United Kingdom Box Office for Sometimes Always Never (2018)
(2018).jpg)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $449,757 | Details |
| Worldwide Box Office | $1,491,952 | Details |
| Further financial details... | ||
Synopsis
Alan is a stylish tailor with moves as sharp as his suits. He has spent years searching tirelessly for his missing son Michael who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son Peter and solve the mystery of an online player who he thinks could be Michael, so he can finally move on and reunite his family.
Metrics
Movie Details
| United Kingdom Releases: | June 14th, 2019 (Limited) |
| Video Release: | July 10th, 2020 by Blue Fox Entertainment |
| MPAA Rating: | PG-13 for thematic elements and some sexual references. (Rating bulletin 2593 (Cert #52355), 8/28/2019) |
| Running Time: | 91 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hurricane Films, Goldfinch Studios, Birdbox Finance, Bondit |
| Production Countries: | United Kingdom |
| Languages: | English |
New on Disc: Go Go Gamera!
August 18th, 2020
TV on DVD continues to dominate the home market, as it does this time every year. Some releases are worth picking up, including Batwoman: The Complete First Season (DVD or Blu-ray) and The Terror: Infamy (DVD). However, the best of the best is Gamera: The Complete Collection Blu-ray. It is expensive, but you could make it your full-time job to watch every piece of content on the 8-disc set and it would take you a week to do so.
More...
VOD Releases: There’s a Large Gap Between Quality and Quantity
July 8th, 2020
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There are a ton of new releases on VOD this week. Unfortunately, most are rather weak and almost none are going to find a significant audience. The War of the Worlds is the best release, but the Criterion Collection Blu-ray is the better deal. On the other hand, Sometimes Always Never is perfect for VOD, but you have to wait until Friday to get it.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/06/14 | - | $91,092 | 77 | $1,183 | $91,092 | 1 | |
| 2019/06/21 | - | $42,311 | -54% | 78 | $542 | $200,335 | 2 |
| 2019/06/28 | - | $12,603 | -70% | 33 | $382 | $275,565 | 3 |
| 2019/07/05 | - | $9,695 | -23% | 15 | $646 | $298,839 | 4 |
| 2019/07/12 | - | $5,586 | -42% | 19 | $294 | $325,251 | 5 |
| 2019/07/19 | - | $9,605 | +72% | 12 | $800 | $358,675 | 6 |
| 2019/07/26 | - | $9,806 | +2% | 7 | $1,401 | $382,056 | 7 |
| 2019/08/02 | - | $2,322 | -76% | 7 | $332 | $387,491 | 8 |
| 2019/08/09 | - | $3,405 | +47% | 6 | $568 | $410,181 | 9 |
| 2019/08/16 | - | $1,191 | -65% | 2 | $596 | $419,070 | 10 |
| 2019/08/23 | - | $407 | -66% | 1 | $407 | $426,417 | 11 |
| 2019/08/30 | - | $446 | +10% | 1 | $446 | $425,990 | 12 |
| 2019/09/06 | - | $165 | -63% | 1 | $165 | $440,521 | 13 |
| 2019/09/13 | - | $431 | +161% | 1 | $431 | $449,757 | 14 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $7,978 | 5 | 99 | 743 | $825,183 | 5/30/2019 |
| New Zealand | 6/13/2019 | $0 | 0 | 5 | 8 | $205,358 | 9/5/2019 |
| North America | 6/12/2020 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 4/2/2020 | $4,455 | 53 | 53 | 73 | $11,654 | 4/28/2020 |
| United Kingdom | 6/14/2019 | $91,092 | 77 | 78 | 260 | $449,757 | 9/18/2019 |
| Worldwide Total | $1,491,952 | 4/28/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Bill Nighy | Alan |
| Sam Riley | Peter |
Supporting Cast
| Jenny Agutter | Margaret |
| Tim McInnerny | Arthur |
| Alice Lowe | Sue |
| Alexei Sayle | Bill |
| Louis Healy | Jack |
| Andrew Shim | Ali |
| Eithne Browne | Waitress |
| Alan Williams | Desk Officer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Carl Hunter | Director |
| Frank Cottrell Boyce | Screenwriter |
| Roy Boulter | Producer |
| Alan Latham | Producer |
| Sol Papadopoulos | Producer |
| Bill Nighy | Executive Producer |
| Andrea Gibson | Executive Producer |
| Geoffrey Iles | Executive Producer |
| Kirsty Bell | Executive Producer |
| Jason Moring | Executive Producer |
| Ron Moring | Executive Producer |
| Phil McKenzie | Executive Producer |
| Sarada McDermott | Executive Producer |
| Luke Taylor | Executive Producer |
| Matthew Helderman | Executive Producer |
| Richard Stoddard | Director of Photography |
| Edwyn Collins | Composer |
| Sean Read | Composer |
| Stephen Haren | Editor |
| Ben Louden | Visual Effects Supervisor |
| Clive Copland | Sound Mixer |
| Michelle Smith | Casting Director |
| Lance Milligan | Costume Designer |
| Tim Dickel | Production Designer |
| Thomas Mattinson | Line Producer |