Russia (CIS) Box Office for Tragedy Girls (2017)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $60,312 | Details |
Worldwide Box Office | $133,169 | Details |
Further financial details... |
Metrics
Movie Details
Russia (CIS) Releases: | November 3rd, 2017 (Wide) |
Video Release: | February 2nd, 2018 by Gunpowder & Sky |
MPAA Rating: | R for strong bloody horror violence, and language including some sexual references. (Rating bulletin 2489 (Cert #51196), 8/16/2017) |
Running Time: | 98 minutes |
Keywords: | Kidnap, Serial Killer, Life in a Small Town, High School, Celebrity Worship, Prom, Internet, Black Comedy |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | United States |
Languages: | English |
Theater Averages: Sacred Deer makes a Killing with an Average of $28,780
October 25th, 2017
It was a good weekend with three films earning more than $10,000 on the theater chart, led by The Killing of a Sacred Deer, with an average of $28,780 in four theaters. Its Tomatometer Score is merely good, but its average is even better at 8 out of 10. An average score of 8 out of 10 is close to award-worthy. Meanwhile, Jane did even better with an average of $19,449 in three theaters, which is amazing for a documentary. Its reviews remain 100% positive and the average critic simply loves the movie and it could be an Oscar winner. Wonderstruck rounded out the $10,000 club with an average of $16,471 in four theaters. Its reviews are merely good, so its might have trouble growing. That said, it is more accessible and mainstream than most other limited releases, so that could help.
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Limited and VOD Releases: Tragic Fate for Those who Miss these Films
October 20th, 2017
There isn’t a huge selection of limited releases this week, but there are several earning excellent reviews, such as 120 Beats Per Minute, Jane, Tragedy Girls, and others. Additionally, films like The Killing of a Sacred Deer and Wonderstruck are earning merely good reviews, but have enough buzz that they could still do well in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/11/03 | 17 | $35,750 | 200 | $179 | $35,750 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 10/20/2017 | $12,125 | 2 | 22 | 69 | $61,899 | 8/3/2020 |
Russia (CIS) | 11/3/2017 | $35,750 | 200 | 200 | 200 | $60,312 | 1/1/2019 |
Rest of World | $10,958 | ||||||
Worldwide Total | $133,169 | 8/3/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tyler MacIntyre | Director |
Tyler MacIntyre | Screenwriter |
Chris Lee Hill | Screenwriter |
Anthony Holt | Producer |
Armen Aghaeian | Producer |
Edward Mokhtarian | Producer |
Cameron Van Hoy | Producer |
Tara Ansley | Producer |
Craig Robinson | Producer |
Kerry Rhodes | Executive Producer |