Colombia Box Office for Solace (2015)
| Theatrical Performance (US$) | ||
| Colombia Box Office | $110,539 | Details |
| Worldwide Box Office | $23,549,031 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,000,819 | Details |
| North America Blu-ray Sales | $373,677 | Details |
| Total North America Video Sales | $1,374,496 | |
| Further financial details... | ||
Synopsis
When FBI Special Agent Joe Merriwether is unable to solve a series of homicides, he decides to enlist the help of his former colleague Dr. John Clancy, a retired physician with psychic powers. The reclusive Clancy, who shuttered his practice and retreated from the world following the death of his daughter and subsequent break-up of his marriage, wants nothing to do with the case. He soon changes his mind after seeing disturbingly violent visions of Joe’s partner, FBI Special Agent Katherine Cowles’s ultimate demise. When Clancy’s exceptional intuitive powers put him on the trail of a suspect, Charles Ambrose, the doctor soon realizes his abilities are no match against the extraordinary powers of this vicious murderer on a mission.
Metrics
Movie Details
| Colombia Releases: | March 3rd, 2016 (Wide) |
| Video Release: | March 14th, 2017 by Lionsgate Home Entertainment |
| MPAA Rating: | R for violence and bloody images throughout, sexuality, nudity and language. (Rating bulletin 2360, 2/11/2015) |
| Running Time: | 102 minutes |
| Keywords: | FBI, Unsolved Murder, Psychics, Serial Killer, Retirement, Out of Retirement, One Last Job |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate Premiere, Grindstone Entertainment Group, Silver Reel Entertainment, Venture Forth, FilmNation Entertainment, FPC, Eden Rock Media |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for March 14th, 2017
March 15th, 2017
There are a few Oscar-nominated films on this week’s list. However, it was still hard to come up with a Pick of the Week release. Most of them were like Elle with great reviews and weak extras. The DVD for Drunk History: Season Four has more than two hours of extras, but I admit it is an acquired taste. Fortunately, we do have a clear winner: The Love Witch on Blu-ray.
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Limited and VOD Releases: Good Fences Make Good Neighbors
December 16th, 2016
Rogue One: A Star Wars Story scared away most wide releases and limited releases. That’s not to say there is nothing on this week’s list worth checking out. In fact, Fences was bumped up a week before its wide expansion on Christmas day. That is the only film on this list likely to have any presence at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/03/04 | 5 | $70,793 | 84 | $843 | $70,793 | 1 | |
| 2016/03/11 | 6 | $16,120 | -77% | 19 | $848 | $110,539 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/28/2016 | $136,670 | 56 | 56 | 100 | $331,934 | 12/31/2018 |
| Australia | 12/2/2016 | $1,907 | 10 | 10 | 10 | $1,907 | 12/8/2016 |
| Austria | 12/31/2015 | $120,716 | 24 | 24 | 94 | $331,978 | 6/9/2016 |
| Belgium | 9/16/2015 | $129,418 | 28 | 28 | 134 | $496,913 | 11/17/2015 |
| Brazil | 2/25/2016 | $144,664 | 84 | 84 | 163 | $282,436 | 6/9/2016 |
| Chile | 2/18/2016 | $0 | 0 | 4 | 5 | $42,154 | 12/31/2018 |
| China | 1/14/2016 | $2,230,000 | 15303 | 15303 | 15303 | $5,374,145 | 10/2/2018 |
| Colombia | 3/3/2016 | $70,793 | 84 | 84 | 103 | $110,539 | 12/31/2018 |
| Croatia | 9/3/2015 | $9,105 | 4 | 4 | 12 | $26,705 | 12/30/2018 |
| Ecuador | 3/25/2016 | $18,551 | 14 | 14 | 35 | $58,352 | 12/31/2018 |
| France | 9/9/2015 | $2,014,915 | 246 | 388 | 1617 | $6,594,509 | 10/20/2015 |
| Germany | 12/31/2015 | $556,460 | 213 | 233 | 679 | $1,256,477 | 6/9/2016 |
| Greece | 9/3/2015 | $0 | 0 | 19 | 45 | $272,913 | 9/30/2015 |
| Iraq | 3/17/2016 | $1,371 | 3 | 3 | 3 | $1,371 | 12/31/2018 |
| Italy | 11/12/2015 | $594,092 | 174 | 176 | 467 | $1,763,392 | 12/16/2015 |
| Kuwait | 3/17/2016 | $70,860 | 12 | 12 | 18 | $136,078 | 12/31/2018 |
| Lebanon | 3/17/2016 | $12,091 | 9 | 9 | 9 | $12,091 | 12/31/2018 |
| Mexico | 1/1/2016 | $905,558 | 0 | 279 | 335 | $2,905,274 | 9/8/2018 |
| Netherlands | 11/26/2015 | $31,433 | 15 | 30 | 70 | $113,985 | 12/21/2015 |
| North America | 12/16/2016 | $0 | 0 | 0 | 0 | $0 | |
| Oman | 3/17/2016 | $12,421 | 5 | 6 | 14 | $20,372 | 12/31/2018 |
| Peru | 1/7/2016 | $163,587 | 54 | 54 | 94 | $453,036 | 12/31/2018 |
| Portugal | 12/31/2015 | $42,991 | 24 | 25 | 74 | $115,819 | 6/9/2016 |
| Russia (CIS) | 3/31/2016 | $259,102 | 310 | 310 | 574 | $490,446 | 12/31/2018 |
| Spain | 7/15/2016 | $222,294 | 151 | 151 | 472 | $723,908 | 9/1/2016 |
| Turkey | 10/23/2015 | $98,585 | 87 | 87 | 222 | $374,760 | 12/30/2018 |
| United Arab Emirates | 3/17/2016 | $59,736 | 25 | 25 | 39 | $96,226 | 12/31/2018 |
| United Kingdom | 9/25/2015 | $516,670 | 332 | 332 | 636 | $1,039,912 | 10/20/2015 |
| Uruguay | 1/28/2016 | $26,094 | 8 | 8 | 43 | $121,399 | 12/31/2018 |
| Worldwide Total | $23,549,031 | 12/31/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Anthony Hopkins | John Clancy |
| Colin Farrell | Charles Ambrose |
Supporting Cast
| Abbie Cornish | Katherine Cowles |
| Jeffrey Dean Morgan | Joe Merriwether |
| Matt Gerald | Agent Sloman |
| Jose Pablo Cantillo | Agent Sawyer |
| Marley Shelton | Laura Merriwether |
| Xander Berkeley | Mr. Ellis |
| Kenny Johnson* | David Raymond |
| Joshua Close | Linus Harp |
| Sharon Lawrence | Mrs. Ellis |
| Janine Turner | Elizabeth Clancy |
| Luisa Moraes | Victoria Raymond |
| Jordan Woods-Robinson | Mr. Oldfield |
| Niyi Oni | Agent Fibbie |
| Carter Even Godwin | Kevin Merriwether |
| Autumn Dial | Emma Clancy |
| Tara Arroyave | Waitress |
| Rey Hernandez | Dog Cop |
| Bruce Taylor | Old Client |
| Frank Brennan | Minister |
| Adam Drescher | Beat Cop |
| Jake Lawson | Sketch Artist |
| Keith Ewell | Officer Mosley |
| Charles Lawlor | Pathologist |
| Kresh Novakovic | Uniform |
| Michele Torres | Neighbor |
| David Weiss | Officer Waxman |
| Christopher Beanland | Swat Lead |
| Russ Comegys | Swat Shooter |
| Adam Boyer | Swat Captain |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Afonso Poyart | Director |
| Sean Bailey | Screenwriter |
| Ted Griffin | Screenwriter |
| Beau Flynn | Producer |
| Thomas Augsberger | Producer |
| Tripp Vinson | Producer |
| Matthias Emcke | Producer |
| Claudia Bluemhuber | Producer |
| Sean Bailey | Executive Producer |
| Jacob Pechenik | Executive Producer |
| Gerd Schelpers | Executive Producer |
| Anthony Hopkins | Executive Producer |
| Wendy Jacobson | Co-Producer |
| Adam Yoelin | Co-Producer |
| Justin Si Diener | Line Producer |
| Brendan Galvin | Director of Photography |
| Brad Ricker | Production Designer |
| Lucas Gonzaga | Editor |
| BT* | Composer |
| Denise Wingate | Costume Designer |
| Deborah Aquila | Casting Director |
| Tricia Wood | Casting Director |
| Toby Holguin | Stunt Coordinator |
| Jen Wall | Unit Production Manager |
| Christopher S. Bryson | First Assistant Director |
| Irina Bryson | Second Assistant Director |
| Craig McKay | Additional Editor |
| Amine Ramer | Music Supervisor |
| Michael DiMattia | Additional Music |
| Shirley Libby | Sound Mixer |
| Frank Galline | Set Decorator |
| Drew Monahan | Set Designer |
| Jayme Long | Set Designer |
| Cameron Beasley | Art Director |
| David Fletcher | Special Effects Coordinator |
| Virginia Burton | Costume Supervisor |
| Nikoletta Skarlatos | Make up |
| Nikoletta Skarlatos | Special Make-up Effects |
| Carol Rasheed | Make up |
| Sacha Quarles | Hairstylist |
| Joe Matke | Hairstylist |
| Abbi Jutkowitz | First Assistant Editor |
| Ernest Leif Boyd | First Assistant Editor |
| Mark Czyzewski | First Assistant Editor |
| Isabel Henderson | Post-Production Supervisor |
| Ruy Garcia | Supervising Sound Designer |
| Sean Garnhart | Sound Effects Editor |
| Martin Czembor | Re-recording Mixer |
| Greg Strause | Visual Effects Designer |
| Erik Liles | Visual Effects Supervisor |
| Jeff Atherton | Visual Effects Producer |
| Guy Botham | Visual Effects Executive Producer |
| Rick Ziegler* | Music Editor |
| Mark Lo | Executive Music Producer |
| Tara Moross | Executive Music Producer |
| Mac Gordon | Location Manager |
| Lisa Zagoria | Casting Assistant |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.