South Korea Box Office for Before We Vanish (2017)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $6,093 | Details |
| Worldwide Box Office | $449,806 | Details |
| Further financial details... | ||
Synopsis
Three aliens travel to Earth on a reconnaissance mission in preparation for a mass invasion. Having taken possession of human bodies, the visitors rob the hosts of their essence—good, evil, property, family, belonging—leaving only hollow shells, which are all but unrecognizable to their loved ones.
Metrics
Movie Details
| South Korea Releases: | August 17th, 2018 (Wide), released as Before We Vanish |
| MPAA Rating: | R for some violence and bloody images. (Rating bulletin 2530 (Cert #51471), 6/6/2018) |
| Running Time: | 129 minutes |
| Keywords: | Alien Invasion, Possessed, Relationships Gone Wrong, Infidelity, Investigative Journalist, Set in Japan, Life in a Small Town |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Nippon Television Network, Nikkatsu, Wowow, Yomiuri Telecasting Corporation, Pony Canyon, Nippon Planning Center, Office Saku, Hirata, Django Films |
| Production Countries: | Japan |
| Languages: | Japanese |
Limited and VOD Releases: A Fantastic Limited Release or Two
February 2nd, 2018
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It’s a terrible weekend to release a movie. Not only is the Super Bowl taking up most people’s attention, but fans of limited releases are too busy catching up on Oscar contenders to deal with new releases. There are not a lot of films on this week’s list, but 24 Frames and A Fantastic Woman could do well in the art house circuit.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/08/17 | - | $2,069 | 15 | $138 | $5,116 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Japan | 9/8/2017 | $391,626 | 0 | 0 | 0 | $391,626 | 7/4/2018 |
| North America | 2/2/2018 | $8,370 | 2 | 42 | 56 | $52,087 | |
| South Korea | 8/17/2018 | $2,069 | 15 | 15 | 15 | $6,093 | 8/29/2018 |
| Worldwide Total | $449,806 | 8/29/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Masami Nagasawa | Narumi Kase |
Supporting Cast
| Hiroki Hasegawa | Sakurai, The Journalist |
| Mahiro Takasugi | |
| Yuri Tsunematsu |
Uncategorized
| Ryuhei Matsuda | Shinji Kase |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Kiyoshi Kurosawa | Director |
| Tomohiro Maekawa | Story based on the play “Before We Vanish” aka “Sanpo Suru Shinryakusha” by |
| Sachiko Tanaka | Screenwriter |
| Kiyoshi Kurosawa | Screenwriter |
| Akiko Ashizawa | Cinematographer |
| Yusuke Hayashi | Composer |
| Yoshio Nakayama | Composer |
| Masanari Nagayama | Composer |
| Eiji Omura | Composer |
| Tadashi Osumi | Composer |
| Masaya Yabushita | Composer |
| Yosuke Miyake | Composer |
| Hideki Ohyagi | Composer |
| Miyuki Matsuda | Composer |
| Yoshiki Sakurai | Composer |
| Daisuke Kadoya | Executive Producer |
| Yoshinori Chiba | Executive Producer |
| Takehiko Aoki | Executive Producer |
| Yuji Ishida | Producer |
| Naoto Fujimura | Producer |
| Yumi Arakawa | Producer |
| Tomomi Takashima | Producer |
| Nobuhiro Iizuka | Line Producer |
| Ryo Otaki | Associate Producer |