Australia Box Office for Shall We Dance (2004)
Theatrical Performance (US$) | ||
Australia Box Office | $7,420,985 | Details |
Worldwide Box Office | $170,125,882 | Details |
Further financial details... |
Metrics
Movie Details
Production Budget: | $40,000,000 |
Australia Releases: | October 22nd, 2004 (Wide), released as Shall We Dance |
Video Release: | February 1st, 2005 by Miramax Video |
MPAA Rating: | PG-13 for some sexual references and brieg language |
Running Time: | 106 minutes |
Keywords: | Dancing, Romance, Romantic Comedy, Lawyers, Mid-Life Crisis, Private Investigator, Set in Chicago |
Source: | Remake |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Simon Fields Productions |
Production Countries: | United States |
Languages: | English |
DVD Releases for May 6, 2008
May 6th, 2008
A slow week for top-of-the-line releases and there are no first-run, wide releases that look even remotely interesting enough to buy. There are a few limited releases and older releases to fill the gap. It was also a slow week for spotlight reviews, but that gave me a chance to completely catch up to all the screeners that arrived late. ... That is until the next batch of late arrivals show up. As for the best of the best, Before the Devil Knows You're Dead - Buy from Amazon is high on that list, except technically it was released a couple of weeks ago. Teeth - Buy from Amazon also impressed, but the extras are a little too light. For the DVD Pick of the Week, I'm going with The Passion of Greg the Bunny: Best of the Film Parodies - Volume 2.
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The Largest Yard
June 12th, 2005
The Longest Yard opened in second place in Australia with $2.5 million. On the other hand, the film could only manage $750,000 on 260 screens in Mexico, not surprising since Adam Sandler has never been a big draw internationally, especially outside English speaking markets. More...Late Figures Change Top Five
June 5th, 2005
It was a slightly busier weekend as several studios were brave enough, or foolhardy enough to try and sandwich their film between the worldwide release of Revenge of the Sith and Batman Begins, which debuts in just 10 days. With War of the Worlds' worldwide release just two weeks after that, there's very little room for smaller films to survive. More...Sith Steal the Show
May 29th, 2005
Revenge of the Sith dominated nearly every market it opened in and in most of them it was the only new film in the top ten. Because of this there's almost no international details to report and those details that are available are single market releases. More...Calm Before the Storm
May 22nd, 2005
It was another slow weekend for international details as few studios were brave enough, or foolish enough to try and squeeze in a release between Kingdom of Heaven and Revenge of the Sith. It was hard to find many films that earned more than $1 million over the weekend and most of the activity came from smaller releases in midlevel markets. Next weekend there could be even fewer details as Revenge of the Sith should dominate every market, but after that the summer blockbuster season should be in full swing and things should pick up. More...Kingdom's Reign Cruel to Competition
May 16th, 2005
The summer got off to a really, really slow start international this week and while Kingdom of Heaven didn't wasn't quite the blockbuster most people were looking for, it did cannibalized what little box office there was. There were a few local films to make noise, including Negotiator: Bayside Shakedown 3, which easily topped the Japanese market with $5,275,685 on just 280 for a huge $18,842 per screen average. More...Slow Dancing to $100 million
May 8th, 2005
Golden Week helped Shall We Dance? climb 19% to $2,250,195 for the weekend and $7,270,348 during its run. The film now has $90.3 million internationally and could break $100 million if it continues to show strong legs in Japan. More...International: Constantine Continues to Climb
May 1st, 2005
It was a good news, bad news kind of weekend for Constantine. The film remained in top spot in Japan with $2,330,027 on 349 screens for a $9,011,671 running tally in the market. Bad news, it dropped 37% during its second weekend in the market, which is really steep for Japan. Overall the film brought in $3 million on 1,200 screens in 40 markets for a international box office of $136.4 million. More...Swimming with Sharks
March 13th, 2005
Shark Tale finished its international run with a second place $2.08 million opening in Japan on 485 screens. Its $4,296 per screen average it quite low for the market and generally means the film won't have the usual legs films in Japan have. The film performed much better in Italy where it finished first again with $3.0 million, down just 23% during its sophomore stint. Overall it took in $5.2 million to raise its international total to $181 million, but without any more openings it might struggle to hit $200 million. More...The Aviator Soars Higher than Before
March 6th, 2005
The Aviator beat weekend estimates by a substantial margin leading to a $5.9 million box office on 3000 screens in 34 markets. The multi-Oscar winning movie has hit $86.2 million internationally and will cross $200 million worldwide before too long. The film dropped a spot to fifth place in South Korea with $834,660 for the week and slipped to second in Australia with $798,000. The only market the film opened it was Argentina, where it easily took top spot with $232,000. More...Saw Remains on Top of Belated Rental Charts
March 5th, 2005
Thanks in part to a slow week for DVD releases, Saw remained the top DVD rental on this weeks charts with $6.80 million this week, a drop of 28% from last week, and a two week total of $16.27 million so far. On the VHS side, the film dropped first to third with $1.09 million, down 38% for a total of $2.83 million. More...Twelve Tops the Best of the Rest
February 27th, 2005
Ocean's Twelve may have dropped out of the top five, but it is still going strong with $4.5 million on 1400 screens in 35 markets for an international box office of $225.8 million so far. No new openings means the heist film had to rely on holdovers likes its $2.5 million during its third weekend in the U.K. and $1.4 million during its fifth week of release in Japan, finishing second in both those markets. More...Fockers Flatten Competition
February 2nd, 2005
Meet the Fockers open in the U.K. over the weekend with an astounding $14.8 million on 456, which is more than four times the original's earnings there in 2000. That figure was also more than 8 times the second place film , and more than half the market's total box office. Add in a handful of openings in other, mostly smaller markets and the film brought in $19.2 million on 1,700 screens in 15 markets for a $58.8 million total so far. More...DVD Releases for February 1, 2005
January 31st, 2005
Every week films get a second chance at success from the home market; or, in some cases, a first chance at success. Here is a list of wide releases, limited releases and a few from the growing TV on DVD section including this week's winner Penn & Teller: Bullshit! - Season 2 - Buy from Amazon and Sealab 2021 - Season 2 - Buy from Amazon and Wonderfalls - The Complete Season - Buy from Amazon and Degrassi Junior High - Season 1 - Buy from Amazon. Wow - busy week.
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Incredibles have a Super Weekend
December 1st, 2004
With a nearly 3-1 lead over its nearest competitor, The Incredibles took top spot on the International Box Office charts this week with $44.3 million on 4,362 screens in 22 markets for a running tally of $59.1 million. The film opened number one in all twelve markets and in a few of the markets the film debuted in this week it was able to break the record for biggest debut by an animated films. However, in others it fell short to either Finding Nemo, (France) or Shrek 2 (the U.K. and Spain.) Its biggest single market was the U.K., where the brought in $18.1 million, including sneak peaks, which was a Disney record. Other highlights include $9.2 million in France, $5.6 million in Spain, $5.4 million in Italy, and $1.3 million in Belgium. Considering the results so far it should challenge for supremacy among the elite animated films and $400 million to $500 million isn't out of the question. More...Bridget Slims Down but Still Number One
November 24th, 2004
Bridget Jones: Edge of Reason's second round of openings was no quite as strong as last week's, but it was still more than enough to keep its first place finish at the international box office. Overall the British comedy took in $20.6 million on 1,854 screens in 18 markets lifting its tally to $59 million. Out of the new openings, the film was most impressive in Spain with $2.6 million while its best market overall was the U.K. where the film dropped just 29% to $9.3 million. The film is still tracking well ahead of the original and is becoming one of the monster hits of the fall. More...Bridget has 26 million Reasons to Celebrate
November 17th, 2004
Bridget Jones: Edge of Reason opened in a mere half a dozen international markets over the weekend, but what an opening it was. Despite place on fewer than 1000 screens the film was able to pull in an amazing $26.7 million, the lion's share coming from the U.K. where the film took in $19.1 million on 496 screens, (including $5.9 million from sneak peaks.) That was the best opening for a Working Title film smashing the previous record of $11.1 million for Love Actually. In each market the film broke the record for Working Title films and more than doubled the original's debut. And even with legs that are expected to be much lower, it should be able to break $300 million internationally, although it may have trouble hitting $50 million domestically. More...Dwarves Tower Above All
November 10th, 2004
It's a rare feat for a non-Hollywood film to top the international charts, but that's just what the German spoof, Seven Dwarfs, did this week. Playing in just three markets the film took in $10.6 million on under 1,000 screens. In its home market of Germany the film eased just 19% to $9.2 million; the result was not quite as good in Austria where it dropped a respectable 30% to $915,000, but it was in Switzerland where it shined - increasing 4% to $500,000. Overall the film has now made $29.0 million so far but the real test comes with increased competition from holiday fare and the ability to find an audience in non-German speaking markets. More...Sharks 4 - Dwarves 7
November 3rd, 2004
Holidays throughout Europe, and a $1.5 million, first place finish in Russia helped Shark Tale remain in top spot for the fourth straight week, although it was a much closer contest this week. Highlights include $4.3 million in the U.K., off just 24% compared to its sophomore weekend, $4.0 million in France, which was up 47% from last weekend for a $15.5 million in 4,300 theatres in 27 markets weekend. Its international running total topped $100 million, the 13th film to do so this year, and now sits at $109.6 million. More...Halloween not as Scary as Predicted
November 1st, 2004
With four of the films in the top five beating expectations, this Halloween wasn't as bad as predicted. It was still down about 5.0% from last weekend and 1.5% from last year, but that's not as bad as it could have been. At first glance that's not too bad, however, last year Halloween was on a Friday and there were no new wide releases, which undoubtedly lead to last year under-performing. More...Will Halloween Scare Away Moviegoers?
October 29th, 2004
Traditionally, Halloween is not a good day for the movies, with kids and families staying away from the theatres in order to trick or treat. The only films that really benefit from Halloween are horror films aimed at High School and College students. More...Sharks Sink but Still Stay on Top
October 27th, 2004
Despite a 45% drop in its weekend haul, Shark Tale was able easily able to earn it third first place finish on the international charts. Still early in its run, the film took home $16.2 million in 4,368 theatres in 24 markets pushing its total to $80.3 million internationally. Without any openings the film relied on strong holdovers like in the U.K. where it drop 39%, in France it was off 32% and 35% in Germany. More...Christmas Doesn't Come Early this Year
October 25th, 2004
Thanks to a much better than expected debut of the number one film we saw a large jump in the box office for the week, 8.75% to be more precise. However, with the rest of the films on the list just able to live up to expectations, the overall box office was still well short of last year's performance. The 18.25% drop on the yearly comparison is quite troubling, and it probably won't get much better next week either.
More...
Will Audiences Hold a Grudge?
October 22nd, 2004
It's one week from Halloween, and that can only mean one thing. It's Christmas time! That's right, the first Christmas movie of the year is coming to theatres. Sigh. The only Christmas movie you can legitimately watch at this time of year is The Nightmare Before Christmas. More...Team America Sleeps with the Fishes
October 18th, 2004
Unlike the summer, the fall has seen plenty of films hold up well in the face of new competition. This was the saving grace at the box office this week as neither new film made much of an impact. Even so, the overall box office dropped 9.3% from last week and a disturbing 14% from last year. Year to date 2004 is still maintaining its 4% lead over 2003, which is inline with ticket price increases.
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Team America on the Offensive
October 15th, 2004
Two films open wide this weekend, one has really wooden acting and the other stars marionettes. OK, that was a cheap joke. After a very strong start, October is starting to show signs of weakness and will probably see another small drop at the box office. More...Movie Websites Launches for October 8 - October 14
October 14th, 2004
During the past week promotional websites for several movies were launched and some older ones added additional content. Here the list of this week's releases, a couple of new sites and few updates, including this week's winner A Very Long Engagement - Official Site . If you know of any new movie websites not on this list feel free to e-mail me with the details. More...Can Shark Stay on Top?
October 8th, 2004
A trio of new films open wide this week, but none look likely to de-thrown Shark Tale as the weekend champ. Overall there should be a small drop at the box office, whether the drop will be large enough to push the weekend box office below 2003 level is up in the air. More...Will October get off to a Scary Start?
October 1st, 2004
Well, September is over so the industry can breathe a collective sigh of relief. And it couldn't end a moment too soon. How bad was September? Total box office for September was $423 million, the worst month in two years. And the majority of that box office came from holdovers released in previous months like Hero, which earned nearly $30 million during the month of September. Fortunately, the first weekend in October sees the release of what should be the first $100 million movie since The Village. More...2004 Preview: October
October 1st, 2004
October is generally a transition month. Not the dumping ground that September is, but without a major holiday, it's not as prosperous as November. Also, the month is usually good to horror movies for the obvious reason. One last note, the movie industry as a whole is in a bit of a slump right now, of the 11 films that opened wide in September, only 2 will beat expectations by any reasonable degree. This has caused me to downgrade some of my predictions, especially for earlier in the month.
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New Movie Release Dates
February 6th, 2004
This week's new batch of movie release dates has some more shuffling around of this Summer's blockbusters, and even next Summer's blockbusters.
We also have release dates for some smaller (and more interesting) movies.
Among movies with moved dates: Welcome to Mooseport,
13 Going on 30,
Raising Helen,
Mr. 3000,
The Notebook and Shall We Dance?.
We also have a announced date for Harold & Kumar Go to White Castle, and a new name and date for the XXX Sequel.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2004/10/22 | - | $1,560,649 | 267 | $5,845 | $1,560,649 | 1 | |
2004/10/29 | - | $1,287,290 | -18% | 268 | $4,803 | $3,513,996 | 2 |
2004/11/05 | - | $1,090,422 | -15% | 255 | $4,276 | $5,198,486 | 3 |
2004/11/12 | - | $548,395 | -50% | 250 | $2,194 | $6,192,846 | 4 |
2004/11/19 | - | $370,656 | -32% | 244 | $1,519 | $6,935,792 | 5 |
2004/11/26 | - | $210,835 | -43% | 190 | $1,110 | $7,378,708 | 6 |
2004/12/03 | - | $87,828 | -58% | 88 | $998 | $7,457,609 | 7 |
2004/12/10 | - | $36,689 | -58% | 32 | $1,147 | $7,272,702 | 8 |
2004/12/17 | - | $15,025 | -59% | 18 | $835 | $7,420,985 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 10/22/2004 | $1,560,649 | 267 | 268 | 1612 | $7,420,985 | 9/3/2020 |
North America | 10/15/2004 | $11,783,467 | 1,772 | 2,542 | 17,618 | $57,887,882 | |
Rest of World | $104,817,015 | ||||||
Worldwide Total | $170,125,882 | 9/3/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Richard Gere | John clark |
Jennifer Lopez | Paulina |
Susan Sarandon | Beverly |
Supporting Cast
Stanley Tucci | Link Peterson |
Lisa Ann Walter | Bobbie |
Richard Jenkins | Detective |
Bobby Cannavale | Chic |
Omar Benson Miller | Vern |
Mya Harrison | Vern's Fiance |
Ja Rule | Hip Hop Bar Performer |
Nick Cannon | Scotty |
Stark Sands | Evan Clark |
Tamara Hope | Jenna Clark |
Sarah Lafleur | Carolyn |
Onalee Ames | Diane |
Diana Salvatore | Tina |
Daphne Korol | Daphne |
Driton "Tony" Dovolani* | Slick Willy |
Keti Virshilas | Perky Girl |
Dave Sparrow | Louis |
Matt Gordon | Frank |
Candace Smith | Betsy |
Sandra Caldwell | Elise |
Mairi Babb | Patty |
Ann Margaret Clements | Female Commuter |
Karina Smirnoff | Link's Pouty Dance Partner |
Diane Marquis | Tanya |
Beatriz Pizano | Paulina's Mother |
Deborah Yates | Winking Dancer |
Holly Johnson | Chic's Cute Dance Partner |
Gio Tropea | D.J. |
James Sermons | Chic's Young Man |
Barre W Hall | Silver Fox |
Nicholas Kosovich | Winking Dancer's Partner |
Chantelle Leonardo | Christie |
Steve Martin* | Emcee |
John O'Connell | Judge |
Caitlynn Taczynski | Young Paulina |
Denis Tremblay | Paulina's Student |
Brian Torner | Paulina's Student |
Pierre Allaire | Paulina's Student |
Jean Marc Genereux | Smarmy Old Man |
Francesco Flumiani | Young Male Teacher |
Gary McDonald | Paulina's Blackpool Partner-Flashback |
Vyacheslav "Slavik" Kryklyvyy* | Paulina's Blackpool Partner-Present |
Geri Hall | Bemused Co-Worker |
Sean O'Brian | Parking Attendant |
Brian Drader | Competitor in Parking Lot |
Alison Black | Backstage 'De-Tanner' |
Kim Kindrick | Office Girl |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Peter Chelsom | Director |
Masayuki Suo | Screenwriter |
Audrey Wells | Story by |
Simon Fields | Producer |
Bob Weinstein | Executive Producer |
Harvey Weinstein | Executive Producer |
Julie Goldstein | Executive Producer |
Caroline Hanania | Production Designer |
Charles Ireland | Editor |
Robert Leighton | Editor |
Gabriel Yared | Composer |
John Altman | Composer |
John de Borman | Director of Photography |
Mari Jo Winkler-Ioffreda | Co-Producer |
Jennifer Berman | Co-Executive Producer |
Amy Israel | Co-Executive Producer |
Rachel Hudgins | Associate Producer |
Martin Walters | Assistant Director |
Lyn Lucibello* | Unit Production Manager |
Mari Jo Winkler-Ioffreda | Unit Production Manager |
Sue Chan | Art Director |
Cal Loucks* | Set Decorator |
Sophie de Rakoff | Costume Designer |
Linda M. Petty* | Costume Designer |
Scott Richter | Additional Editor |
Robert F. Scherer | Sound Mixer |
Patrick Cyccone | Re-recording Mixer |
Michael Keller | Re-recording Mixer |
Paul Clay | Supervising Sound Editor |
Patrick O'Sullivan | Sound Effects Editor |
Greg Stacy | Sound Effects Editor |
Jason England | Sound Effects Editor |
Michael Cook | Dialogue Editor |
Bob Goold | Dialogue Editor |
Paul Rabjohns | Music Editor-Supervising Music Editor |
Allan Jenkins | Music Editor |
Kirsty Whalley | Music Editor |
Tony Lewis | Music Editor |
Christine Hart | Make up |
David R. Beecroft | Hairstylist |
Randy Spendlove | Executive Music Producer |
Richard Hicks | Casting Director |
Ross Clydesdale | Casting Director |
Rick Skene | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.