Netherlands Box Office for Bigfoot Junior 3D (2017)
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| Theatrical Performance (US$) | ||
| Netherlands Box Office | $1,556,855 | Details |
| Worldwide Box Office | $31,488,505 | Details |
| Home Market Performance | ||
| North America DVD Sales | $111,261 | Details |
| Total North America Video Sales | $111,261 | |
| Further financial details... | ||
Synopsis
Teenage outsider Adam sets out on an epic and daring quest to uncover the mystery behind his long-lost dad, only to find out that he is none other than the legendary Bigfoot! He has been hiding deep in the forest for years to protect himself and his family from HairCo., a giant corporation eager to run scientific experiments with his special DNA. As father and son start making up for lost time after the boy's initial disbelief, Adam soon discovers that he too is gifted with superpowers beyond his imagination. But little do they know, HairCo. is on their tail as Adam's traces have led them to Bigfoot!
Metrics
Movie Details
| Netherlands Releases: | July 21st, 2017 (Wide), released as Bigfoot Junior 3D |
| Video Release: | May 1st, 2018 by Cinedigm |
| MPAA Rating: | PG for action/peril, thematic elements and some language (Rating bulletin 2514 (Cert #51469), 2/14/2018) |
| Running Time: | 92 minutes |
| Keywords: | Family Movie, Animal Lead, Missing Person, Bigfoot, Corporate Malfeasance, Talking Animals, Rescue, Kidnap, 3-D, 3-D - Shot in 3-D |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Belgium, France |
| Languages: | English |
Limited and VOD Releases: The Notorious RBG
May 4th, 2018
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There are not many limited releases on this week’s list and even fewer that have a real shot at box office success. Surprisingly, it is a documentary, RBG, that is earning the loudest buzz. Its reviews should also help it find an audience in theaters.
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Home Market Releases for May 1st, 2018
May 2nd, 2018
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It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/07/28 | 7 | $251,393 | 166 | $1,514 | $314,774 | 2 | |
| 2017/08/04 | 6 | $201,356 | -20% | 171 | $1,178 | $658,312 | 3 |
| 2017/08/11 | 9 | $159,616 | -21% | 112 | $1,425 | $943,435 | 4 |
| 2017/08/18 | 9 | $178,546 | +12% | 169 | $1,056 | $142,469 | 5 |
| 2017/08/25 | 16 | $47,727 | -73% | 158 | $302 | $1,291,311 | 6 |
| 2017/09/01 | 14 | $60,120 | +26% | 112 | $537 | $1,392,740 | 7 |
| 2017/09/08 | 16 | $53,512 | -11% | 139 | $385 | $1,474,602 | 8 |
| 2017/09/15 | 16 | $49,425 | -8% | 134 | $369 | $1,525,420 | 9 |
| 2017/09/22 | 19 | $23,129 | -53% | 113 | $205 | $1,560,558 | 10 |
| 2017/09/29 | 30 | $11,862 | -49% | 49 | $242 | $1,556,855 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 12/1/2017 | $150,987 | 0 | 0 | 0 | $249,536 | 1/1/2019 |
| Australia | 10/20/2017 | $179,869 | 221 | 221 | 776 | $510,733 | 12/11/2017 |
| Brazil | 11/3/2017 | $541,629 | 0 | 0 | 0 | $1,341,794 | 8/31/2018 |
| Bulgaria | 11/10/2017 | $52,503 | 0 | 0 | 0 | $184,937 | 2/26/2019 |
| China | 10/14/2017 | $2,380,000 | 16638 | 16638 | 28514 | $8,473,259 | 8/16/2018 |
| Czech Republic | 11/10/2017 | $121,080 | 116 | 116 | 471 | $539,275 | 1/1/2019 |
| France | 8/18/2017 | $891,958 | 0 | 0 | 0 | $4,952,832 | 6/28/2018 |
| Germany | 8/18/2017 | $557,383 | 0 | 0 | 0 | $670,572 | 6/29/2018 |
| Italy | 1/25/2018 | $607,058 | 0 | 0 | 0 | $1,917,669 | 9/12/2018 |
| Lithuania | 10/20/2017 | $0 | 0 | 161 | 529 | $260,414 | 8/15/2018 |
| Mexico | 12/1/2017 | $301,826 | 0 | 0 | 0 | $301,826 | 12/5/2017 |
| Netherlands | 7/21/2017 | $0 | 0 | 171 | 1323 | $1,556,855 | 10/2/2017 |
| New Zealand | 10/20/2017 | $34,983 | 45 | 45 | 313 | $224,167 | 1/30/2018 |
| North America | 5/4/2018 | $0 | 0 | 0 | 0 | $0 | |
| Poland | 7/28/2017 | $205,655 | 0 | 0 | 0 | $1,480,806 | 1/1/2019 |
| Portugal | 9/8/2017 | $80,423 | 51 | 55 | 351 | $373,047 | 12/20/2017 |
| Russia (CIS) | 7/27/2017 | $713,010 | 1365 | 1365 | 3893 | $2,292,348 | 1/1/2019 |
| Slovakia | 9/8/2017 | $33,184 | 68 | 68 | 321 | $250,453 | 12/29/2017 |
| South Korea | 8/9/2017 | $0 | 0 | 437 | 1026 | $2,004,482 | 10/13/2017 |
| Spain | 3/2/2018 | $628,852 | 178 | 269 | 1852 | $3,592,180 | 8/30/2018 |
| Turkey | 9/15/2017 | $117,119 | 231 | 231 | 589 | $280,988 | 2/26/2019 |
| United Kingdom | 11/3/2017 | $30,332 | 94 | 94 | 94 | $30,332 | 11/8/2017 |
| Worldwide Total | $31,488,505 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jeremy Degruson | Co-Director |
| Ben Stassen | Co-Director |