Netherlands Box Office for Sicario: Day of the Soldado (2018)
| Theatrical Performance (US$) | ||
| Netherlands Box Office | $648,823 | Details |
| Worldwide Box Office | $76,346,094 | Details |
| Home Market Performance | ||
| North America DVD Sales | $3,817,603 | Details |
| North America Blu-ray Sales | $5,166,461 | Details |
| Total North America Video Sales | $8,984,064 | |
| Further financial details... | ||
Synopsis
In the drug war, there are no rules—and as the cartels have begun trafficking terrorists across the US border, federal agent Matt Graver calls on the mysterious Alejandro, whose family was murdered by a cartel kingpin, to escalate the war in nefarious ways. Alejandro kidnaps the kingpin’s daughter to inflame the conflict—but when the girl is seen as collateral damage, her fate will come between the two men as they question everything they are fighting for.
Metrics
Movie Details
| Production Budget: | $35,000,000 |
| Netherlands Releases: | July 6th, 2018 (Wide) |
| Video Release: | September 11th, 2018 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for strong violence, bloody images, and language. (Rating bulletin 2498 (Cert #51166), 10/18/2017) |
| Running Time: | 123 minutes |
| Franchise: | Sicario |
| Keywords: | Set in Mexico, Drug Cartels, Human-Trafficking, Smuggler, Terrorism, Kidnap, Government Corruption, Sequels Without Their Original Stars |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Label Media, Thunder Road Film, Columbia Pictures |
| Production Countries: | Italy, United States |
| Languages: | English, Spanish |
Home Market Releases for October 2nd, 2018
October 2nd, 2018
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It’s an off week on the home market with no blockbusters to deal with. There are two solid midlevel hits, The First Purge and Sicario: Day of the Soldado, but neither of those are Pick of the Week contenders. (Ant-Man and the Wasp is also coming out this week, but only on Video on Demand). There are some high quality picks: Leave No Trace, Three Identical Strangers, Molly, The Spiral Staircase, and Hyouka. It was a close race, but in the end, I went with Leave No Trace Blu-ray as Pick of the Week.
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Home Market Releases for September 11th, 2018
September 10th, 2018
It is not a very busy week on the home market. Ocean’s 8 is the biggest release of the week, but it is not a Pick of the Week contender. In fact, there was only one real contender for that title, Hearts Beat Loud on Blu-ray. That said, Ocean’s 8 is worth picking up, as is Modern Family: Season Nine.
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Weekend Wrap-Up: Ant-Man Remains one of the Smaller MCU Hits
July 10th, 2018
The two biggest releases of the weekend couldn’t quite match expectations, while the two big holdovers weren’t able compensate, resulting in a rare loss for 2018. Ant-Man and the Wasp still had an excellent opening with $75.81 million over the weekend, the seventh-best opening weekend of the year. The First Purge started out well on Wednesday, but slipped below the pace needed to match predictions by the weekend. That said, the overall weekend haul was still impressive at $188 million, which is 5.8% higher than last weekend. Granted, it is 8.7% lower than the same weekend last year, but Spider-Man: Homecoming opened with $117.03 million, so this is still a good result. Furthermore, 2018 remains ahead of 2017 by a substantial amount: $570 million, or 9.6%, at $6.47 billion to $5.90 billion. If the year ended with a lead of $570 million, we would be very happy.
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Weekend Predictions: Will the Wasp Help Ant-Man Grow at the Box Office?
July 5th, 2018
It’s technically the July 4th Weekend, although July 4th was yesterday. This is a good weekend to release a film and Ant-Man and the Wasp is looking to take advantage of the holiday. Meanwhile, The First Purge already started its run with $2.5 million in previews. Jurassic World: Fallen Kingdom and Incredibles 2 will continue to be a major presence at the box office. This weekend last year, Spider-Man: Homecoming opened with $117.03 million. There’s no way Ant-Man and the Wasp is going to match that. It’s highly unlikely Ant-Man and the Wasp and The First Purge combined will match that. The depth this year is a little better, but I think 2018 will lose in the year-over-year comparison. Hopefully it will be close.
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Weekend Wrap-Up: Dinos Help the Box Office Hold On
July 3rd, 2018
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Jurassic World: Fallen Kingdom was within a rounding error of our prediction with $60.91 million over the weekend. Additionally, both new releases, Sicario: Day of the Soldado and Uncle Drew, beat expectations, as did every other film in the top five helping the overall box office reach $178 million. Granted, this weekend still plummeted 36% from last weekend, but last weekend was the biggest ever weekend in June, so falling from that figure isn’t disappointing. In fact, it is 4.8% higher than the same weekend last year, which is higher than the rate of inflation, so I would call that a significant margin. Year-to-date, 2018 has pulled in $6.15 billion, making it the fastest year to get to the $6 billion mark. This is also $560 million or 10.0% higher than the same pace last year. I’m going to make a prediction that is the the peak lead 2018 will have over 2017, at least in terms of percentage.
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Weekend Estimates: The Fallen Jurassic World Still Comes out on Top with $60.0 million
July 1st, 2018
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Jurassic World: Fallen Kingdom fell like a typical blockbuster hit, down 59% to $60 million over the weekend for a two-week total of $264.8 million. This matches our prediction perfectly. The film will have no trouble crossing $300 million next weekend and should finish north of $350 million domestically. As for its international numbers, it added $56.1 million to its running tally, which now sits at $667.6 million, while its worldwide total is a hair under $1 billion at $932.4 million.
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Friday Estimates: Soldado is Solid, but Dinosaurs Dominate
June 30th, 2018
Jurassic World: Fallen Kingdom added $17.44 million on Friday, after hitting $200 million on Thursday. It was easily the best film on the day; however, this was still 70% lower than its opening Friday. Granted, it will bounce back tomorrow and should come close to our $60 million prediction, but it is not going to have great legs, like its predecessor had.
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Thursday Night Previews: CIA Dunks on Drew
June 29th, 2018
Sicario: Day of the Soldado earned $2 million during previews, which is better than expected. Granted, we’ve seen too many films open well in previews before settling down to Earth over the rest of the weekend, but I’m still optimistic after this start. It should beat our prediction and $20 million is within range. It does depend on the word-of-mouth, which if its reviews are any indication, should be good, but not great.
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Weekend Predictions: Putting a Hit out on the Box Office
June 28th, 2018
After two monster hits in a row, the weekend crashes back down to Earth. Neither Sicario: Day of the Soldado nor Uncle Drew are expected to do much at the box office, but they are expected to open with similar amounts and there’s no consensus which film will do better, so at least there’s something to talk about. This weekend last year, Despicable Me 3 opened with $72.43 million. We will be relying almost entirely on holdovers to win in the year-over-year comparison. I think we’ve got an excellent shot of doing that by a significant margin.
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2018 Preview: June
June 1st, 2018
This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017.
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Sicario 2: Soldado Trailer
December 20th, 2017
Thriller starring Josh Brolin and Benicio del Toro opens June 29, 2018 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/07/06 | 6 | $163,647 | 73 | $2,242 | $186,017 | 1 | |
| 2018/07/13 | 7 | $106,830 | -35% | 1 | $106,830 | $360,207 | 2 |
| 2018/07/20 | 10 | $64,494 | -40% | 66 | $977 | $472,529 | 3 |
| 2018/07/27 | 11 | $63,877 | -1% | 67 | $953 | $562,368 | 4 |
| 2018/08/03 | 15 | $23,285 | -64% | 39 | $597 | $605,166 | 5 |
| 2018/08/10 | 29 | $9,505 | -59% | 16 | $594 | $618,196 | 6 |
| 2018/08/17 | - | $3,915 | -59% | 10 | $392 | $640,352 | 7 |
| 2018/08/24 | - | $887 | -77% | 3 | $296 | $643,509 | 8 |
| 2018/08/31 | - | $1,168 | +32% | 1 | $1,168 | $645,716 | 9 |
| 2018/09/07 | - | $759 | -35% | 1 | $759 | $647,024 | 10 |
| 2018/09/14 | - | $591 | -22% | 1 | $591 | $647,939 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/28/2018 | $94,448 | 86 | 86 | 102 | $145,763 | 1/1/2019 |
| Aruba | 6/28/2018 | $4,517 | 2 | 6 | 10 | $14,779 | 1/1/2019 |
| Australia | 6/29/2018 | $879,586 | 272 | 272 | 927 | $2,364,983 | 10/9/2018 |
| Austria | 7/20/2018 | $0 | 0 | 9 | 12 | $209,462 | 9/7/2018 |
| Bahrain | 6/28/2018 | $54,265 | 11 | 11 | 11 | $54,265 | 1/1/2019 |
| Bolivia | 6/28/2018 | $13,907 | 17 | 17 | 23 | $34,088 | 1/1/2019 |
| Brazil | 6/28/2018 | $108,975 | 130 | 130 | 272 | $241,981 | 8/31/2018 |
| Bulgaria | 6/29/2018 | $31,474 | 60 | 60 | 60 | $104,317 | 2/26/2019 |
| Cambodia | 6/28/2018 | $4,000 | 0 | 0 | 0 | $4,000 | 1/1/2019 |
| Central America | 6/28/2018 | $147,258 | 121 | 121 | 195 | $297,107 | 7/24/2018 |
| Chile | 6/28/2018 | $64,615 | 45 | 45 | 68 | $124,673 | 1/1/2019 |
| Colombia | 6/28/2018 | $64,615 | 45 | 45 | 52 | $102,959 | 1/1/2019 |
| Croatia | 7/19/2018 | $0 | 0 | 14 | 24 | $124,927 | 1/1/2019 |
| Curacao | 6/28/2018 | $4,107 | 4 | 4 | 12 | $15,451 | 1/1/2019 |
| Cyprus | 6/28/2018 | $2,236 | 5 | 5 | 5 | $2,236 | 7/3/2018 |
| Czech Republic | 6/28/2018 | $44,303 | 118 | 118 | 173 | $101,311 | 1/1/2019 |
| Dominican Republic | 6/28/2018 | $26,362 | 31 | 31 | 72 | $64,233 | 1/1/2019 |
| Ecuador | 6/29/2018 | $32,315 | 37 | 37 | 102 | $81,758 | 1/1/2019 |
| Egypt | 6/27/2018 | $30,794 | 0 | 0 | 0 | $30,794 | 1/1/2019 |
| Estonia | 6/29/2018 | $26,007 | 13 | 13 | 13 | $26,007 | 7/3/2018 |
| Finland | 7/6/2018 | $0 | 0 | 3 | 6 | $145,316 | 9/20/2018 |
| France | 6/29/2018 | $676,521 | 451 | 451 | 451 | $1,824,738 | 8/31/2018 |
| Germany | 7/20/2018 | $726,401 | 0 | 101 | 233 | $1,521,097 | 10/9/2018 |
| Greece | 6/28/2018 | $33,847 | 50 | 50 | 50 | $66,834 | 9/7/2018 |
| Hong Kong | 11/1/2018 | $0 | 0 | 7 | 8 | $79,597 | 11/22/2018 |
| Hungary | 6/28/2018 | $68,126 | 45 | 45 | 45 | $164,616 | 1/1/2019 |
| Iceland | 6/29/2018 | $29,292 | 8 | 8 | 8 | $29,292 | 1/1/2019 |
| India | 7/6/2018 | $138,763 | 0 | 0 | 0 | $138,763 | 8/2/2018 |
| Indonesia | 6/27/2018 | $102,594 | 0 | 0 | 0 | $317,352 | 1/1/2019 |
| Iraq | 6/28/2018 | $11,523 | 8 | 8 | 8 | $11,523 | 1/1/2019 |
| Israel | 6/28/2018 | $86,098 | 26 | 26 | 26 | $228,820 | 1/1/2019 |
| Italy | 10/18/2018 | $695,234 | 0 | 10 | 16 | $1,636,713 | 12/6/2018 |
| Jamaica | 6/27/2018 | $0 | 0 | 2 | 2 | $26,298 | 1/1/2019 |
| Japan | 11/16/2018 | $277,925 | 58 | 69 | 185 | $797,288 | 12/14/2018 |
| Jordan | 6/28/2018 | $12,145 | 6 | 6 | 6 | $12,145 | 1/1/2019 |
| Kuwait | 6/28/2018 | $104,197 | 16 | 16 | 16 | $104,197 | 1/1/2019 |
| Laos | 6/28/2018 | $5,000 | 0 | 0 | 0 | $5,000 | 1/1/2019 |
| Latvia | 6/29/2018 | $8,370 | 7 | 7 | 7 | $8,370 | 1/1/2019 |
| Lebanon | 6/28/2018 | $60,000 | 0 | 0 | 0 | $60,000 | 1/1/2019 |
| Lithuania | 6/29/2018 | $19,085 | 117 | 117 | 170 | $49,250 | 8/15/2018 |
| Malaysia | 6/28/2018 | $203,017 | 114 | 114 | 114 | $203,017 | 7/3/2018 |
| Mexico | 6/28/2018 | $822,413 | 0 | 25 | 50 | $2,119,878 | 9/7/2018 |
| Middle East Region | 6/29/2018 | $930,000 | 0 | 0 | 0 | $930,000 | 7/2/2018 |
| Mongolia | 6/29/2018 | $7,843 | 0 | 0 | 0 | $7,843 | 1/1/2019 |
| Myanmar (Burma) | 6/29/2018 | $5,018 | 5 | 5 | 5 | $5,018 | 1/1/2019 |
| Netherlands | 7/6/2018 | $163,647 | 73 | 73 | 278 | $648,823 | 10/9/2018 |
| New Zealand | 6/29/2018 | $95,170 | 68 | 68 | 239 | $255,571 | 9/7/2018 |
| North America | 6/29/2018 | $19,007,566 | 3,055 | 3,055 | 10,744 | $50,065,850 | 4/13/2021 |
| Norway | 7/6/2018 | $0 | 0 | 0 | 0 | $172,308 | 9/20/2018 |
| Oman | 6/28/2018 | $28,464 | 0 | 0 | 0 | $28,464 | 1/1/2019 |
| Panama | 6/28/2018 | $147,258 | 121 | 121 | 121 | $147,258 | 1/1/2019 |
| Peru | 6/28/2018 | $139,981 | 104 | 104 | 115 | $204,476 | 1/1/2019 |
| Philippines | 6/27/2018 | $102,472 | 149 | 149 | 149 | $102,472 | 1/1/2019 |
| Poland | 7/20/2018 | $139,826 | 0 | 21 | 34 | $483,283 | 1/1/2019 |
| Portugal | 6/28/2018 | $74,414 | 58 | 58 | 155 | $232,334 | 9/7/2018 |
| Qatar | 6/28/2018 | $56,634 | 19 | 19 | 19 | $56,634 | 1/1/2019 |
| Romania | 6/29/2018 | $92,844 | 81 | 81 | 81 | $235,225 | 1/1/2019 |
| Russia (CIS) | 6/28/2018 | $187,264 | 653 | 665 | 1318 | $390,948 | 2/26/2019 |
| Serbia and Montenegro | 7/19/2018 | $0 | 0 | 4 | 8 | $36,800 | 1/1/2019 |
| Singapore | 7/19/2018 | $0 | 0 | 1 | 1 | $172,994 | 9/7/2018 |
| Slovakia | 6/28/2018 | $40,327 | 74 | 74 | 121 | $102,164 | 9/14/2018 |
| Slovenia | 7/19/2018 | $0 | 0 | 5 | 8 | $30,354 | 9/14/2018 |
| South Africa | 8/3/2018 | $7,620 | 5 | 5 | 16 | $24,220 | 9/5/2018 |
| South Korea | 6/25/2018 | $765,828 | 261 | 261 | 499 | $1,798,203 | 10/9/2018 |
| Spain | 6/29/2018 | $439,299 | 354 | 354 | 1095 | $1,276,412 | 8/30/2018 |
| Sri Lanka | 6/29/2018 | $2,007 | 8 | 8 | 8 | $2,007 | 7/3/2018 |
| Suriname | 7/5/2018 | $911 | 1 | 1 | 3 | $2,595 | 1/1/2019 |
| Sweden | 6/29/2018 | $55,406 | 79 | 79 | 80 | $183,677 | 9/20/2018 |
| Switzerland (French Speaking) | 6/27/2018 | $17,636 | 22 | 22 | 22 | $56,774 | 9/20/2018 |
| Switzerland (German Speaking) | 7/19/2018 | $0 | 0 | 7 | 7 | $183,352 | 9/20/2018 |
| Switzerland (Italian Speaking) | 10/18/2018 | $8,184 | 0 | 0 | 0 | $19,641 | 11/20/2018 |
| Syria | 6/28/2018 | $432 | 1 | 1 | 1 | $432 | 1/1/2019 |
| Taiwan | 8/3/2018 | $79,665 | 0 | 0 | 0 | $155,760 | 9/13/2018 |
| Thailand | 6/28/2018 | $180,174 | 0 | 0 | 0 | $180,174 | 7/3/2018 |
| Trinidad | 6/27/2018 | $32,193 | 18 | 18 | 42 | $72,319 | 1/1/2019 |
| Turkey | 6/29/2018 | $25,637 | 175 | 175 | 240 | $89,649 | 2/26/2019 |
| Ukraine | 6/28/2018 | $53,588 | 0 | 0 | 0 | $177,281 | 1/1/2019 |
| United Arab Emirates | 6/28/2018 | $333,443 | 87 | 87 | 87 | $333,443 | 1/1/2019 |
| United Kingdom | 6/29/2018 | $921,824 | 532 | 559 | 1464 | $2,842,518 | 9/28/2018 |
| Uruguay | 6/28/2018 | $10,881 | 14 | 14 | 29 | $20,506 | 1/1/2019 |
| Venezuela | 6/29/2018 | $83,022 | 44 | 44 | 96 | $362,003 | 7/31/2018 |
| West Indies | 6/27/2018 | $33,452 | 18 | 18 | 18 | $33,452 | 7/3/2018 |
| Rest of World | $527,659 | ||||||
| Worldwide Total | $76,346,094 | 4/13/2021 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Benicio del Toro | Alejandro Gillick |
| Josh Brolin | Matt Graver |
Supporting Cast
| Isabela Moner | Isabela Reyes |
| Jeffrey Donovan | Steve Forsing |
| Manuel Garcia Rulfo | Gallo |
| Matthew Modine | James Ridley |
| Shea Whigham | Andy Wheeldon |
| Elijah Rodriguez | Miguel Hernandez |
| Catherine Keener | Cynthia Foards |
| Howard Ferguson Jr | Troy |
| David Castaneda | Hector |
| Jacqueline Torres | Blandina |
| Raoul Trujillo | Rafael |
| Bruno Bichir | Angel |
| Jake Picking | Shawn |
| Tenzin Marco-Taylor | Jose |
| Alfredo Quiroz | Teenage Soldier |
| Nick Shakoour | Rocking Man |
| Joseph Garcia | Border Agent #1 |
| J.D. Marmion | Border Agent #3 |
| Hector Dez | Border Agent #3 |
| Jon Kristian Moore | Border Agent #4 |
| Thang Khan Gin | Burmese Migrant #1 |
| Mang Khai | Burmese Migrant #2 |
| Zaw Tan | Burmese Migrant #3 |
| Rob Franco | K-9 Agent |
| Sakariya Ali | Somali Militiaman |
| Faysal Ahmed | Bashiir |
| Dan Davidson | Col. Kenneth Walter |
| Graham Beckel | Dale Hammonds |
| Sherman Allen | Gen Arno McCullough |
| Mickey Dolan | Bus Stop Teen |
| Alejandro De La Pena | Balding Man |
| Iliana Donatlan Sanchez | Mexican News Reporter |
| Lourdes Del Rio Garcia | Miranda |
| Christopher Heyerdahl | Headmaster Deats |
| Ian Bohen | Carson Wills |
| John David Garfield | Alberto |
| Stafford Douglas | Naval Intelligence Officer |
| Oscar Avila | Mexican Border Guard |
| Fernando Urquides | Tattooed Gangster |
| Tasha Ames | Young Blonde Woman |
| Ryan Begay | Javier |
| Diane Villegas | Ida |
| Rick Vargas | 49ers Man |
| Ibrahim Renno | Costco Terrorist #1 |
| Beth Bailey | Mother Victim |
| Alex Cacho | Costco Terrorist #2 |
| Lloyd Voights | Gulfstream Pilot |
| Brian Reynolds | Blackhawk Pilot #1 |
| Fred North | Blackhawk Pilot #2 |
| Arturo Maese Bernal | Mexican Lookout #1 |
| Billy R. Sanchez | Mexican Migrant #1 |
| Gary Anthony Castro | Mexican Migrant #2 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Stefano Solima | Director |
| Taylor Sheridan | Screenwriter |
| Basil Iwanyk | Producer |
| Thad Luckinbill | Producer |
| Trent Luckinbill | Producer |
| Edward McDonnell | Producer |
| Molly Smith | Producer |
| Ellen H. Schwartz | Executive Producer |
| Richard Middleton | Executive Producer |
| Erica Lee | Executive Producer |
| Dariusz Wolski | Director of Photography |
| Kevin Kavanaugh | Production Designer |
| Matthew Newman | Editor |
| Deborah L. Scott | Costume Designer |
| Jon Schumacher | Co-Producer |
| Mary Vernieu | Casting Director |
| Marisol Roncali | Casting Director |
| Hildur Guðnadóttir | Music by |
| Jonathan Watkins | Music Supervisor |
| Richard Middleton | Unit Production Manager |
| Donald Murphy | First Assistant Director |
| Pete Dress* | Second Assistant Director |
| Taylor Sheridan | Character Creator |
| Doug Coleman | Stunt Coordinator |
| Emma McGill | Associate Producer |
| Stacy Perskie | Co-Producer |
| Derek Wentworth | Visual Effects Supervisor |
| Steve Gehrke | Steven R. Gehrke |
| Elissa Kannon | Production Supervisor |
| Marisa Frantz | Supervising Art Director |
| Ricardo Guillermo | Set Designer |
| Lisa Ward | Set Designer |
| Meg Everist | Set Decorator |
| David Brownlow | Sound Mixer |
| Emily Egge | Costume Supervisor |
| John Caglione, Jr. | Make up |
| Corey Welk | Make up |
| Lori McCoy-Bell | Hairstylist |
| S. Todd Christensen | Supervising Location Manager |
| Shani Orona | Location Manager |
| Mike Meinardus | Special Effects Supervisor |
| Brad Arensman | Post-Production Supervisor |
| Harold Parker | First Assistant Editor |
| Alan Robert Murray | Supervising Sound Editor |
| Katy Wood | Supervising ADR/Dialogue Editor |
| Jason King | Sound Effects Editor |
| Roland N. Thai | Sound Effects Editor |
| Kevin R.W. Murray | Sound Effects Editor |
| Christian Wenger | Sound Effects Editor |
| Alan Robert Murray | Sound Designer |
| Tom Ozanich | Sound Designer |
| Kira Roessler | ADR/Dialogue Editor |
| John T. Reitz* | Re-recording Mixer |
| Dean A. Zupancic | Re-recording Mixer |
| Marc Fishman | Additional Sound Re-recording Mixer |
| Jason King | Additional Sound Re-recording Mixer |
| Matthew Iadarola | Additional Sound Re-recording Mixer |
| James Ashwill | Foley Mixer |
| Richard Duarte | Foley Mixer |
| Jack Cucci | Foley Mixer |
| Hildur Guðnadóttir | Score Producer |
| Lee Scott | Music Editor |
| Daniel Kresco | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.