South Korea Box Office for Tout s’est bien passé (2021)
Theatrical Performance (US$) | ||
South Korea Box Office | $40,851 | Details |
Worldwide Box Office | $315,876 | Details |
Further financial details... |
Synopsis
The film centers on Emmanuèle Bernheim as she is confronted with her father André’s declining health, and his request for her help in committing medically assisted suicide.When André, 85, has a stroke, Emmanuèle hurries to her father’s bedside. Sick and half-paralyzed in his hospital bed, he asks Emmanuèle to help him end his life. But how can you honor such a request when it’s your own father?
Metrics
Movie Details
South Korea Releases: | September 7th, 2022 (Limited) |
Video Release: | May 16th, 2023 by Cohen Media Group |
Running Time: | 113 minutes |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | France |
Languages: | French, German |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/09/09 | 17 | $10,319 | 39 | $265 | $19,701 | 1 | |
2022/09/16 | - | $4,259 | -59% | 30 | $142 | $33,198 | 2 |
2022/09/23 | - | $1,180 | -72% | 15 | $79 | $36,486 | 3 |
2022/09/30 | - | $1,037 | -12% | 9 | $115 | $39,215 | 4 |
2022/10/07 | - | $948 | -9% | 8 | $119 | $40,851 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 5/19/2022 | $3,698 | 18 | 18 | 51 | $22,001 | 1/30/2023 |
Denmark | 12/9/2021 | $0 | 0 | 0 | 0 | $0 | |
Italy | 1/13/2022 | $35,131 | 0 | 0 | 0 | $69,469 | 10/20/2022 |
Japan | 2/3/2023 | $0 | 0 | 0 | 0 | $0 | |
Mexico | 1/5/2023 | $0 | 0 | 0 | 0 | $0 | |
Netherlands | 2/3/2022 | $45,150 | 41 | 44 | 128 | $130,416 | 2/28/2022 |
New Zealand | 9/8/2022 | $1,181 | 11 | 11 | 29 | $2,242 | 10/22/2022 |
North America | 4/14/2023 | $0 | 0 | 0 | 0 | $0 | |
Portugal | 12/30/2021 | $222 | 3 | 5 | 9 | $2,391 | 10/20/2022 |
Russia (CIS) | 1/20/2022 | $18,914 | 104 | 104 | 104 | $31,397 | 10/20/2022 |
South Korea | 9/7/2022 | $10,319 | 39 | 39 | 101 | $40,851 | 10/12/2022 |
Turkey | 12/24/2021 | $1,355 | 23 | 23 | 41 | $6,309 | 10/20/2022 |
United Kingdom | 6/17/2022 | $10,800 | 26 | 26 | 26 | $10,800 | 6/22/2022 |
Worldwide Total | $315,876 | 1/30/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Sophie Marceau | Emmanuèle |
Andre Dussollier | André |
Supporting Cast
Géraldine Pailhas | Pascale |
Charlotte Rampling | Claude |
Gregory Gadebois | Gérard |
Hanna Schygulla | Swiss Lady |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Francois Ozon | Director |
Francois Ozon | Screenwriter |