Australia Box Office for Swimming With Men (2018)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $688,237 | Details |
| Worldwide Box Office | $1,326,415 | Details |
| Further financial details... | ||
Synopsis
His job is a drag, his wife may be cheating on him, and he’s not getting any younger. Accountant Eric is simply treading water when he discovers a newfound sense of purpose thanks to an unexpected source: a group of similarly stuck-in-a-rut guys who have found camaraderie and self-worth through synchronized swimming. Sure, they may be a bit paunchy, but they’re determined to prove they have what it takes to be a whirling, twirling, scissor-kicking aquatic dream team. And they’ve set their sights on the ultimate prize: the world championship.
Metrics
Movie Details
| Australia Releases: | October 26th, 2018 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Keywords: | Mid-Life Crisis, Infidelity, Swimming, Ensemble, Synchronized Swimming |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dignity Film Finance, Kerris Films, HanWay Films, Umedia, Met Film Production, Shoebox Films, AMP Film , Anyway Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Theater Averages: Mary Reigns over the Competition
December 12th, 2018
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Mary Queen of Scots led the way on the theater average chart with an average of $48,694 in four theaters. Unfortunately, its reviews strongly suggest it won’t have long legs in limited release. Likewise, Vox Lux got off to a fast start with an average of $25,952 in six theaters, but it is earning nearly identical reviews, so it too will likely have short legs. Up next was Ben is Back with an average of $20,183 in four theaters. The Favourite remained in the $10,000 club for the third weekend in a row with an average of $16,523 in 91 theaters. It will almost certainly expand at least semi-wide at this point, especially if it continues to pick up Awards Season nominations.
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Limited and VOD Releases: Oscar-Bait is Back
December 7th, 2018
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It’s a strange week for limited releases. There is not an overwhelming number of releases on this week’s list, but three of them were widely expected to be Awards Season players: Ben is Back, Mary Queen of Scots, and Vox Lux. However, of these three, none of them of earning award-worthy reviews. In fact, none of them are earning reviews that suggest they will truly thrive in limited release. Worse still, the competition between the three of them could result in none of them doing particularly well over the weekend. Hopefully that’s not the case.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/10/26 | 30 | $10,471 | 6 | $1,745 | $10,471 | 1 | |
| 2018/11/02 | - | $7,367 | -30% | 12 | $614 | $22,438 | 2 |
| 2018/11/09 | 24 | $22,772 | +209% | 13 | $1,752 | $51,124 | 3 |
| 2019/02/15 | - | $6,350 | 8 | $794 | $61,839 | 17 | |
| 2019/02/22 | - | $6,363 | n/c | 14 | $455 | $71,617 | 18 |
| 2019/03/01 | - | $1,710 | -73% | 3 | $570 | $77,669 | 19 |
| 2019/03/15 | 35 | $8,456 | 17 | $497 | $88,696 | 21 | |
| 2019/03/22 | 9 | $137,468 | +1,526% | 138 | $996 | $236,175 | 22 |
| 2019/03/29 | 9 | $109,396 | -20% | 135 | $810 | $439,487 | 23 |
| 2019/04/05 | 14 | $51,748 | -53% | 84 | $616 | $545,197 | 24 |
| 2019/04/12 | 20 | $30,046 | -42% | 46 | $653 | $611,486 | 25 |
| 2019/04/19 | - | $18,947 | -37% | 55 | $344 | $640,882 | 26 |
| 2019/04/26 | - | $14,191 | -25% | 29 | $489 | $661,317 | 27 |
| 2019/05/03 | - | $6,972 | -51% | 28 | $249 | $676,176 | 28 |
| 2019/05/10 | - | $3,054 | -56% | 26 | $117 | $681,548 | 29 |
| 2019/05/17 | - | $2,119 | -31% | 24 | $88 | $673,561 | 30 |
| 2019/05/24 | - | $1,183 | -44% | 10 | $118 | $680,115 | 31 |
| 2019/06/07 | - | $829 | 8 | $104 | $691,596 | 33 | |
| 2019/06/21 | - | $2,963 | 4 | $741 | $686,730 | 35 | |
| 2019/07/05 | - | $707 | 2 | $354 | $693,054 | 37 | |
| 2019/07/26 | - | $767 | 2 | $384 | $689,470 | 40 | |
| 2019/08/16 | - | $1,765 | 2 | $883 | $679,835 | 43 | |
| 2019/09/06 | - | $833 | 2 | $417 | $688,237 | 46 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $10,471 | 6 | 138 | 668 | $688,237 | 9/10/2019 |
| North America | 12/7/2018 | $10,844 | 31 | 31 | 49 | $24,888 | |
| United Kingdom | 7/6/2018 | $78,649 | 136 | 136 | 325 | $613,290 | 10/17/2018 |
| Worldwide Total | $1,326,415 | 9/10/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Rob Brydon | Eric |
| Adeel Akhtar | Kurt |
| Jim Carter | Ted |
| Rupert Graves | Luke |
| Daniel Mays | Colin |
| Thomas Turgoose | Tom |
Supporting Cast
| Charlotte Riley | Susan |
| Jane Horrocks | Heather |
| Nathaniel Parker | Lewis |
| Christian Rubeck | Jonas |
| Robert Daws | Michael |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Oliver Parker | Director |
| Stewart Le Marechal | Producer |
| Anna Mohr-Pietsch | Producer |
| Maggie Monteith | Producer |
| Aschlin Ditta | Screenwriter |
| Al Morrow | Executive Producer |
| Jonny Persey | Executive Producer |
| Paul Webster | Executive Producer |
| Guy Heeley | Executive Producer |
| Dylan Williams | Executive Producer |
| Erik Pauser | Executive Producer |
| Chris Reed | Executive Producer |
| Gabrielle Stewart | Executive Producer |
| Peter Watson | Executive Producer |
| Ian Dawson | Executive Producer |
| Norman Humphrey | Executive Producer |
| Ben Friedman | Executive Producer |
| Bastien Sirodot | Executive Producer |
| Adrian Politowski | Executive Producer |
| Ed Clarke | Co-Producer |
| Kasia Malipan | Line Producer |
| David Raedeker | Director of Photography |
| Amanda McArthur | Production Designer |
| Liana Del Giudice | Editor |
| Charlie Mole | Composer |
| Jo Thompson | Costume Designer |
| Ben Baird | Sound Designer |
| Sarah Bridge | Music Supervisor |
| Alex Johnson | Casting Director |