Australia Box Office for Six Minutes to Midnight (2020)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $1,644,334 | Details |
| Worldwide Box Office | $2,796,436 | Details |
| Further financial details... | ||
Synopsis
In the summer of 1939, influential families in Nazi Germany have sent their daughters to a finishing school in an English seaside town to learn the language and be ambassadors for a future looking National Socialist. A teacher there sees what is coming and is trying to raise the alarm. But the authorities believe he is the problem.
Metrics
Movie Details
| Australia Releases: | March 4th, 2021 (Limited) |
| Video Release: | March 26th, 2021 by IFC Video |
| MPAA Rating: | PG-13 for some violence. (Rating bulletin 2660 (cert #53017), 12/16/2020) |
| Running Time: | 99 minutes |
| Keywords: | 1930s, World War II, Nazis, Nazi Collaborators, Double Agent, Fugitive / On the Run, Falsely Accused, Crime Thriller, Disrupted by 2020 COVID-19 pandemic |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Motion Picture Capital, The Welsh Government, FFilm Cymru Wales, West Madison Entertainment, Mad as Birds Films, Ella Communications, REP6 |
| Production Countries: | United Kingdom |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/04/23 | 5 | $334,991 | 232 | $1,444 | $469,948 | 8 | |
| 2021/04/30 | 5 | $242,751 | -28% | 229 | $1,060 | $888,285 | 9 |
| 2021/05/07 | 8 | $151,746 | -37% | 231 | $657 | $1,190,880 | 10 |
| 2021/05/14 | 11 | $102,100 | -33% | 192 | $532 | $1,350,719 | 11 |
| 2021/05/21 | 11 | $72,540 | -29% | 167 | $434 | $1,460,847 | 12 |
| 2021/05/28 | 11 | $42,645 | -41% | 91 | $469 | $1,536,665 | 13 |
| 2021/06/04 | 11 | $32,382 | -24% | 59 | $549 | $1,597,809 | 14 |
| 2021/06/11 | 17 | $21,107 | -35% | 35 | $603 | $1,627,068 | 15 |
| 2021/06/18 | 22 | $10,654 | -50% | 24 | $444 | $1,608,122 | 16 |
| 2021/06/25 | - | $3,257 | -69% | 11 | $296 | $1,636,812 | 17 |
| 2021/07/02 | - | $1,565 | -52% | 5 | $313 | $1,619,748 | 18 |
| 2021/07/09 | - | $845 | -46% | 2 | $423 | $1,617,695 | 19 |
| 2021/07/16 | - | $2,592 | +207% | 6 | $432 | $1,605,575 | 20 |
| 2021/07/23 | 26 | $4,177 | +61% | 3 | $1,392 | $1,607,133 | 21 |
| 2021/07/30 | - | $379 | -91% | 2 | $190 | $1,605,521 | 22 |
| 2021/08/06 | - | $1,009 | +166% | 4 | $252 | $1,608,298 | 23 |
| 2021/08/13 | - | $445 | -56% | 3 | $148 | $1,613,869 | 24 |
| 2021/09/10 | - | $45 | 1 | $45 | $1,611,537 | 28 | |
| 2021/10/22 | - | $178 | 1 | $178 | $1,633,310 | 34 | |
| 2021/10/29 | - | $770 | +333% | 1 | $770 | $1,644,334 | 35 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/4/2021 | $0 | 0 | 232 | 1299 | $1,644,334 | 10/20/2022 |
| Netherlands | 7/15/2021 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 4/22/2021 | $136,043 | 88 | 91 | 647 | $672,631 | 8/20/2021 |
| North America | 3/26/2021 | $51,315 | 145 | 145 | 326 | $132,500 | |
| Portugal | 1/13/2022 | $11,124 | 24 | 24 | 63 | $29,810 | 10/20/2022 |
| Russia (CIS) | 10/15/2020 | $21,035 | 216 | 216 | 310 | $37,528 | 10/19/2022 |
| Spain | 10/16/2020 | $52,373 | 52 | 61 | 275 | $214,975 | 12/3/2020 |
| Ukraine | 10/15/2020 | $2,021 | 0 | 0 | 0 | $2,021 | 10/22/2020 |
| United Kingdom | 9/25/2020 | $0 | 0 | 12 | 41 | $62,637 | 8/11/2021 |
| Worldwide Total | $2,796,436 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Eddie Izzard | Thomas Miller |
| Judi Dench | Miss Rocholl |
Supporting Cast
| Jim Broadbent | Charlie |
| James D'Arcy | Captain Drey |
| Carla Juri | Ilse Keller |
| Celyn Jones | Corporal Willis |
| Maria Dragus | Astrid |
| Tijan Marei | Gretel |
| Franziska Brandmeier | Beatrix |
| Daria Wolf | Leta |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Andy Goddard | Director |
| Eddie Izzard | Story by |
| Celyn Jones | Story by |
| Celyn Jones | Screenwriter |
| Andy Goddard | Screenwriter |
| Eddie Izzard | Screenwriter |
| Andy Evans | Producer |
| Sean Marley | Producer |
| Ade Shannon | Producer |
| Laure Vaysse | Producer |
| Sarah Townsend | Producer |
| Eddie Izzard | Executive Producer |
| Celyn Jones | Executive Producer |
| Trevor Beattie | Executive Producer |
| Helen Lee-Kim | Executive Producer |
| Deepak Nayar | Executive Producer |
| Adam Partridge | Executive Producer |
| Pauline Burt | Executive Producer |
| Christina Papagjika | Executive Producer |
| Matthew Salloway | Executive Producer |
| Zygi Kamasa | Executive Producer |
| Emma Berkofsky | Executive Producer |
| Richard Payten | Executive Producer |
| Andrew Mackie | Executive Producer |
| Alex Ashworth | Co-Producer |
| Laura Brook | Associate Producer |
| Chris Seager | Director of Photography |
| Candida Otton | Production Designer |
| Mike Jones | Editor |
| John Gilbert | Editor |
| Marc Streitenfeld | Composer |
| Lucinda Wright | Costume Designer |
| Colin Jones | Casting Director |