Portugal Box Office for Passámos Por Cá (2019)
-(2019).jpg)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $35,692 | Details |
| Worldwide Box Office | $10,159,739 | Details |
| Home Market Performance | ||
| North America DVD Sales | $2,888 | Details |
| Total North America Video Sales | $2,888 | |
| Further financial details... | ||
Synopsis
Ricky, a former laborer, and his home-attendant wife Abby—who lost their home in the 2008 financial crash—are desperate to get out of their financial distress. When an opportunity comes up for Ricky to work as his own boss as a delivery driver, they sell their only asset, Abby’s car, to trade it in for a shiny new white van and the dream that Ricky can work his way up to someday owning his own delivery franchise. But the couple find their lives are quickly pushed further to the edge by an unrelenting work schedule, a ruthless supervisor and the needs of their two teenage children.
Metrics
Movie Details
| Portugal Releases: | November 22nd, 2019 (Wide), released as Passámos Por Cá |
| Video Release: | July 7th, 2020 by Zeitgeist Home |
| MPAA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Keywords: | Money Troubles, Dysfunctional Family, Nurse, Graffitti Artists, Gig Economy |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sixteen Films, Why Not Productions, BFI, BBC Films, Les Films du Fleuve, Wild Bunch, France 2 Cinema, Canal Plus, France Television, Le Pacte, Cineart, Cine Plus, VOO ET BETV |
| Production Countries: | Belgium, France, United Kingdom |
| Languages: | English |
VOD Releases: There’s a Large Gap Between Quality and Quantity
July 8th, 2020
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There are a ton of new releases on VOD this week. Unfortunately, most are rather weak and almost none are going to find a significant audience. The War of the Worlds is the best release, but the Criterion Collection Blu-ray is the better deal. On the other hand, Sometimes Always Never is perfect for VOD, but you have to wait until Friday to get it.
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New on Disc: Trolls Tower Above the Competition
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Trolls World Tour is coming out on physical media this week, on all four major formats: DVD, Blu-ray, 3D, and 4K Ultra HD. However, while it is easily the biggest release of the week, it isn’t the best. There are two contenders for Pick of the Week, Murdoch Mysteries: Season 13 and The War of the Worlds: Criterion Collection. The War of the Worlds is the Pick of the Week, but Murdoch Mysteries does get the rarely-awarded Puck of the Week, for Best Canadian Release.
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Theater Averages: First Cow Comes Home
March 12th, 2020
First Cow was one of two films in the $10,000 club earning an average of $20,331 in four theaters. The Booksellers was the only other member of the $10,000 club opening with $15,794 in its lone theater.
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Limited and VOD Releases: Bitter Pill to Swallow
March 6th, 2020
There are way too many limited releases and I fear this will hurt the box office chances of any film coming out this week. This is too bad, as there are several that deserve to find an audience, including Bacurau, Extra Ordinary, First Cow, Go Back to China, and so many more. It’s going to be tough when none of the films open in the $10,000 club.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/11/22 | 13 | $10,862 | 14 | $776 | $10,912 | 1 | |
| 2019/11/29 | 16 | $5,012 | -54% | 13 | $386 | $22,387 | 2 |
| 2019/12/06 | 22 | $3,111 | -38% | 7 | $444 | $28,802 | 3 |
| 2019/12/13 | 25 | $1,737 | -44% | 5 | $347 | $31,983 | 4 |
| 2019/12/20 | - | $611 | -65% | 3 | $204 | $33,469 | 5 |
| 2020/01/03 | - | $418 | 2 | $209 | $34,649 | 7 | |
| 2020/01/17 | - | $686 | 3 | $229 | $35,692 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/23/2019 | $310 | 1 | 33 | 163 | $292,335 | 10/20/2022 |
| France | 10/25/2019 | $850,223 | 200 | 505 | 1558 | $3,575,070 | 12/7/2019 |
| Italy | 1/2/2020 | $453,520 | 0 | 8 | 9 | $1,842,981 | 10/19/2022 |
| Lithuania | 7/17/2020 | $24 | 1 | 1 | 3 | $92 | 8/12/2020 |
| Netherlands | 11/14/2019 | $111,456 | 42 | 53 | 313 | $878,240 | 10/19/2022 |
| New Zealand | 12/26/2019 | $3,515 | 1 | 11 | 62 | $30,704 | 10/19/2022 |
| North America | 3/6/2020 | $9,436 | 3 | 6 | 9 | $28,273 | 11/3/2020 |
| Portugal | 11/22/2019 | $10,862 | 14 | 14 | 47 | $35,692 | 10/19/2022 |
| Romania | 9/25/2020 | $0 | 0 | 7 | 15 | $3,317 | 2/17/2021 |
| Russia (CIS) | 11/1/2019 | $8,858 | 89 | 89 | 229 | $31,579 | 10/19/2022 |
| Slovenia | 12/13/2019 | $1,911 | 6 | 7 | 16 | $15,781 | 4/6/2020 |
| South Korea | 12/19/2019 | $46,428 | 66 | 66 | 199 | $234,404 | 1/30/2020 |
| Spain | 11/1/2019 | $127,708 | 64 | 64 | 125 | $252,896 | 11/14/2019 |
| Turkey | 11/22/2019 | $4,985 | 17 | 17 | 36 | $14,421 | 10/19/2022 |
| United Kingdom | 11/1/2019 | $472,480 | 178 | 235 | 697 | $1,677,723 | 12/18/2019 |
| Rest of World | $1,246,231 | ||||||
| Worldwide Total | $10,159,739 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Kris Hitchen | Ricky |
| Katie Proctor | Liza Joe |
Supporting Cast
| Debbie Honeywood | Abby |
| Rhys Stone | Seb |
| Ross Brewster | Maloney |
| Charlie Richmond | Henry |
| Julian Ions | Freddie |
| Sheila Dunkerley | Rosie |
| Maxie Peters | Robert |
| Christopher John Slater | Ben |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ken Loach | Director |
| Rebecca O'Brien | Producer |
| Paul Laverty | Screenwriter |
| Pascal Caucheteux | Executive Producer |
| Gregoire Sorlat | Executive Producer |
| Vincent Maraval | Executive Producer |
| George Fenton | Composer |
| Jonathan Morris | Editor |
| Eimhear McMahon | Line Producer |
| David Gilchrist | Assistant Director |
| Joanne Slater | Costume Designer |
| Kahleen Crawford | Casting Director |
| Kevin Brazier | Sound Editor |
| Ray Beckett | Recordist |
| Robbie Ryan | Director of Photography |
| Fergus Clegg | Production Designer |