Australia Box Office for Spencer (2021)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $1,011,369 | Details |
| Worldwide Box Office | $16,546,858 | Details |
| Home Market Performance | ||
| North America DVD Sales | $241,504 | Details |
| North America Blu-ray Sales | $121,871 | Details |
| Total North America Video Sales | $363,375 | |
| Further financial details... | ||
Synopsis
December, 1991: The Prince and Princess of Wales’ marriage has long since grown cold. Though rumours of affairs and a divorce abound, peace is ordained for the Christmas festivities at Sandringham Estate. There’s eating and drinking, shooting and hunting. Diana knows the game. This year, things will be a whole lot different.
Metrics
Movie Details
| Australia Releases: | January 20th, 2022 (Wide) |
| Video Release: | November 5th, 2021 by Neon |
| MPAA Rating: | R for some language. (Rating bulletin 2700 (cert #53430), 9/29/2021) |
| Running Time: | 116 minutes |
| Keywords: | Prince/Princess, Royalty, 1990s, Set in England, Filmed in United Kingdom, Filmed in Germany, Biographical Drama, Biography |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | FilmNation Entertainment, Neon Films, The German Federal Film Fund, Medienboard Berlin-Brandenburg, The German Federal Film Board, Film- und Medienstiftung NRW, HessenFilm und Medien, Komplizen, Fabula, Shoebox Films, Topic Studios, Deutscher Filmfoerderfonds |
| Production Countries: | Chile, Germany, United Kingdom, United States |
| Languages: | English |
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Spencer trailer
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Drama starring Kristen Stewart opens in theaters on November 5 ... Full Movie Details.
December, 1991: The Prince and Princess of Wales’ marriage has long since grown cold. Though rumours of affairs and a divorce abound, peace is ordained for the Christmas festivities at Sandringham Estate. There’s eating and drinking, shooting and hunting. Diana knows the game. This year, things will be a whole lot different.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/01/21 | 10 | $287,697 | 295 | $975 | $337,187 | 1 | |
| 2022/01/28 | 11 | $165,740 | -42% | 266 | $623 | $682,575 | 2 |
| 2022/02/04 | 15 | $88,254 | -47% | 210 | $420 | $855,254 | 3 |
| 2022/02/11 | - | $33,042 | -63% | 137 | $241 | $943,284 | 4 |
| 2022/02/18 | - | $18,501 | -44% | 60 | $308 | $980,910 | 5 |
| 2022/02/25 | - | $7,203 | -61% | 30 | $240 | $1,007,886 | 6 |
| 2022/03/04 | - | $3,020 | -58% | 8 | $378 | $1,037,386 | 7 |
| 2022/03/11 | - | $2,053 | -32% | 7 | $293 | $1,033,707 | 8 |
| 2022/03/18 | - | $1,142 | -44% | 6 | $190 | $1,049,260 | 9 |
| 2022/03/25 | - | $954 | -16% | 5 | $191 | $1,065,530 | 10 |
| 2022/04/01 | - | $384 | -60% | 2 | $192 | $1,067,330 | 11 |
| 2022/04/08 | - | $12 | -97% | 1 | $12 | $1,063,106 | 12 |
| 2022/04/15 | - | $36 | +200% | 1 | $36 | $1,055,037 | 13 |
| 2022/05/06 | - | $129 | 1 | $129 | $1,012,388 | 16 | |
| 2022/05/13 | - | $130 | +1% | 1 | $130 | $1,011,369 | 17 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/20/2022 | $287,697 | 295 | 295 | 1030 | $1,011,369 | 10/20/2022 |
| Czech Republic | 1/21/2022 | $24,327 | 138 | 138 | 241 | $58,954 | 10/20/2022 |
| Finland | 12/25/2021 | $46,157 | 92 | 92 | 641 | $493,843 | 3/18/2022 |
| Germany | 1/13/2022 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 3/24/2022 | $333,189 | 0 | 0 | 0 | $880,587 | 10/20/2022 |
| Japan | 10/14/2022 | $0 | 0 | 0 | 0 | $0 | |
| Lithuania | 3/11/2022 | $13,279 | 18 | 18 | 34 | $31,757 | 10/20/2022 |
| Mexico | 1/13/2022 | $285,489 | 0 | 0 | 0 | $787,175 | 10/20/2022 |
| Netherlands | 11/11/2021 | $139,723 | 94 | 95 | 449 | $487,234 | 2/1/2022 |
| New Zealand | 1/20/2022 | $61,446 | 94 | 95 | 511 | $231,415 | 10/20/2022 |
| North America | 11/5/2021 | $2,104,767 | 996 | 1,265 | 4,132 | $7,086,632 | |
| Portugal | 11/4/2021 | $35,474 | 51 | 51 | 127 | $100,735 | 12/14/2021 |
| Romania | 12/17/2021 | $29,578 | 68 | 68 | 229 | $103,062 | 10/20/2022 |
| Russia (CIS) | 12/9/2021 | $130,305 | 518 | 518 | 621 | $250,458 | 10/20/2022 |
| Slovakia | 1/21/2022 | $11,047 | 53 | 53 | 99 | $26,541 | 10/20/2022 |
| South Korea | 3/16/2022 | $224,425 | 730 | 730 | 1340 | $613,311 | 5/4/2022 |
| Spain | 11/19/2021 | $180,271 | 258 | 258 | 467 | $324,044 | 12/6/2021 |
| Turkey | 11/19/2021 | $33,771 | 104 | 104 | 240 | $221,753 | 10/20/2022 |
| United Kingdom | 11/5/2021 | $664,656 | 183 | 648 | 2066 | $3,837,988 | 1/12/2022 |
| Worldwide Total | $16,546,858 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Kristen Stewart | Princess Diana |
| Sean Harris | Darren |
| Jack Farthing | Prince Charles |
| Timothy Spall | Major Alistair Gregory |
| Sally Hawkins | Maggie |
Supporting Cast
| Freddie Spry | Harry |
| Stella Gonet | The Queen |
| Richard Sammel | Prince Philip |
| Elizabeth Berrington | Princess Anne |
| Lore Stefanek | Queen Mother |
| Amy Manson | Anne Boleyn |
| James Harkness | Footman Paul |
| Laura Benson | Angela (Dresser) |
| Wendy Patterson | Maria (Older Maid) |
| Libby Rodliffe | Pamela (Maid) |
| John Keogh | Michael (Charles’ Valet) |
| Marianne Graffam | Barbara (Nanny) |
| Ben Plunkett-Reynolds | Footman Brian |
| Ryan Wichert | Staff Sergeant Wood |
| Michael Epp | Lance Corporal Jacobs |
| Tom Hudson | Police Constable Thomas |
| James Gerard | Police Constable Field |
| Thomas Douglas | John Spencer |
| Ian Ashpitel | Vicar |
| Emma Darwall-Smith | Camilla Parker Bowles |
| Kimia Schmidt | Diana (9 years) |
| Greta Bücker | Diana (late teenage years) |
| Henry Costello | Charles Spencer (9 years) |
| Christin Schreiber | Alter Ego Diana |
| Camille Loup Moltzen | Boy (Roadhouse Cafe) |
| Mudassar Dar | KFC Employee |
| Niklas Kohrt | Prince Andrew |
| Peter Lee | Church Organist |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Pablo Larrain | Director |
| Steven Knight | Screenwriter |
| Juan De Dios Larrain | Producer |
| Jonas Dornbach | Producer |
| Janine Jackowski | Producer |
| Paul Webster | Producer |
| Maren Ade | Producer |
| Claire Mathon | Director of Photography |
| Guy Hendrix Dyas | Production Designer |
| Sebastian Sepulveda | Editor |
| Jonny Greenwood | Composer |
| Jacqueline Durran | Costume Designer |
| Maria Zuckerman | Executive Producer |
| Ryan Heller | Executive Producer |
| Michael Bloom | Executive Producer |
| Ben Von Dobeneck | Executive Producer |
| Sarah Nagel | Executive Producer |
| Isabell Wiegand | Executive Producer |
| Ole Nicolaisen | Supervising Line Producer |
| Nicola Morrow | UK Line Producer |
| Amy Hubbard | Casting Director |
| Gregor Stitzl | First Assistant Director |
| Antonia Renard | Second Assistant Director |
| Finn Pelke | Second Assistant Director |
| Gabriele Mattner | Script Supervisor |
| Laura Ritter | Script Supervisor |
| Martin Goeres | Special Effects Supervisor |
| Martin Goeres | Supervising Stunt Coordinator |
| Johara Raukamp | Special Effects Coordinator |
| Gernot Sprenger | Unit Production Manager |
| Tristan Hume | Production Supervisor |
| Simon Daniel | Key Location Manager |
| Constantin Brandenburg | Location Manager |
| Steve Sauthoff | Location Manager |
| Jorg Kidrowski | Sound Mixer |
| Anna Lam | Costume Supervisor |
| Ralf Schreck | Supervising Art Director |
| Maren Schal | Art Director |
| Stefan Speth | Art Director |
| Yesim Zolan | Set Decorator |
| Marie Krommes | Post-Production Supervisor |
| Martin Bohte | Assistant Editor |
| Miguel Hormazabal | Sound Designer |
| Miguel Hormazabal | Sound Supervisor |
| Mauricio Lopez | Re-recording Mixer |
| Soledad Vargas | Foley Editor |
| Soledad Vargas | Foley Recordist |
| Daniel Iribarren | Dialogue Editor |
| Vikram Chadha | Visual Effects Producer |
| Paddy Eason | Visual Effects Supervisor |
| Sebastian Barker | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.