United Kingdom Box Office for The Souvenir (2019)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $745,096 | Details |
| Worldwide Box Office | $2,087,678 | Details |
| Further financial details... | ||
Synopsis
A shy but ambitious film student begins to find her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship that comes dangerously close to destroying her dreams.
Metrics
Movie Details
| United Kingdom Releases: | August 30th, 2019 (Wide) |
| Video Release: | July 30th, 2019 by Lionsgate Home Entertainment |
| MPAA Rating: | R for some sexuality, graphic nudity, drug material and language. (Rating bulletin 2571 (Cert #52128), 3/27/2019) |
| Running Time: | 119 minutes |
| Franchise: | Souvenir |
| Keywords: | Sundance Film Festival 2019, Relationships Gone Wrong, 1980s, Addiction, Drug Overdose, Inspired by a True Story, Autobiographical |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | JWH Films, Sikelia Productions, A24, BBC Films, BFI, Protagonist Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Home Market Releases for August 6th, 2019
August 7th, 2019
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Pokémon: Detective Pikachu is the biggest release of the week and it is also one of the best. Amazing Grace and Penguin Highway and better movies, but Pikachu is the only one of the three Pick of the Week contenders with significant extras on its DVD / Blu-ray release.
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Theater Averages: Endgame Bids Farewell to One of Its Records
July 18th, 2019
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The Farewell topped the theater average chart with an average of $87,833 in four theaters. This was not only the best of the weekend, it overtook Avengers: Endgame for the best theater average of the year. Anytime a film does better than Endgame, it is serious reason to celebrate. The Art of Self-Defense was well back with an average of $16,339 in seven theaters. This is still a good start, but I don’t know if it is good enough for its planned wide expansion. The final film in the $10,000 club was Sword of Trust with an average of $11,256 in two theaters.
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Theater Averages: John Wick Denied a Souvenir
May 23rd, 2019
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There were only two films in the $10,000 club this past weekend, The Souvenir and John Wick: Chapter 3 - Parabellum. The former earned an average of $19,600 in four theaters, while the latter earned an average of $14,758 in close to 4,000 theaters.
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Limited and VOD Releases: Take a Souvenir from Your Trip to the Theaters
May 17th, 2019
It’s a rather busy week for limited releases, but few of them are earning overwhelmingly positive reviews. In fact, some on this list couldn’t even make it to the overall positive level. There are some films that are worth checking out, including Last Year at Marienbad, Walking on Water, and The Souvenir. Of these three, I suspect The Souvenir will have the best box office run.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/08/30 | - | $132,251 | 43 | $3,076 | $132,251 | 1 | |
| 2019/09/06 | - | $117,839 | -11% | 66 | $1,785 | $355,434 | 2 |
| 2019/09/13 | - | $43,937 | -63% | 45 | $976 | $483,096 | 3 |
| 2019/09/20 | - | $22,444 | -49% | 22 | $1,020 | $548,049 | 4 |
| 2019/09/27 | - | $20,570 | -8% | 21 | $980 | $579,818 | 5 |
| 2019/10/04 | - | $11,472 | -44% | 14 | $819 | $608,807 | 6 |
| 2019/10/11 | - | $5,945 | -48% | 4 | $1,486 | $646,807 | 7 |
| 2019/10/18 | - | $4,360 | -27% | 3 | $1,453 | $671,317 | 8 |
| 2019/10/25 | - | $1,691 | -61% | 1 | $1,691 | $678,483 | 9 |
| 2019/11/01 | - | $2,770 | +64% | 3 | $923 | $689,921 | 10 |
| 2019/11/08 | - | $285 | -90% | 1 | $285 | $683,205 | 11 |
| 2022/02/04 | - | $2,526 | 17 | $149 | $745,096 | 128 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/3/2022 | $685 | 2 | 2 | 2 | $58,235 | 10/20/2022 |
| France | 2/2/2022 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 3/3/2022 | $296 | 2 | 2 | 2 | $296 | 10/20/2022 |
| North America | 5/17/2019 | $78,400 | 4 | 145 | 445 | $1,030,502 | 8/30/2022 |
| United Kingdom | 8/30/2019 | $132,251 | 43 | 66 | 240 | $745,096 | 2/9/2022 |
| Rest of World | $253,549 | ||||||
| Worldwide Total | $2,087,678 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Honor Swinton Byrne | Julie |
| Tom Burke | Anthony |
Supporting Cast
| Tilda Swinton | Julie’s Mother |
| Ariane Labed | Garance |
| Richard Ayoade | Patrick |
| Tosin Cole | Phil |
| Jack McMullen | Jack |
| Frankie Wilson | Frankie |
| Jaygann Ayeh | Marland |
| Fabrizio Matteini | Concierge |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Joanna Hogg | Director |
| Joanna Hogg | Screenwriter |
| Joanna Hogg | Producer |
| Luke Schiller | Producer |
| Martin Scorsese | Executive Producer |
| Emma Tillinger Koskoff | Executive Producer |
| Lizzie Francke | Executive Producer |
| Rose Garnett | Executive Producer |
| Andy Starke | Executive Producer |
| Dave Bishop | Executive Producer |
| Michael Wood | Executive Producer |
| David Raedeker | Director of Photography |
| Stephane Collonge | Production Designer |
| Helle Le Fevre | Editor |
| Jovan Ajder | Supervising Sound Editor |
| Grace Snell | Costume Designer |
| Paolo Guglielmotti | First Assistant Director |
| Olivia Scott-Webb | Costume Designer |
| Crispin Buxton | Associate Producer |
| Lesley Stewart | Line Producer |