Australia Box Office for Seriously Red (2022)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $492,876 | Details |
| Worldwide Box Office | $556,129 | Details |
| Further financial details... | ||
Synopsis
Red lost her job as a real estate agent, but there’s something no one can take away from her: her dream of becoming the world’s greatest Dolly Parton impersonator! After her act attracts the attentions of an amorous Elvis impersonator and a powerful booking agent, Red is catapulted into the top tier of copycat acts, becoming the onstage and romantic partner of the top Kenny Rogers impersonator. But when Red’s life as an imitator starts to feel false, she discovers true happiness comes when you’re being the best version of yourself.
Metrics
Movie Details
| Australia Releases: | November 24th, 2022 (Limited) |
| Video Release: | February 10th, 2023 by Lionsgate Home Entertainment |
| MPAA Rating: | R for sexual content, nudity and some language. (Rating bulletin 2767 (cert #54244), 1/25/2023) |
| Running Time: | 104 minutes |
| Keywords: | Comedy Drama, Fired, Performing Arts, Romance, Singers, Screenplay Written By the Star, F-Rated, F-Rated, Triple, Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Australia, Roadshow Films, Invisible Wally Productions, Filmology, Spectrum Films, Arclight Films, Dollhouse Pictures, Robyn Kershaw Productions, Southern Lights Films, Borella Films |
| Production Countries: | Australia |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/11/25 | - | $117,060 | 269 | $435 | $177,555 | 1 | |
| 2022/12/02 | 10 | $72,673 | -38% | 263 | $276 | $356,514 | 2 |
| 2022/12/09 | 11 | $43,020 | -41% | 241 | $179 | $442,589 | 3 |
| 2022/12/16 | 16 | $10,683 | -75% | 68 | $157 | $470,087 | 4 |
| 2022/12/23 | - | $4,394 | -59% | 45 | $98 | $479,747 | 5 |
| 2022/12/30 | - | $2,112 | -52% | 10 | $211 | $486,876 | 6 |
| 2023/01/06 | - | $2,390 | +13% | 6 | $398 | $496,834 | 7 |
| 2023/01/13 | - | $305 | -87% | 3 | $102 | $508,414 | 8 |
| 2023/01/20 | - | $591 | +94% | 2 | $296 | $515,612 | 9 |
| 2023/01/27 | - | $64 | -89% | 1 | $64 | $515,891 | 10 |
| 2023/02/03 | - | $367 | +473% | 1 | $367 | $530,993 | 11 |
| 2023/02/10 | - | $166 | -55% | 1 | $166 | $519,640 | 12 |
| 2023/02/17 | - | $208 | +25% | 2 | $104 | $518,095 | 13 |
| 2023/02/24 | - | $268 | +29% | 1 | $268 | $515,089 | 14 |
| 2023/03/10 | - | $53 | 1 | $53 | $496,436 | 16 | |
| 2023/03/17 | - | $538 | +915% | 1 | $538 | $502,481 | 17 |
| 2023/06/02 | - | $637 | 1 | $637 | $492,876 | 28 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/24/2022 | $117,060 | 269 | 269 | 916 | $492,876 | 6/5/2023 |
| New Zealand | 11/24/2022 | $20,001 | 89 | 94 | 465 | $63,253 | 1/16/2023 |
| North America | 2/10/2023 | $0 | 0 | 0 | 0 | $0 | |
| Worldwide Total | $556,129 | 6/5/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Krew Boylan | Red |
| Rose Byrne | EP |
| Bobby Cannavale | Wilson |
| Daniel Webber | Kenny |
Supporting Cast
| Celeste Barber | Teeth |
| Thomas Campbell | Francis |
| Todd Lasance | Forbes |
| Jean Kittson | Viv |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Gracie Otto | Director |
| Krew Boylan | Screenwriter |
| Robyn Kershaw | Producer |
| Jessica Carrera | Producer |
| Sonia Borella | Producer |
| Timothy White | Producer |
| Rose Byrne | Executive Producer |
| Danny Nozell | Executive Producer |
| Jack Christian | Executive Producer |
| D.J. McPherson | Executive Producer |
| Deanne Weir | Executive Producer |
| Clare Ainsworth Herschnell | Executive Producer |
| Hayley Baille | Executive Producer |
| Olivia Humphrey | Executive Producer |
| John Partridge | Executive Producer |
| David Rod | Executive Producer |
| Carina Fraser | Executive Producer |
| Rob McKay | Executive Producer |
| Rob Boylan | Executive Producer |
| Josh Pomeranz | Executive Producer |
| Steven Scharkss | Executive Producer |
| Sharon Scharkss | Executive Producer |
| Lisa Osinloye | Executive Producer |
| Simone White | Executive Producer |
| Kate Woods | Executive Producer |
| Andrew Baud | Executive Producer |
| Lois Randall | Co-Producer |
| Toby Oliver | Director of Photography |
| Deborah Peart | Editor |
| Kate Hickey | Editor |
| Cezary Skubiszewski | Music by |
| Penny Southgate | Production Designer |
| Tim Chappel | Costume Designer |