Australia Box Office for Super Troopers 2 (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $646,262 | Details |
Worldwide Box Office | $31,966,740 | Details |
Home Market Performance | ||
North America DVD Sales | $3,431,138 | Details |
North America Blu-ray Sales | $4,044,605 | Details |
Total North America Video Sales | $7,475,743 | |
Further financial details... |
Synopsis
When an international border dispute arises with Canada, the Super Troopers are called into duty to patrol the border between Vermont and the Great White North. Back on the job, they find themselves at odds with their Canadian counterparts, The Royal Canadian Mounted Police, a confrontation that quickly escalates from pranks to pullovers to all out brawls. As our Troopers navigate the Mountie conflict, they unearth a crime of international proportions: a smuggling ring moving arms, pharmaceuticals and other illegal items across the border. Their skills are put to the test when the Canadian rivalry, the criminal investigation, an illicit Canuck-American romance, and their self-imploding mascot, Farva, all collide in an attempt to bring them down.
Metrics
Movie Details
Production Budget: | $13,500,000 |
Australia Releases: | April 20th, 2018 (Wide) |
Video Release: | July 17th, 2018 by Fox Home Entertainment |
MPAA Rating: | R for crude sexual content and language throughout, drug material and some graphic nudity. (Rating bulletin 2477 (Cert #51074), 5/24/2017) |
Running Time: | 99 minutes |
Franchise: | Super Troopers |
Keywords: | Directing Yourself, Screenplay Written By the Star, Delayed Sequel, Crowdfunding, Set in Canada, RCMP / Mounties, Police life, Corrupt Cops, Ensemble, Undercover, Smuggler, Farcical / Slapstick Comedy, Scene in End Credits, Kidnap, Rescue |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Broken Lizard Industries, Fox Searchlight Pictures, Cataland Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 17th, 2018
July 18th, 2018
It’s a shallow week in terms of the total number of releases, but a lot of films on this list are worth picking up. Rampage is the biggest and it is worth buying, if you are into popcorn action flicks. There are a lot of other releases that are worth picking up, but not quite Pick of the Week contenders, like Disobedience, The Good Place: Season Two, etc. As for true Pick of the Week contenders, we have a limited selection and I’m going with Isle of Dogs on Blu-ray Combo Pack for that title.
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Weekend Wrap-Up: Infinity War Opened as Close to Infinity as Any Film
April 30th, 2018
Infinity War was expected to dominate the box office over the weekend. However, not a lot of people thought it would break the all-time record, but it did. Not only did it break the record, it smashed it, topping The Force Awakens by nearly $10 million at $257.70 million. The MCU now has six of the top ten openings of all-time. Remember, when Disney bought Marvel for $4 billion, a lot of people thought they overpaid. Disney’s share of just the domestic box office numbers is close to $4 billion at this point. The overall box office rose 150% from last weekend to $312 million. This is within a rounding error of the record and we might get there as smaller studios report their numbers later in the week. This is 212% higher than the same weekend last year; granted, this is because summer started a week early this year. Year-to-date, 2018 has retaken the lead by $140 million or 4.0% at $3.78 billion to $3.64 billion. However, and this is important, this is a misleading number, because summer started a week early this year. I would wait till Deadpool 2 comes out to judge the year-to-date numbers. It will take that long for Infinity War coming out a week early to fully balance out. You will probably make solid judgments before then, but I think it is wise to be a little cautious.
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Weekend Predictions: Will Avengers go to Infinity?
April 26th, 2018
Infinity War. Do I need to say more? Infinity War is easily the most anticipated movie of the year, and some argue the most anticipated film in the past few years. There’s even talk that it will have the best three-day opening of all time. This weekend last year, The Fate of the Furious earned its third first place result with just under $20 million. Infinity War could make twice that during its midnight previews. It will make more than the entire box office made last year.
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Weekend Wrap-Up: Quiet Retakes Top Spot, Rampage Right Behind
April 24th, 2018
As expected, A Quiet Place returned to the first place with $20.94 million over the weekend. However, Rampage was much closer than expected with $20.09 million. It is on pace for $100 million domestically, assuming Infinity War doesn't reduce it to rumble this coming weekend. The new releases were led by I Feel Pretty, which came within a rounding error of expectations, while Super Troopers 2 beat expectations earning fourth place. Traffik barely made the top ten, but it could have been worse. Overall, the box office still fell 17% from last week, falling to $122 million. This is still 13% higher than the same weekend last year, which I was not expecting. I really thought The Fate of the Furious would earn more than the top two films earned this weekend, while the depth was also a lot better this week than I was anticipating. Year-to-date, 2017 is still behind 2018, by a 2.1% or $75 million margin at $3.43 billion to $3.51 billion. This should change this coming weekend. It better change.
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Friday Estimates: Troopers has Super Opening, I Feel has a Pretty Good One
April 21st, 2018
Super Troopers 2 opened in first place on Friday with $7.9 million, which is more than I predicted it would make over the entire weekend. On the other hand, this film’s reviews are wea. It managed a B plus from CinemaScore, which isn’t terrible, but it’s not particularly good either. Its legs likely won’t be great, as the target demographic is much more likely to rush out to the movie opening night, leaving the film with just over $17 million during its opening weekend. This could be more than its combined budget, especially if you disregard the money it earned from Kickstarter. (The film doesn’t have to earn a profit on those numbers.)
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Thursday Night Previews: Comedies Conquer Midnight Previews
April 20th, 2018
Both new comedies beat expectations with Super Troopers 2 coming out on top with $1.35 million. It will easily top predictions, but all is not so rosy. Its reviews are just 33% positive and the film might not find an audience beyond its target audience. That said, it won’t take the film long to match the original’s entire domestic run. It won’t get there over the weekend, especially with the Franchise double-shot happening in nearly 1,000 theaters, but it will get there.
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Weekend Predictions: The Quiet Before the Storm
April 19th, 2018
There are two wide releases this week, I Feel Pretty and Super Troopers 2, as well as a semi-wide release that has a shot at the top ten, Traffik. However, most analysts think A Quiet Place will return to first place on the box office chart. Meanwhile, Infinity War opens next week and that’s all most moviegoers are talking about and this will likely really hurt this week’s box office. This weekend last year, The Fate of the Furious remained on top with $38 million, while the top three films combined earned $60 million. I don’t think 2018 will be able to match that, but it should be close.
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2018 Preview: April
April 1st, 2018
Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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Super Troopers 2 Trailer
March 31st, 2018
Comedy starring Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske opens April 20 ... Full Movie Details.
When an international border dispute arises with Canada, the Super Troopers are called into duty to patrol the border between Vermont and the Great White North. Back on the job, they find themselves at odds with their Canadian counterparts, The Royal Canadian Mounted Police, a confrontation that quickly escalates from pranks to pullovers to all out brawls. As our Troopers navigate the Mountie conflict, they unearth a crime of international proportions: a smuggling ring moving arms, pharmaceuticals and other illegal items across the border. Their skills are put to the test when the Canadian rivalry, the criminal investigation, an illicit Canuck-American romance, and their self-imploding mascot, Farva, all collide in an attempt to bring them down.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/04/20 | 11 | $341,280 | 93 | $3,670 | $341,280 | 1 | |
2018/04/27 | 13 | $106,551 | -69% | 87 | $1,225 | $557,193 | 2 |
2018/05/04 | 16 | $56,133 | -47% | 59 | $951 | $646,262 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/20/2018 | $341,280 | 93 | 93 | 239 | $646,262 | 5/7/2018 |
Bulgaria | 5/4/2018 | $7,591 | 0 | 0 | 0 | $18,665 | 2/26/2019 |
New Zealand | 4/20/2018 | $24,465 | 15 | 15 | 19 | $25,237 | 4/30/2018 |
North America | 4/20/2018 | $15,181,624 | 2,038 | 2,125 | 8,702 | $30,617,396 | 7/21/2022 |
Spain | 5/4/2018 | $32,764 | 153 | 153 | 153 | $32,764 | 5/11/2018 |
United Kingdom | 6/15/2018 | $135,336 | 306 | 306 | 306 | $135,336 | 6/20/2018 |
Rest of World | $491,080 | ||||||
Worldwide Total | $31,966,740 | 7/21/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Jay Chandrasekhar | Senior Trooper Arcot “Thorny” Ramathorn |
Kevin Heffernan | Trooper Rodney “Rod” Farva |
Steve Lemme | Trooper MacIntyre “Mac” Womack |
Paul Soter | Trooper Jeff Foster |
Erik Stolhanske | Trooper Robert “Rabbit” Roto |
Supporting Cast
Rob Lowe | Guy Le Franc |
Brian Cox | Captain John O’Hagen |
Seann William Scott | Trooper Callaghan |
Clifton Collins, Jr. | Bus Driver |
Damon Wayans Jr. | Trooper Wagner |
Marisa Coughlan | Officer Ursula Hanson |
Bruce McCulloch | Border Officer Charles Lloyd |
Lynda Carter | Vermont Governor Jessman |
Hayes MacArthur | Canadian Mountie |
Tyler Labine | Canadian Mountie |
Will Sasso | Canadian Mountie |
Marcel Laverdet | Bartender |
Emmanuelle Chriqui | Genevieve Aubois |
Lillian Klein | Crowd Member #1 |
Chet Harding | Crowd Member #2 |
Jolie Martin | Bordello Madame |
Richard Perello | L’Explosion Bartender |
Ariel Zuckerman | Male Escort |
Alexa Don | Female Escort |
Max Murphy | Male Escort 2 |
Michael Roos | Guy’s Thug 1 |
Michael Otto | Guy’s Thug 2 |
Paul Bellefeuille | Angry Canadian |
Gabrielle Perello | Canadian Teen 1 |
Ethan Perello | Canadian Teen 2 |
Buck Heffernan | Cadillac Kid 3 |
Jasper Karlson | Cadillac Kid 1 |
Sebastian Karlson | Cadillac Kid 2 |
Jimmy Tatro | Lance Stonebreaker |
Andrew Carter | Stonebreaker Passenger |
David F. Park | Hydrogen Driver |
Neil Garguiilo | Grocery Driver |
Jim Gaffigan | Larry Johnson |
Michael Yurchak | American Driver |
Paul Walter Hauser | Lonnie Laloush |
Owen Burke | Chicanery’s Waiter |
Maggie Castle | Cassandra Anne Gacek |
Brandon Cordeiro | Paramedic |
Graham Kay | Sawmill Crowd Member |
Cameos
Fred Savage | Fred Savage |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jay Chandrasekhar | Director |
Broken Lizard* | Screenwriter |
Broken Lizard* | Screenwriter |
Broken Lizard* | Screenwriter |
Broken Lizard* | Screenwriter |
Broken Lizard* | Screenwriter |
Richard Perello | Producer |
Charles Stiefel | Executive Producer |
Peter E. Lengyel | Executive Producer |
Todd Stiefel | Executive Producer |
Brent Stiefel | Executive Producer |
Michael Hassan | Executive Producer |
Richard Hassan | Executive Producer |
Kris Meyer | Executive Producer |
Justin Begnaud | Executive Producer |
Jamie Greene | Executive Producer |
David Gendron | Executive Producer |
Michael Hansen | Executive Producer |
Ali Jazayeri | Executive Producer |
Peter Thompson | Co-Executive Producer |
Brian Walsh | Co-Executive Producer |
Sean Patrick Burke | Co-Executive Producer |
Jason Moring | Co-Executive Producer |
Mark Padilla | Co-Executive Producer |
Kayvan S.T. Khalatbari | Co-Executive Producer |
Nicholas A. Hice | Co-Executive Producer |
Andy Juett | Co-Executive Producer |
Paul Italia | Co-Executive Producer |
Cris Italia | Co-Executive Producer |
David Kimowitz | Co-Executive Producer |
Joe Collins | Director of Photography |
Cabot McMullen | Production Designer |
Spencer Houck | Editor |
Debra McGuire | Costume Designer |
Benjamin C. Dewey | Line Producer |
Mary Vernieu | Casting Director |
Venus Kanani | Casting Director |
Ivan Askwith | Co-Producer |
James Altman | Associate Producer |
Roberto Barocci | Associate Producer |
Aaron Behl | Associate Producer |
Dave Gaunt | Associate Producer |
Hari Nathan Kalyan | Associate Producer |
Bob Leary | Associate Producer |
Todd Moitz | Associate Producer |
Martha Reed Murphy | Associate Producer |
Sarah Nash | Associate Producer |
Joel Solomon | Associate Producer |
Benjamin C. Dewey | Unit Production Manager |
Adam Druxman | First Assistant Director |
David Eric Chapman | Second Assistant Director |
Ken Donaldson | Second Assistant Director |
Scott Rogers | Second Unit Director |
Scott Rogers | Stunt Coordinator |
Douglas Plasse | First Assistant Director |
Herb Polack | Production Supervisor |
Lawrence Sampson | Art Director |
Dustin Neiderman | Set Designer |
Ryan Falkner | Story Artist |
Brian Murray | Story Artist |
Sophie Carlhian | Set Decorator |
Robert Schleinig | Set Decorator |
David “Daveed” Alvarez* | Sound Mixer |
Liz Bernstrom | Make up |
Sherryn Smith | Make up |
Rob Fitz | Special Make-up Effects |
Frank Barbosa | Hairstylist |
Judson Bell | Special Effects Supervisor |
Stephen Hartman | Location Manager |
Kelly Cronin | Script Supervisor |
Ann Kline | Music Supervisor |
Robert Nassau | Additional Editor |
James Lesage | First Assistant Editor |
Anne Crossley | Assistant Editor |
Luis Cuevas | Assistant Editor |
Andy Kris | Supervising Sound Editor |
Andy Kris | Re-recording Mixer |
Larry Zipf | Re-recording Mixer |
Larry Zipf | Sound Designer |
Gregg Swiatlowski | Supervising Dialogue Editor/ADR Editor |
Wyatt Sprague | Sound Effects Editor |
Jason Tregoe Newman | Music Editor |
Bryant J. Fuhrmann | Music Editor |
Bryan Carrigan | Music Editor |
Jason Piccioni | Visual Effects Supervisor |
Lindsay Seguin | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.