United Kingdom Box Office for Shaun the Sheep Movie (2015)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $20,896,235 | Details |
Worldwide Box Office | $101,850,986 | Details |
Home Market Performance | ||
North America DVD Sales | $1,738,445 | Details |
North America Blu-ray Sales | $1,230,456 | Details |
Total North America Video Sales | $2,968,901 | |
Further financial details... |
Synopsis
When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan, and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home.
Metrics
Movie Details
Production Budget: | $25,000,000 |
United Kingdom Releases: | February 6th, 2015 (Wide), released as Shaun the Sheep Movie August 5th, 2022 (Limited), released as Shaun the Sheep (Re: 2022) |
Video Release: | November 10th, 2015 by Lionsgate Home Entertainment |
MPAA Rating: | PG for rude humor. (Rating bulletin 2377, 6/10/2015) |
Running Time: | 86 minutes |
Franchise: | Shaun the Sheep |
Keywords: | Animal Lead, Faulty Memory, Fashion, Dream Sequence, Prologue, Limited Dialogue, Life on a Farm, Scene in End Credits, Country Mouse, City Mouse, Prison Break, Family Adventure |
Source: | Spin-Off |
Genre: | Adventure |
Production Method: | Stop-Motion Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | StudioCanal, Aardman Animations, Anton Capital Entertainment |
Production Countries: | France, United Kingdom |
Languages: | English |
2015 Awards Season: Oscar Preview
February 28th, 2016
It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.
If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD.
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2015 Awards Season: Oscar Highlight: Best Feature-Length Animated Film
February 18th, 2016
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Animated Film. Inside Out has a better than 90% chance of winning. If it doesn't win, it would almost certainly be the biggest surprise of Oscar night.
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2015 Awards Season: Oscars - Nominations
January 15th, 2016
The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in.
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2015 - Awards Season: BAFTA - Nominations
January 9th, 2016
The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies.
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2015 - Awards Season: Golden Globes - Nominations
December 10th, 2015
The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
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Contest: All in Good Fun: Winning Announcement
December 2nd, 2015
The winners of our All in Good Fun contest contest were determined and the entrants with the closest predictions for The Good Dinosaur opening weekend were...
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2015 - Holiday Gift Guide - Part I
November 27th, 2015
It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets. I'm going to try to keep it to a dozen or so releases, as these columns are notorious for getting out of hand. Also, while there were a record number of $1 billion box office hits, there were not as many first run releases that earned stellar reviews this year.
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Home Market Releases for November 24th, 2015
November 24th, 2015
This weekend is Thanksgiving weekend, which means Black Friday and Cyber Monday. While the sales usually mean a massive increase in units sold, the sales also tend to scare away new releases. This is certainly the case here and this week's list is very short as a result. That's not to say there are no releases worth picking up. In fact, there are several Pick of the Week contenders, led by Shaun the Sheep on Buy from Amazon: Blu-ray Combo Pack. Meanwhile, for the second week in a row, we have a Puck of the Week, for best Canadian release, Guidance on DVD.
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Contest: All in Good Fun
November 20th, 2015
Next week, there are three wide releases, but only one of them, The Good Dinosaur, is expected to be a serious hit. That makes it easy to pick a target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Good Dinosaur. Remember, while the movie opens on the Wednesday, we are only concerned with the Friday through Sunday weekend box office result.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Shaun the Sheep on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Shaun the Sheep on DVD.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final copy of Shaun the Sheep on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Contest: Procrastoween: Winning Announcement
November 18th, 2015
The winners of our Procrastoween contest were determined and the entrants with the closest predictions for Love the Coopers opening weekend were...
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Home Market Releases for November 10th, 2015
November 9th, 2015
There are a couple of big hits on this week's list of new releases. Terminator: Genisys was a monster hit internationally, but it failed to live up to expectations here. On the other hand, Trainwreck earned $100 million here, but barely made a peep internationally. Of these two films, Trainwreck is the only one worth picking up. In fact, it is a Contender for Pick of the Week. However, I'm still waiting for the screener and I hate to give out this title when a screener is on its way. Because of that, I'm going with Better Call Saul: Season One as the Best of the Best, but it isn't the only other title worth picking up.
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Featured Blu-ray / DVD Review: Shaun the Sheep
November 8th, 2015
Shaun the Sheep barely made a peep at the box office. It's not that surprising it wasn't able to find an audience. It is based on a British TV show aimed at four to seven-year olds. It doesn't talk down to kids, so it can be enjoyed by adults, but most people here have likely never heard of it before the movie came out. Is it worth checking out for those who have never seen it? Is it worth checking out for those who are fans of Wallace and Gromit?
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Weekend Wrap-Up: Compton Makes the Competition Cry U.N.C.L.E.
August 18th, 2015
Straight Outta Compton destroyed expectations earning even more than the outlier prediction I saw. Sadly, our predictions for The Man From U.N.C.L.E. turned out to be too optimistic, but overall the box office was still very strong. In fact, it grew 12% from last week to $148 million. Growth like that almost never happens at this time of year. Compared to last year, the box office was also strong, albeit by a smaller 3.7% margin. That said, a win is a win and worth celebrating, especially after a couple of strong declines. Year-to-date, 2015 maintains a strong lead over 2014 at $7.09 billion to $6.73 billion. A 5.4% lead year-over-year is a great margin for this time of year and it would take a really serious collapse to put that lead at risk. I don't think that's going to happen. In fact, there are three potential $1 billion hits yet to open in theaters, which is actually better than it was last year. Add in the number of potential $100 million hits and the lead could grow through till the end of the year.
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Weekend Wrap-Up: Mission Still Fantastic, Four Flops
August 11th, 2015
Despite what conventional wisdom was predicting, Mission: Impossible - Rogue Nation remained in first place, as Fantastic Four missed even our low expectations. The Gift also did well, but the other two wide releases opened on the low end of expectations. Overall, the box office fell 8.3% from last weekend down to $132 million, so according to that number, it is safe to say summer is fading fast. Worse still, compared to last year, the box office was 29% lower, which is terrible and a clear sign that summer is already over. Granted, 2015 still has a solid lead over 2014, at $6.88 billion to $6.51 billion. A lead of 5.7% at this time of year is great and it would take an epic collapse for that to disappear anytime soon. I don't think 2015 will bounce back and start padding its lead any time soon, but I also don't think it will have 29% deficits week after week either.
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Weekend Estimates: Fantastic Four Falls Flat
August 9th, 2015
The Summer Season has come to an abrupt end this weekend, with Fantastic Four busting out with only $26.2 million, according to Fox’s Sunday morning estimate. That’s about half of what one would expect for a superhero movie in this budget range, even taking into account the fact that it’s the first in a potential franchise (see here for some comparisons), and a final box office total of less than $80 million seems in prospect, which is nothing short of a disaster: the film is likely not to even cover its marketing budget.
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Friday Estimates: Far From Fantastic
August 8th, 2015
I was significantly less optimistic than most box office analysts were when it came to the weekend predictions. While most predicted Fantastic Four would earn just over $40 million over the weekend, I assumed the film will struggle so much that it was just a matter of time before it was given back to Marvel Studios. Despite my pessimism, I appear to have been too optimistic.
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Weekend Predictions: How Long till Marvel Gets the Fantastic Four Back?
August 7th, 2015
There could be a close race on top of the box office chart with Fantastic Four trying to unseat Mission: Impossible - Rogue Nation as box office champion. This should be the number one story of the weekend; however, if I'm right and Fantastic Four does as poorly as I think it will, then the franchise will be in the hands of Marvel Studios by the end of the weekend. None of the other three wide releases are guaranteed to top $10 million over the weekend. In fact, it is very likely that one of them, Shaun of the Sheep, will miss the top five. This weekend last year was led by Teenage Mutant Ninja Turtles with $65.58 million. Guardians of the Galaxy was second with $42.12 million. I don't think any film opening this weekend will match Guardians of the Galaxy, while there's a chance all four combined won't match TMNT. 2015 is going to take a beating on the year-over-year comparison.
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2015 Preview: August
August 1st, 2015
It is still a little too soon to tell how July will finish, as we don't have any numbers for the final weekend at the time of writing. We know Minions was a monster hit and that Ant-man will be a financial success. However, until we see how Mission: Impossible - Rogue Nation does, it will be impossible to call the month a true success. If Rogue Nation bombed this weekend, then the month is only a partial success. It would also mean the summer of 2015 could be coming to an abrupt end. As for August, only Fantastic Four has a better than 50/50 chance of reaching $100 million; although some people think Straight Outta Compton also has a shot at that milestone. Besides those two, only a couple of other films even have a realistic shot at becoming midlevel hits. Worse still, last August was amazing with Guardians of the Galaxy breaking records. Teenage Mutant Ninja Turtles also did better than expected with a domestic haul of nearly $200 million. No release this August is going to match that figure. There's a good chance the top two releases combined won't do so. Fortunately, 2015 has a sizable lead over 2014, so even a soft month will keep 2015 ahead in the year-over-year comparison.
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International Box Office: Furious has Billion Dollar Run
April 22nd, 2015
Furious 7 again dominated the weekend international box office chart earning $166.9 million on 17,834 screens in 67 markets for totals of $857.86 million internationally and $1.152 billion worldwide. This is the first film from Universal to reach $1 billion during its initial run (Jurassic Park got there during its 3D re-release). After opening in China last Sunday, the film made $186.60 million for the week giving it an eight-day total of $250.02 million there. It got to that milestone faster than any film and it is just $70 million behind Age of Extinction in that market. This is simply a stunning result. On the other hand, the film only managed third place in Japan with $6.2 million.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/02/27 | - | $1,556,974 | 555 | $2,805 | $17,984,769 | 4 | |
2015/03/06 | - | $920,327 | -41% | 557 | $1,652 | $18,660,840 | 5 |
2015/04/03 | 17 | $72,938 | 177 | $412 | $19,806,568 | 9 | |
2015/04/10 | 18 | $44,823 | -39% | 139 | $322 | $19,932,280 | 10 |
2015/07/03 | 36 | $2,205 | 31 | $71 | $21,378,033 | 22 | |
2015/07/10 | 38 | $1,750 | -21% | 8 | $219 | $21,233,764 | 23 |
2015/07/17 | 41 | $313 | -82% | 1 | $313 | $21,403,923 | 24 |
2015/07/24 | 40 | $706 | +126% | 3 | $235 | $21,252,220 | 25 |
2015/07/31 | 45 | $1,560 | +121% | 14 | $111 | $21,420,125 | 26 |
2015/08/07 | 56 | $684 | -56% | 2 | $342 | $21,193,262 | 27 |
2015/08/14 | 38 | $4,952 | +624% | 38 | $130 | $21,415,172 | 28 |
2015/08/21 | 46 | $2,887 | -42% | 23 | $126 | $21,524,490 | 29 |
2015/08/28 | 32 | $2,510 | -13% | 15 | $167 | $21,074,220 | 30 |
2015/09/04 | 44 | $4,443 | +77% | 20 | $222 | $20,854,765 | 31 |
2015/09/11 | 46 | $3,779 | -15% | 16 | $236 | $21,173,795 | 32 |
2015/09/18 | 70 | $346 | -91% | 2 | $173 | $21,378,591 | 33 |
2015/09/25 | 68 | $907 | +162% | 7 | $130 | $20,828,085 | 34 |
2015/10/02 | - | $15,367 | +1,594% | 83 | $185 | $20,903,786 | 35 |
2015/10/09 | 92 | $256 | -98% | 2 | $128 | $21,038,538 | 36 |
2015/10/23 | 84 | $98 | 1 | $98 | $21,074,432 | 38 | |
2015/11/06 | 33 | $4,268 | 18 | $237 | $20,714,855 | 40 | |
2015/11/13 | 45 | $4,338 | +2% | 16 | $271 | $20,908,852 | 41 |
2015/11/20 | 76 | $96 | -98% | 1 | $96 | $20,896,235 | 42 |
2022/08/05 | - | $72 | 2 | $36 | $2,025 | 392 | |
2022/08/12 | - | $6,004 | +8,239% | 81 | $74 | $8,041 | 393 |
2024/01/12 | - | $3,552 | 24 | $148 | $21,611 | 467 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/3/2015 | $131,127 | 142 | 142 | 290 | $313,083 | 11/25/2018 |
Australia | 3/26/2015 | $147,090 | 168 | 275 | 2281 | $9,649,494 | 9/9/2024 |
Austria | 3/20/2015 | $0 | 0 | 79 | 83 | $1,225,572 | 10/20/2015 |
Belgium | 4/8/2015 | $159,967 | 80 | 80 | 80 | $159,967 | 6/26/2015 |
Brazil | 9/3/2015 | $150,810 | 324 | 324 | 606 | $335,619 | 11/9/2018 |
Bulgaria | 2/6/2015 | $0 | 0 | 3 | 3 | $37,764 | 12/30/2018 |
Central America | 10/29/2015 | $20,005 | 53 | 53 | 53 | $20,005 | 11/3/2015 |
Chile | 9/3/2015 | $0 | 0 | 3 | 3 | $89,478 | 12/30/2018 |
China | 7/17/2015 | $3,880,000 | 9211 | 9211 | 12178 | $7,130,000 | 9/13/2018 |
Colombia | 9/3/2015 | $0 | 0 | 2 | 3 | $90,319 | 12/30/2018 |
Croatia | 2/26/2015 | $0 | 0 | 15 | 15 | $116,388 | 6/26/2015 |
Ecuador | 9/4/2015 | $0 | 0 | 15 | 15 | $115,039 | 12/30/2018 |
France | 4/1/2015 | $1,487,254 | 528 | 528 | 1056 | $5,287,054 | 8/21/2018 |
Germany | 3/19/2015 | $2,259,784 | 0 | 16 | 49 | $11,730,462 | 8/22/2018 |
Hong Kong | 2/20/2015 | $220,305 | 41 | 41 | 94 | $397,750 | 11/26/2018 |
Iceland | 2/13/2015 | $0 | 0 | 2 | 3 | $8,408 | 12/30/2018 |
Italy | 2/12/2015 | $825,682 | 0 | 39 | 73 | $2,689,725 | 9/30/2019 |
Japan | 7/3/2015 | $916,590 | 0 | 0 | 0 | $3,801,204 | 8/24/2018 |
Mexico | 9/3/2015 | $371,005 | 0 | 0 | 0 | $725,278 | 9/7/2018 |
Netherlands | 3/26/2015 | $262,567 | 131 | 132 | 1320 | $1,474,720 | 11/21/2018 |
New Zealand | 3/26/2015 | $0 | 0 | 44 | 125 | $554,814 | 7/7/2015 |
North America | 8/5/2015 | $4,038,962 | 2,320 | 2,360 | 10,730 | $19,375,982 | 4/7/2016 |
Peru | 9/3/2015 | $0 | 0 | 1 | 1 | $163,916 | 12/30/2018 |
Poland | 2/13/2015 | $259,631 | 0 | 0 | 0 | $1,050,443 | 12/30/2018 |
Portugal | 9/3/2015 | $0 | 0 | 49 | 336 | $713,131 | 2/21/2019 |
Russia (CIS) | 3/26/2015 | $600,424 | 928 | 928 | 2115 | $1,237,395 | 11/19/2018 |
Slovenia | 2/26/2015 | $0 | 0 | 15 | 15 | $151,323 | 6/26/2015 |
South Korea | 7/23/2015 | $275,452 | 0 | 0 | 0 | $371,439 | 9/1/2018 |
Spain | 4/17/2015 | $788,885 | 301 | 323 | 2643 | $2,988,492 | 11/28/2018 |
Taiwan | 4/2/2015 | $61,132 | 17 | 17 | 53 | $135,936 | 11/2/2018 |
Turkey | 4/17/2015 | $136,537 | 218 | 218 | 888 | $544,730 | 12/30/2018 |
Ukraine | 3/26/2015 | $0 | 0 | 83 | 83 | $128,623 | 12/30/2018 |
United Kingdom | 2/6/2015 | $3,194,957 | 0 | 557 | 1836 | $20,896,235 | 1/17/2024 |
Uruguay | 9/10/2015 | $0 | 0 | 8 | 15 | $24,678 | 12/30/2018 |
Venezuela | 8/28/2015 | $0 | 0 | 1 | 2 | $370,413 | 6/9/2016 |
Rest of World | $7,746,107 | ||||||
Worldwide Total | $101,850,986 | 9/9/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Justin Fletcher | Shaun/Timmy |
Supporting Cast
John Sparkes | Farmer/Bitzer |
Omid Djalili | Trumper |
Richard Webber | Shirley |
Kate Harbour | Timmy's Mum/Meryl |
Tim Hands | Slip |
Andy Nyman | Nuts |
Simon Greenhall* | Twins |
Emma Tate | Hazel |
Jack Paulson | Celebrity with Hair Trouble |
Sean Connolly | Maitre D/Golfer/Stylist/Angry Panto Horse/Hospital Character |
Henry Burton | Junior Doctor/Animal Containment Visitor |
Dhimant Vyas | Hospital Consultant |
Sophie Laughton | Animal Containment Visitor |
Nia Medi James | Operatic Sheep |
Stanley Unwin | Bus Station Announcer/Hospital Announcer |
Cameos
Nick Park | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mark Burton | Director |
Richard Starzak | Director |
Mark Burton | Screenwriter |
Richard Starzak | Screenwriter |
Julie Lockhart | Producer |
Paul Kewley | Producer |
Peter Lord | Executive Producer |
Nick Park | Executive Producer |
David Sproxton | Executive Producer |
Olivier Courson | Executive Producer |
Ron Halpern | Executive Producer |
Sim Evan-Jones | Editor |
Ilan Eshkeri | Composer |
Matt Perry | Production Designer |
Charles Copping | Director of Photography |
Dave Alex Riddett | Director of Photography |
Steve Box | Story-Story Consultant |
Nick Angel | Music Supervisor |
Loyd Price | Animation Supervisor |
Sean Clarke | Co-Executive Producer |
Alicia Gold | Co-Executive Producer |
Kerry Lock | Co-Executive Producer |
Carla Shelley | Co-Executive Producer |
Richard Beek | Production Manager |
Adrian Rhodes | Sound Designer |
Steve McLaughlin | Music Producer |
Tom Barnes | Technical Director |
Will Becher | Animation-Lead Character Animator |
Laurie Sitzia-Hammond | Animation-Lead Character Animator |
Jane Kite | Costume Designer |
Richard "Bobo" Bowen* | First Assistant Director |
Ben Barrowman | Second Assistant Director |
Leigh Manning | Second Assistant Director |
Georgina Reynolds | Third Assistant Director |
Tom Barnes | Post-Production Supervisor |
Adrian Rhodes | Re-recording Mixer |
Antony Bayman | Re-recording Mixer |
Antony Bayman | Sound Effects Editor |
Julien Pirrie | Foley Mixer |
Kirsty Whalley | Music Editor |
Howard Jones | Visual Effects Supervisor |
Carl Chittenden | Visual Effects Supervisor |
Melanie Byrne | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.