383 | Details |
Worldwide Box Office | $32,890,983 | Details |
Home Market Performance | ||
North America DVD Sales | $198,110 | Details |
North America Blu-ray Sales | $327,954 | Details |
Total North America Video Sales | $526,064 | |
Further financial details... |
Synopsis
Celebrity model couple, Carl and Yaya, are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain. What first appeared instagrammable ends catastrophically, leaving the survivors stranded on a desert island and fighting for survival.
Metrics
Movie Details
Production Budget: | $15,600,000 |
Croatia Releases: | November 17th, 2022 (Wide) |
Video Release: | November 22nd, 2022 by Criterion |
MPAA Rating: | R for language and some sexual content. (Rating bulletin 2751 (cert #54063), 9/28/2022) |
Running Time: | 149 minutes |
Keywords: | Black Comedy, Satire, Tourists In Trouble, On a Boat, Marooned, 2023 Oscars Best Picture Nominee |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Imperative Entertainment, 30 West, Endeavor Content, Plattform Produktion AB, Film i Vast, BBC Films, Essential Films, Coproduction Office, Sveriges Television, ZDF, Arte, Arte France Cinema, TRT, Svenska Film Institutet, Eurimages, Council of Europe, Medienboard Berlin-Brandenburg, Danish Film Institute, Moin - Film Fund Hamburg Schleswig-Holstein, BFI, Heretic Films, Board Carde Film, Sovereign Films, Piano |
Production Countries: | France, Sweden, United Kingdom, United States |
Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/11/18 | 6 | $19,537 | 27 | $724 | $19,537 | 1 | |
2022/11/25 | 7 | $7,414 | -62% | 22 | $337 | $31,502 | 2 |
2022/12/02 | 11 | $5,021 | -32% | 13 | $386 | $40,310 | 3 |
2022/12/09 | 13 | $3,079 | -39% | 17 | $181 | $45,126 | 4 |
2022/12/16 | 12 | $1,997 | -35% | 7 | $285 | $48,849 | 5 |
2022/12/23 | 15 | $1,165 | -42% | 7 | $166 | $51,936 | 6 |
2022/12/30 | 12 | $1,914 | +64% | 6 | $319 | $56,371 | 7 |
2023/01/06 | 14 | $377 | -80% | 5 | $75 | $8,136 | 8 |
2023/01/13 | 14 | $271 | -28% | 5 | $54 | $8,567 | 9 |
2023/01/20 | 17 | $154 | -43% | 5 | $31 | $16,775 | 10 |
2023/03/03 | 19 | $2,749 | 9 | $305 | $72,744 | 16 | |
2023/07/07 | 20 | $498 | 4 | $125 | $80,886 | 34 | |
2023/08/11 | 14 | $1,457 | 2 | $729 | $83,151 | 39 | |
2023/09/01 | 18 | $1,262 | 5 | $252 | $84,383 | 42 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/22/2022 | $0 | 0 | 56 | 585 | $1,554,952 | 7/17/2023 |
Brazil | 3/2/2023 | $0 | 0 | 0 | 0 | $0 | |
Croatia | 11/17/2022 | $19,537 | 27 | 27 | 134 | $84,383 | 9/8/2023 |
Czech Republic | 10/6/2022 | $7,775 | 2 | 64 | 436 | $594,347 | 2/22/2023 |
Finland | 9/20/2022 | $27,604 | 43 | 43 | 170 | $312,173 | 1/27/2023 |
France | 9/28/2022 | $0 | 0 | 0 | 0 | $0 | |
Germany | 10/13/2022 | $0 | 0 | 0 | 0 | $0 | |
Italy | 10/27/2022 | $133,895 | 0 | 0 | 0 | $797,272 | 11/28/2022 |
Japan | 2/23/2023 | $0 | 0 | 0 | 0 | $0 | |
Mexico | 3/23/2023 | $0 | 0 | 0 | 0 | $0 | |
Netherlands | 12/15/2022 | $254,817 | 70 | 101 | 800 | $3,358,541 | 4/11/2023 |
New Zealand | 7/28/2022 | $0 | 0 | 35 | 143 | $239,031 | 7/24/2023 |
North America | 10/7/2022 | $214,602 | 10 | 610 | 3,722 | $4,608,096 | 11/20/2023 |
Portugal | 10/13/2022 | $21,021 | 20 | 21 | 114 | $159,765 | 3/14/2023 |
Romania | 11/11/2022 | $26,099 | 29 | 29 | 113 | $90,431 | 3/29/2023 |
Russia (CIS) | 12/1/2022 | $241,558 | 238 | 242 | 1035 | $1,139,362 | 1/18/2023 |
Slovakia | 9/29/2022 | $3,587 | 13 | 13 | 99 | $61,187 | 3/7/2023 |
South Korea | 5/17/2023 | $97,296 | 278 | 278 | 562 | $438,698 | 7/12/2023 |
Spain | 2/17/2023 | $224,470 | 177 | 177 | 730 | $1,158,112 | 6/1/2023 |
Turkey | 10/28/2022 | $13,257 | 50 | 50 | 82 | $39,026 | 12/16/2022 |
United Kingdom | 10/28/2022 | $357,540 | 125 | 175 | 981 | $2,095,917 | 3/22/2023 |
Rest of World | $16,159,690 | ||||||
Worldwide Total | $32,890,983 | 11/20/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ruben Ostlund | Director |
Ruben Ostlund | Screenwriter |
Erik Hemmendorff | Producer |
Philippe Bober | Producer |
Dan Friedkin | Executive Producer |
Bradley Thomas | Executive Producer |
Ryan Friedkin | Executive Producer |
Micah Green | Executive Producer |
Dan Steinman | Executive Producer |
Josefin Asberg | Production Designer |