Portugal Box Office for O Mar de Árvores (2016)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $4,382 | Details |
| Worldwide Box Office | $908,926 | Details |
| Home Market Performance | ||
| North America DVD Sales | $286,966 | Details |
| North America Blu-ray Sales | $43,955 | Details |
| Total North America Video Sales | $330,921 | |
| Further financial details... | ||
Synopsis
Arthur Brennan is an American professor who travels to Japan in the midst of a personal crisis. As he wanders through a mysterious forest with a dark past, he experiences flashbacks of his fraught but loving relationship with his wife, Joan, and meets an enigmatic stranger, Takumi, who is lost and injured. Arthur devotes himself to saving Takumi and returning him home to safety, and the two embark on a spiritual, life-changing journey of friendship, discovery, and healing—one which may ultimately re-connect Arthur with his love for his wife
Metrics
Movie Details
| Portugal Releases: | May 3rd, 2019 (Wide), released as O Mar de Árvores |
| Video Release: | November 1st, 2016 by A24 |
| MPAA Rating: | PG-13 for mature thematic material, some disturbing images and brief strong language. (Rating bulletin 2357 (Cert #49587), 1/21/2015) |
| Running Time: | 110 minutes |
| Keywords: | Suicide, Set in Japan, Death of a Spouse or Fiancée / Fiancé, Medical and Hospitals, Cancer, Non-Chronological, Lost |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bloom , Gil Netter Productions, Waypoint Entertainment |
| Production Countries: | United States |
| Languages: | English, Japanese |
Home Market Releases for November 1st, 2016
November 2nd, 2016
The Home Market Release Report is a day late this week for a trio of reasons. Firstly, the November Preview was also due the same day. Secondly, it was a very busy week. And finally, I’m suffering from a medical condition a lot of Canadians suffer from this time of year... acute Coffee Crisp poisoning. I’m not saying I ate four dozen fun-sized Coffee Crisps in the past three days... I’m not saying that, because it was actually an even 50. Don’t judge me. ... Okay, judge me. Clearly mistakes were made. It is a busy week, but not very deep week. Star Trek Beyond is by far the biggest and best release of the week and the various home market releases are the pick of the week. There wasn’t a lot of competition for that title, but Bad Moms is also worth picking up.
More...
Theater Averages: Howard Ends up on Top with $11,920
August 30th, 2016
There was only one film in the $10,000 club this week and it was a re-release. Howards End pulled in nearly $24,000 in two theaters for an average of $11,920. The best true new release was The Hollars, which earned an average of $9.553 in four theaters.
More...
Limited and VOD Releases: Stone Cold Releases
August 26th, 2016
While there are a lot of films on this week’s list, none of them look like they will be box office hits. Southside with You is one of the best releases this week, but it is playing in over 800 theaters, which is likely too many. There are a number of other films that are worth seeing, like Floyd Norman: An Animated Life, but most of them are playing on Video on Demand, so their box office chances are nearly zero.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/05/03 | 27 | $1,477 | 2 | $739 | $2,277 | 1 | |
| 2019/05/10 | - | $246 | -83% | 1 | $246 | $3,802 | 2 |
| 2019/06/07 | 31 | $258 | 1 | $258 | $4,382 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| France | 4/29/2016 | $128,822 | 0 | 0 | 0 | $128,822 | 8/17/2018 |
| Italy | 4/29/2016 | $389,043 | 0 | 0 | 0 | $642,318 | 6/9/2016 |
| Netherlands | 5/13/2016 | $0 | 0 | 17 | 17 | $39,317 | 11/18/2018 |
| North America | 8/26/2016 | $1,877 | 2 | 101 | 106 | $20,444 | |
| Portugal | 5/3/2019 | $1,477 | 2 | 2 | 4 | $4,382 | 10/19/2022 |
| South Korea | 5/10/2018 | $28,300 | 98 | 98 | 107 | $54,662 | 6/4/2018 |
| Turkey | 1/6/2017 | $8,859 | 14 | 14 | 14 | $18,981 | 2/26/2019 |
| Worldwide Total | $908,926 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Matthew McConaughey | Arthur Brennan |
| Ken Watanabe | Takumi Nakamura |
| Naomi Watts | Joan Brennan |
Supporting Cast
| Jordan Gavaris | Eric |
| Katie Aselton | Gabriella Laforte |
| James Saito | Dr. Takahashi |
| Susan Garibotto | Arthur's Friend |
| Anna Friedman | Anna |
| Mark Burzenski | Gas Station Customer |
| Richard Levine | Funeral Director |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Gus Van Sant | Director |
| Chris Sparling | Screenwriter |
| Gil Netter | Producer |
| Kevin Halloran | Producer |
| F. Gary Gray | Producer |
| Brian Dobbins | Producer |
| Allen Fischer | Producer |
| Ken Kao | Producer |
| Chris Sparling | Producer |
| Pietro Scalia | Co-Producer |
| Tami Goldman | Co-Producer |
| Satch Watanabe | Co-Producer |
| Tracy McGrath | Co-Producer |
| Kasper Tuxen | Director of Photography |
| Alex DiGerlando | Production Designer |
| Pietro Scalia | Editor |
| Danny Glicker | Costume Designer |
| Mason Bates | Composer |
| Francine Maisler | Casting Director |
| Lee Gilmore | Sound Effects Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.