South Korea Box Office for Evangelion: 3.0+1.01 Thrice Upon a Time (2021)
Theatrical Performance (US$) | ||
South Korea Box Office | $249,815 | Details |
Worldwide Box Office | $93,440,870 | Details |
Further financial details... |
Synopsis
Misato and her anti-NERV group Wille arrive at Paris, a city now red from core-ization. Crew from the flagship Wunder land on a containment tower. They only have 720 seconds to restore the city. When a horde of NERV Evas appear, Mari’s improved Eva Unit 8 must intercept. Meanwhile, Shinji, Asuka, and Rei (Provisional Name) wander about Japan.
Metrics
Movie Details
South Korea Releases: | October 5th, 2022 (Wide), released as Evangelion: 3.0+1.01 Thrice Upon a Time |
Video Release: | August 15th, 2021 by Prime Video |
Running Time: | 154 minutes |
Franchise: | Evangelion |
Keywords: | Action Adventure, Anime, Robot, Mecha, Breaking the Fourth Wall, Post Apocalypse, Dysfunctional Family |
Source: | Based on TV |
Genre: | Action |
Production Method: | Digital Animation |
Creative Type: | Science Fiction |
Production/Financing Companies: | Studio Khara |
Production Countries: | Japan |
Languages: | Japanese |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/10/07 | 12 | $71,833 | 93 | $772 | $106,339 | 1 | |
2022/10/14 | 14 | $34,519 | -52% | 44 | $785 | $179,315 | 2 |
2024/01/19 | - | $8,328 | 6 | $1,388 | $233,759 | 68 | |
2024/01/26 | - | $4,140 | -50% | 6 | $690 | $243,303 | 69 |
2024/02/02 | - | $2,064 | -50% | 12 | $172 | $249,815 | 70 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 10/13/2022 | $44,363 | 76 | 76 | 102 | $61,530 | 11/28/2022 |
Italy | 9/12/2022 | $0 | 0 | 0 | 0 | $0 | |
Japan | 3/8/2021 | $0 | 0 | 0 | 0 | $92,246,216 | 7/23/2021 |
Mexico | 9/23/2022 | $0 | 0 | 0 | 0 | $0 | |
New Zealand | 10/13/2022 | $4,588 | 8 | 8 | 10 | $5,790 | 10/25/2022 |
North America | 12/6/2022 | $0 | 0 | 745 | 745 | $826,140 | |
South Korea | 10/5/2022 | $71,833 | 93 | 93 | 161 | $249,815 | 2/7/2024 |
Spain | 1/19/2023 | $21,947 | 94 | 94 | 94 | $51,379 | 2/16/2023 |
United Kingdom | 10/6/2023 | $0 | 0 | 0 | 0 | $0 | |
Worldwide Total | $93,440,870 | 2/7/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Hideaki Anno | Chief Director |
Kazuya Tsurumaki | Director |
Katsuichi Nakayama | Director |
Mahiro Maeda | Director |
Hideaki Anno | Screenwriter |
Hideaki Anno | Story by |
Hideaki Anno | Producer |
Emi Tsujita | Editor |
Shiro Sagisu | Composer |
Toru Fukushi | Director of Photography |