Portugal Box Office for Não Me Toques (2018)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $983 | Details |
| Worldwide Box Office | $40,578 | Details |
| Home Market Performance | ||
| North America DVD Sales | $10,014 | Details |
| North America Blu-ray Sales | $21,231 | Details |
| Total North America Video Sales | $31,245 | |
| Further financial details... | ||
Synopsis
Touch Me Not centers on a filmmaker and characters she documents who together venture into a deep, personal soul-searching into how to achieve real human intimacy. On the fluid border between reality and fiction, the film follows the emotional and sexual journeys of various, diverse subjects offering deeply empathic insights into their personal lives. Craving intimacy—yet also deeply afraid of it—they each work to overcome old patterns, defense mechanisms and taboos…to cut the cords of inhibition and finally be set free.
Metrics
Movie Details
| Portugal Releases: | April 19th, 2019 (Wide), released as Não Me Toques |
| Video Release: | April 9th, 2019 by Kino Lorber |
| MPAA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Keywords: | Avant Garde, Artists, Voyeurism, Surrealism / Absurdism, Sex Therapists |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Manekino Film, Agitprop, Les Films de l’Etranger, Pink Productions , Rohfilm, Creative Europe, Torino Film Lab, Atelier De La Cinefondation, The Cinemart, Cinelink, S.E.E. Cinema Network, Binger Filmlab, Nipkow Programm, Romanian Film Center, Eurimages, Mitteldeutsche Medienfoerderung, Czech Film Fund, Bulgaria National Film Center, Eurometropole de Strasbourg, HBO Romania, Sensiblu Christian Tour, The Post Republic, Studio Bystrouska |
| Production Countries: | Bulgaria, Czech Republic, France, Germany, Romania |
| Languages: | English, German |
Theater Averages: New Releases are Left in the Cold
January 17th, 2019
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There were no films in the $10,000 club with Cold War coming the closest with $9,751 in ten theaters. The best new release was Touch Me Not, which opened with $7,903 in one theater.
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Limited and VOD Releases: Growing Old waiting for Prime Limited Releases
January 11th, 2019
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It is going to be a while before it is a good time for limited releases. We at least need this year’s Oscar contenders to no longer dominate theaters before high-quality limited releases can thrive. The biggest “new” release of the week is They Shall Not Grow Old, which broke records at the end of last year during special engagements. Now it looks to thrive in regular limited release. I think it will. There are a few others that could do well in VOD, but that’s as good as it gets for most films on this week’s list.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/04/19 | 33 | $676 | 1 | $676 | $983 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Bulgaria | 2/1/2019 | $2,724 | 0 | 0 | 0 | $5,679 | 2/12/2019 |
| Italy | 2/15/2019 | $7,672 | 19 | 19 | 19 | $11,051 | 2/22/2019 |
| Lithuania | 4/5/2019 | $183 | 1 | 2 | 3 | $1,084 | 4/16/2019 |
| North America | 1/11/2019 | $7,903 | 1 | 1 | 1 | $13,782 | |
| Portugal | 4/19/2019 | $676 | 1 | 1 | 1 | $983 | 4/23/2019 |
| Turkey | 9/28/2018 | $80 | 1 | 10 | 21 | $7,527 | 2/26/2019 |
| United Kingdom | 10/19/2018 | $472 | 2 | 2 | 2 | $472 | 10/24/2018 |
| Worldwide Total | $40,578 | 4/23/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Laura Benson | Laura Benson |
| Tomas Lemarquis | Tomas Lemarquis |
| Christian Bayerlein | Christian Bayerlein |
| Grit Uhlemann | Grit Uhlemann |
| Adina Pintilie | Adina Pintilie |
| Hanna Hofmann | Hanna Hofmann |
| Seani Love | Seani Love |
| Irmena Chichikova | Irmena Chichikova |
| Rainer Steffen | Rainer Steffen |
| Georgi Naldzhiev | Georgi Naldzhiev |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Adina Pintilie | Director |
| Adina Pintilie | Screenwriter |
| Adina Pintilie | Editor |
| Bianca Oana | Producer |
| Philippe Avril | Producer |
| Adina Pintilie | Producer |
| Benny Drechsel | Co-Producer |
| Radovan Sibrt | Co-Producer |
| George Chiper-Lillemark | Director of Photography |
| Ivo Paunov | Composer |
| Dominik Dolejsi | Sound Designer |
| Laurentiu Raducanu | 2nd Camera Cinematographer |
| Dragos Hanciu | Additional Photography |
| Marek Poledna | Sound Mixer |
| Dominik Dolejsi | Sound Mixer |
| Bernhard Maisch | Sound Mixer |
| Veselin Zografov | Sound Recordist |
| Florentina Bratfanof | Casting Director |
| Tanja Schuh | Casting Director |
| Maya Serrulla | Casting Director |
| Magdelena Ilieva | Casting Director |
| Ivan Kotsev | Casting Director |
| Adrian Cristea | Production Designer |
| Maria Pitea | Costume Designer |
| Bianca Oana | Line Producer |
| Catalin Neagoe | Production Manager |
| Nicole Zscherny | Production Manager |
| Petra Dobesova | Production Manager |
| Jakub Pinkava | Production Manager |
| Karsten Frank | Associate Producer |
| Neda Milanova | Associate Producer |
| Anne Grange | Associate Producer |
| Anamaria Antoci | Associate Producer |
| Laura Georgescu-Baron | Associate Producer |
| Anca Vlasceanu | Associate Producer |
| Ana Alexieva | Associate Producer |