Portugal Box Office for Sorri (2022)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $956,321 | Details |
| Worldwide Box Office | $217,038,821 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,875,224 | Details |
| North America Blu-ray Sales | $2,210,848 | Details |
| Total North America Video Sales | $4,086,072 | |
| Further financial details... | ||
Synopsis
After witnessing a bizarre, traumatic incident involving a patient, Dr. Rose Cotter starts experiencing frightening occurrences that she can’t explain. As an overwhelming terror begins taking over her life, Rose must confront her troubling past in order to survive and escape her horrifying new reality.
Metrics
Movie Details
| Production Budget: | $17,000,000 |
| Portugal Releases: | September 29th, 2022 (Wide), released as Sorri |
| Video Release: | November 15th, 2022 by Paramount Home Video |
| MPAA Rating: | R for strong violent content and grisly images, and language. (Rating bulletin 2733 (cert #53773), 5/25/2022) |
| Running Time: | 115 minutes |
| Franchise: | Smile |
| Keywords: | Psychological Horror, Psychiatrist, Mental Illness, Ensemble |
| Source: | Based on Short Film |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Players, Temple Hill Entertainment |
| Production Countries: | United States |
| Languages: | English |
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Weekend predictions: Smile is third film in three weeks to take a crack at a $20-million opening
September 30th, 2022
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/09/30 | 3 | $103,497 | 63 | $1,643 | $104,406 | 1 | |
| 2022/10/07 | 2 | $142,619 | +38% | 58 | $2,459 | $289,719 | 2 |
| 2022/10/14 | 1 | $119,798 | -16% | 57 | $2,102 | $443,399 | 3 |
| 2022/10/21 | 2 | $93,480 | -22% | 61 | $1,532 | $572,852 | 4 |
| 2022/10/28 | 4 | $64,082 | -31% | 54 | $1,187 | $658,468 | 5 |
| 2022/11/04 | 5 | $47,026 | -27% | 46 | $1,022 | $778,100 | 6 |
| 2022/11/11 | 5 | $28,073 | -40% | 32 | $877 | $879,281 | 7 |
| 2022/11/18 | 9 | $15,464 | -45% | 26 | $595 | $902,210 | 8 |
| 2022/11/25 | 15 | $5,108 | -67% | 12 | $426 | $926,430 | 9 |
| 2022/12/02 | - | $2,014 | -61% | 7 | $288 | $945,989 | 10 |
| 2022/12/09 | - | $974 | -52% | 4 | $244 | $950,273 | 11 |
| 2022/12/16 | - | $416 | -57% | 2 | $208 | $956,321 | 12 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/29/2022 | $200,000 | 135 | 145 | 405 | $1,100,000 | 10/17/2022 |
| Australia | 9/29/2022 | $716,114 | 220 | 235 | 1737 | $5,907,145 | 10/7/2024 |
| Austria | 9/29/2022 | $125,000 | 53 | 67 | 240 | $1,500,000 | 10/31/2022 |
| Belgium | 9/28/2022 | $210,000 | 41 | 51 | 311 | $2,000,000 | 11/14/2022 |
| Brazil | 9/29/2022 | $650,000 | 573 | 693 | 2658 | $3,200,000 | 10/31/2022 |
| Chile | 10/6/2022 | $0 | 0 | 66 | 66 | $832,000 | 10/17/2022 |
| Croatia | 9/29/2022 | $43,326 | 56 | 56 | 193 | $236,516 | 11/18/2022 |
| Czech Republic | 9/29/2022 | $71,547 | 86 | 86 | 410 | $720,231 | 2/21/2023 |
| Finland | 9/30/2022 | $79,147 | 57 | 61 | 440 | $1,121,606 | 12/19/2022 |
| France | 9/28/2022 | $1,400,000 | 303 | 514 | 2593 | $9,500,000 | 11/27/2022 |
| Germany | 9/29/2022 | $1,000,000 | 316 | 527 | 3439 | $11,800,000 | 11/27/2022 |
| Hong Kong | 9/29/2022 | $120,000 | 40 | 40 | 40 | $120,000 | 10/2/2022 |
| Indonesia | 9/28/2022 | $285,000 | 274 | 274 | 274 | $285,000 | 10/2/2022 |
| Italy | 9/29/2022 | $345,243 | 0 | 0 | 0 | $2,134,726 | 11/21/2022 |
| Malaysia | 9/29/2022 | $160,000 | 122 | 122 | 122 | $160,000 | 10/2/2022 |
| Mexico | 9/29/2022 | $1,556,053 | 0 | 0 | 0 | $8,662,881 | 11/15/2022 |
| Middle East Region | 9/29/2022 | $1,280,000 | 0 | 0 | 0 | $1,280,000 | 10/2/2022 |
| Netherlands | 9/29/2022 | $267,042 | 83 | 83 | 722 | $3,128,951 | 2/17/2023 |
| New Zealand | 9/29/2022 | $79,620 | 54 | 54 | 348 | $719,558 | 12/19/2022 |
| North America | 9/30/2022 | $22,609,925 | 3,650 | 3,659 | 25,562 | $105,935,048 | 7/6/2023 |
| Norway | 10/6/2022 | $0 | 0 | 59 | 114 | $1,700,000 | 10/24/2022 |
| Peru | 9/29/2022 | $0 | 0 | 90 | 90 | $495,000 | 10/10/2022 |
| Poland | 9/30/2022 | $180,000 | 121 | 121 | 121 | $180,000 | 10/2/2022 |
| Portugal | 9/29/2022 | $103,497 | 63 | 63 | 422 | $956,321 | 12/20/2022 |
| Romania | 9/30/2022 | $52,132 | 73 | 73 | 306 | $332,357 | 12/6/2023 |
| Slovakia | 9/29/2022 | $60,260 | 60 | 60 | 242 | $397,777 | 11/23/2022 |
| South Korea | 10/6/2022 | $301,816 | 455 | 455 | 764 | $869,831 | 12/21/2022 |
| Spain | 9/30/2022 | $552,933 | 303 | 326 | 2311 | $5,992,246 | 2/15/2023 |
| Sweden | 9/30/2022 | $155,000 | 100 | 100 | 100 | $155,000 | 10/2/2022 |
| Switzerland | 10/6/2022 | $0 | 0 | 53 | 53 | $1,100,000 | 10/22/2022 |
| Taiwan | 9/30/2022 | $135,000 | 92 | 92 | 92 | $135,000 | 10/2/2022 |
| Turkey | 9/30/2022 | $48,377 | 158 | 158 | 546 | $300,484 | 11/24/2022 |
| United Arab Emirates | 9/29/2022 | $420,000 | 60 | 60 | 227 | $1,700,000 | 10/31/2022 |
| United Kingdom | 9/28/2022 | $2,071,542 | 519 | 532 | 3609 | $14,159,506 | 12/5/2022 |
| Rest of World | $28,221,637 | ||||||
| Worldwide Total | $217,038,821 | 10/7/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Sosie Bacon | Rose Cotter |
| Jessie T. Usher* | Trevor |
| Kyle Gallner | Joel |
| Robin Weigert | Dr. Madeline Northcott |
| Caitlin Stasey | Laura Weaver |
| Kal Penn | Dr. Morgan Desai |
| Rob Morgan | Robert Talley |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Parker Finn | Director |
| Parker Finn | Screenwriter |
| Marty Bowen | Producer |
| Wyck Godfrey | Producer |
| Isaac Klausner | Producer |
| Robert Salerno | Producer |
| Adam Fishbach | Executive Producer |