Japan Box Office for The Suicide Squad (2021)
Theatrical Performance (US$) | ||
Japan Box Office | $5,300,000 | Details |
Worldwide Box Office | $167,097,737 | Details |
Home Market Performance | ||
North America DVD Sales | $6,019,379 | Details |
North America Blu-ray Sales | $9,867,155 | Details |
Total North America Video Sales | $15,886,534 | |
Further financial details... |
Synopsis
Welcome to hell—a.k.a. Belle Reve, the prison with the highest mortality rate in the US of A. Where the worst Super-Villains are kept and where they will do anything to get out—even join the super-secret, super-shady Task Force X. Today’s do-or-die assignment? Assemble a collection of cons, including Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin and everyone’s favorite psycho, Harley Quinn. Then arm them heavily and drop them (literally) on the remote, enemy-infused island of Corto Maltese. Trekking through a jungle teeming with militant adversaries and guerrilla forces at every turn, the Squad is on a search-and-destroy mission, with only Colonel Rick Flag on the ground to make them behave…and Amanda Waller’s government techies in their ears, tracking their every movement. And as always, one wrong move and they’re dead (whether at the hands of their opponents, a teammate, or Waller herself). If anyone’s laying down bets, the smart money is against them—all of them.
Metrics
Movie Details
Production Budget: | $185,000,000 |
Japan Releases: | August 13th, 2021 (Wide) |
Video Release: | August 5th, 2021 by Max |
MPAA Rating: | R for strong violence and gore, language throughout, some sexual references, drug use and
brief graphic nudity. (Rating bulletin 2680 (cert #52984), 5/12/2021) |
Running Time: | 132 minutes |
Franchise: | DC Extended Universe |
Keywords: | Action Comedy, Reboot, Special Ops, Ensemble, Sequels Without Their Original Stars, Sequel With Lead Character Recast |
Source: | Based on Comic/Graphic Novel |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Super Hero |
Production/Financing Companies: | Warner Bros., Atlas Entertainment, DC Films |
Production Countries: | United States |
Languages: | English |
Weekend predictions: Venom headed to excellent opening weekend
October 1st, 2021
A critical month for the theatrical industry has started with some promising news: Venom: Let There Be Carnage posted a very solid $11.6 million from “preview” screenings on Thursday evening, the second-best result from previews during the pandemic, and not far behind Black Widow’s $13.2 million. Sony Pictures, while presumably very happy with how things are going so far, are urging caution when extrapolating that number out to the whole weekend. Their current projection for the weekend is towards the high end of the $50 million to $60 million range, with a preview-to-weekend multiplier around five.
Here’s what our model has to say about Venom’s prospects, along with this weekend’s other new wide releases and returning films…
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Weekend estimates: Shang-Chi keeps the market afloat with $35.8-million second weekend
September 12th, 2021
Shang-Chi and the Legend of the Ten Rings isn’t just the biggest game in town, it’s practically the only game in town at the moment when it comes to earning dollars at the box office. The Marvel movie will earn about $35.8 million this weekend, according to Disney’s Sunday morning projection, a decline of 53% from its three-day opening (a good figure these days), and will stand at $145.6 million or so in total by the end of today, making it already the fourth-highest earner at the domestic box office in 2021 with plenty more to come. Malignant’s $5.57 million box office debut will only be enough for third place this weekend and raises further questions about Warner Bros.’ strategy of releasing films simultaneously on HBO Max.
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Weekend estimates: Shang-Chi smashes Labor Day record with $71.4 million
September 5th, 2021
Disney is projecting that Shang-Chi and the Legend of the Ten Rings will open with $71.4 million over three days and $83.5 million over the four-day Labor Day weekend, making it the second-best new release of the pandemic era and smashing the Labor Day weekend record held since 1999 by The Sixth Sense. At the very end of a stop-start Summer, this is arguably the best result we’ve seen at the box office. And maybe, just maybe, a sign that studios will see the benefits of holding off on releasing films to streaming on opening weekend.
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Weekend estimates: strong hold for Free Guy keeps it top for second weekend
August 22nd, 2021
Free Guy will fall just 34% in its second weekend, according to Disney’s Sunday-morning projection, and a weekend total of $18.79 million will be enough to keep it at the top of the box office chart. PAW Patrol: The Movie will come in with a solid $13 million in second place, but the other openers are doing much more poorly, leading to a down weekend for the market as a whole.
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Weekend estimates: Free Guy’s great start makes up for a generally weak market
August 15th, 2021
An impressive $28.4-million opening for Free Guy will more than make up for weakness in the rest of the market to give us a welcome “up” weekend at the box office. Free Guy’s start beats The Suicide Squad’s debut last weekend, which will undoubtedly add fuel to the debate on the viability of releasing major films simultaneously in theaters and on streaming platforms—Free Guy gets a 45-day window before it lands exclusively on Disney+, while The Suicide Squad is already playing on HBO Max.
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Weekend predictions: Can Free Guy keep box office recovery on track?
August 13th, 2021
Free Guy finally gets its day in theaters this weekend at the fourth time of asking, and it should top the box office chart according to our model. But, as if arriving more than a year after its original release date and under the 20th Century Studios banner after Fox’s acquisition by Disney wasn’t enough, it also has to carry a large of part of the hopes of the theatrical business on its back after some shaky opening weekends and sharp drops for returning films in recent weeks. It will have some help from Don’t Breathe 2 and Respect, which are both also opening in wide release.
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Weekend estimates: The Suicide Squad top with $26.5 million on disappointing weekend for the industry
August 8th, 2021
Cannibalization from HBO Max? An R-rated super hero movie that suffered because it couldn’t reach family audiences? Renewed reluctance to go to movies as the Delta Variant hits hard across the continent? Whatever the reasons (and it’s most likely a combination of all three), The Suicide Squad will open with a disappointing $26.5 million this weekend, according to Warner Bros.’ Sunday-morning projection. While singling out the performance of a single movie makes for an easy headline, what’s perhaps more concerning for the industry today is that six out of the top eight films missed our model’s prediction, which suggests that the market recovery we were hoping for is stalling out.
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Weekend predictions: The Suicide Squad headed for $30-million-or-so weekend
August 6th, 2021
The Suicide Squad should easily win the weekend at the box office as it goes up against Jungle Cruise (playing in its second weekend), and… not much else. After July’s relative banquet of new releases, August will be more modest in scope, and The Suicide Squad looked at one stage as though it might have had the month almost to itself. Although its recent tracking has been more muted, its Thursday preview numbers point towards an easy win this weekend. This might be the only weekend it tops the charts though.
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Weekend estimates: Jungle Cruise opens with impressive $34.2 million
August 1st, 2021
Get ready for Big Thunder Mountain Railroad: The Movie everyone. Disney’s strategy of converting its theme park rides into adventure movies is hitting pay dirt again this weekend with Jungle Cruise on its way to a $34.2-million debut, according to the studio’s Sunday morning projection. That’s substantially above our model’s prediction, and it’s not the only movie to be earning more than expected: The Green Knight will earn about $6.8 million this weekend to land in second place. Those two films more than make up for the softness of the returning titles, and we are looking at a welcome “up” weekend for the market as a whole.
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Weekend estimates: Old leads on lackluster weekend
July 25th, 2021
M. Night Shyamalan returns to the top of the box office charts this weekend, but he might be the only person celebrating as every opening and returning film in the top 10 looks set to underperform this weekend. Shyamalan’s new film, Old is coming closest to our model’s prediction with an opening of $16.5 million, which is 12% below what the model expected. Snake Eyes: G.I. Joe Origins will come second with $13.35 million, which is 15% behind expectations. Those results are both well within the model’s margin of error, but the collective performance of the market is troubling.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/08/13 | - | $1,900,000 | 749 | $2,537 | $1,900,000 | 1 | |
2021/08/20 | - | $700,000 | -63% | 744 | $941 | $3,600,000 | 2 |
2021/08/27 | - | $370,000 | -47% | 736 | $503 | $4,500,000 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/5/2021 | $1,040,110 | 305 | 305 | 1944 | $4,453,634 | 10/20/2022 |
Belgium | 7/30/2021 | $0 | 0 | 0 | 0 | $336,000 | 10/20/2022 |
Brazil | 8/5/2021 | $1,500,000 | 1649 | 1649 | 3762 | $4,500,000 | 9/27/2021 |
Czech Republic | 8/5/2021 | $0 | 0 | 0 | 0 | $0 | |
Denmark | 8/5/2021 | $0 | 0 | 0 | 0 | $0 | |
Finland | 8/6/2021 | $0 | 0 | 76 | 292 | $723,885 | 10/4/2021 |
France | 7/28/2021 | $1,615,358 | 561 | 561 | 2193 | $6,500,000 | 9/27/2021 |
Germany | 8/5/2021 | $2,200,000 | 550 | 568 | 2195 | $6,200,000 | 9/27/2021 |
Hong Kong | 8/5/2021 | $0 | 0 | 0 | 0 | $2,235,754 | 9/14/2021 |
Iceland | 8/4/2021 | $0 | 0 | 0 | 0 | $0 | |
Italy | 8/5/2021 | $1,000,940 | 0 | 0 | 0 | $2,321,319 | 10/20/2022 |
Japan | 8/13/2021 | $1,900,000 | 749 | 749 | 2229 | $5,300,000 | 9/27/2021 |
Lithuania | 8/6/2021 | $36,512 | 15 | 15 | 47 | $109,208 | 9/17/2021 |
Mexico | 8/5/2021 | $1,948,247 | 0 | 0 | 0 | $5,100,000 | 10/20/2022 |
Netherlands | 8/6/2021 | $641,558 | 5 | 157 | 551 | $2,500,000 | 9/27/2021 |
New Zealand | 8/5/2021 | $468,292 | 91 | 91 | 322 | $883,957 | 11/22/2021 |
North America | 8/6/2021 | $26,205,415 | 4,002 | 4,019 | 16,971 | $55,817,425 | |
Portugal | 8/5/2021 | $267,367 | 107 | 107 | 497 | $1,080,115 | 10/20/2022 |
Romania | 8/6/2021 | $138,369 | 87 | 87 | 282 | $443,215 | 10/20/2022 |
Russia (CIS) | 8/5/2021 | $4,169,908 | 2000 | 2000 | 7159 | $9,200,000 | 10/20/2022 |
Saudi Arabia | 8/5/2021 | $1,200,000 | 536 | 536 | 536 | $2,400,000 | 10/20/2022 |
Slovakia | 8/6/2021 | $114,014 | 59 | 59 | 128 | $292,912 | 9/30/2021 |
South Korea | 8/5/2021 | $1,639,089 | 1041 | 1041 | 1701 | $3,800,000 | 9/27/2021 |
Spain | 8/6/2021 | $1,318,477 | 354 | 354 | 1940 | $5,400,000 | 9/27/2021 |
Sweden | 8/4/2021 | $0 | 0 | 0 | 0 | $0 | |
Switzerland | 7/30/2021 | $0 | 0 | 0 | 0 | $73,000 | 10/20/2022 |
Turkey | 7/30/2021 | $112,566 | 378 | 378 | 1240 | $767,581 | 10/20/2022 |
United Arab Emirates | 8/6/2021 | $0 | 0 | 0 | 0 | $1,700,000 | 8/16/2021 |
United Kingdom | 7/30/2021 | $4,524,246 | 635 | 644 | 3828 | $19,500,000 | 9/27/2021 |
Rest of World | $25,459,732 | ||||||
Worldwide Total | $167,097,737 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Margot Robbie | Harley Quinn |
Viola Davis | Amanda Waller |
Joel Kinnaman | Rick Flag |
Jai Courtney | Boomerang |
Idris Elba | Robert DuBois/Bloodsport |
Sylvester Stallone | King Shark |
Peter Capaldi | Thinker |
Supporting Cast
John Cena | Peacemaker |
Daniela Melchior | Cleo Cazo/Ratcatcher 2 |
David Dastmalchian | Abner Krill/Polka-Dot Man |
Storm Reid | Tyla |
Michael Rooker | Brian Durlin/Savant |
John Ostrander | Doctor Fitzgibbon |
Nathan Fillion | T.D.K. |
Flula Borg | Javelin |
Mayling Ng | Mongal |
Pete Davidson | Blackguard |
Sean Gunn | Weasel/Calendar Man |
Stephen Blackehart | Briscoe |
Steve Agee | John Economos/On-Set King Shark |
Tinashe Kajese | Flo Crawley |
Jennifer Holland | Emilia Harcourt |
Fernando Martinez | Sliced Dome Soldado |
Dee Bradley Baker | Sebastian |
Natalia Safran | Kaleidoscope |
Jared Leland Gore | Double Down |
Rey Hernandez | Teniente |
Ray Benitez | Coronel |
Alice Braga | Sol Soria |
Reinaldo Faberlle | Large Guerrilla |
Jonathan Fritschi | Delicious Hot Dog Guerrilla |
Juan Diego Botto | Presidente General Silvio Luna |
Joaquin Cosio | Mayor General Mateo Suárez |
Josh Ventura | Astronaut |
Gerardo Davila | General Vera |
Mikaela Hoover | Camila |
Lynne Ashe | Polka-Dot Man’s Mom |
Julio Ruiz | Milton |
J.R. Adduci | Road Block Soldado |
Curtis Lyons Jr | Road Block Soldado #3 |
Maya Le Clark | Young Cleo |
Cameos
Taika Waititi | Ratcatcher |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Gunn | Director |
Adam Cozad | Screenwriter |
James Gunn | Screenwriter |
Charles Roven | Producer |
Peter Safran | Producer |
Richard Sucklew | Executive Producer |
Zack Snyder | Executive Producer |
Deborah Snyder | Executive Producer |
Walter Hamada | Executive Producer |
Chantal Nong | Executive Producer |
Nikolas Korda | Executive Producer |
Lars P. Winther | Co-Producer |
Lars P. Winther | Assistant Director |
Kelvin McIlwain | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.