Netherlands Box Office for Sage Femme (2017)
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| Theatrical Performance (US$) | ||
| Netherlands Box Office | $294,205 | Details |
| Worldwide Box Office | $6,955,892 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Netherlands Releases: | June 23rd, 2017 (Wide), released as Sage Femme |
| MPAA Rating: | Not Rated |
| Keywords: | Empty Nest, Infidelity, Terminal Illness, Cancer, Set in France, Voiceover/Narration, Gambling, Set in Paris |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Curiosa Films, France 3 Cinema, Versus Entertainment |
| Production Countries: | France |
| Languages: | French |
Theater Averages: Dunkirk Lands On Top with $13,579
July 26th, 2017
The number one film on the overall weekend box office chart, Dunkirk, was also the number one film on the theater average chart earning an average of $13,579. The best limited release was Landline with an average of $13,139 in four theaters. Its reviews suggest it won’t maintain that average as it tries to expand. The final film in the $10,000 club was Girls Trip, which earned an average of $12,042. The film could have earned half that and it still would have been an okay opening for its production budget.
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Weekend Estimates: Dunkirk, Girls Trip Post Impressive Debuts
July 23rd, 2017
Dunkirk will easily top the chart at the box office this weekend, with a $50.5 million opening weekend from 3,720 theaters that’s broadly in line with expectations, and also remarkably similar to the first weekend for Interstellar, which opened with $47.5 million from 3,561 theaters back in 2014. It seems that the film has reached the Christopher Nolan fan base, but not extended much beyond that. Remarkably, Pearl Harbor remains the record holder for biggest opening weekend for a World War II movie, with the $59 million it earned back in 2001 (equivalent to roughly $93 million with today’s ticket prices).
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Limited and VOD Releases: Sticking the Landing
July 21st, 2017
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Looking at this week’s list of limited releases, it is hard to come up with any film that has a real shot at box office success. Landline has the loudest buzz, but its reviews are merely good. All of the rest of the films are either foreign-language films or are playing on VOD and both of those factors will limit their box office chances.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/06/23 | 12 | $43,393 | 32 | $1,356 | $51,064 | 1 | |
| 2017/06/30 | 12 | $53,724 | +24% | 32 | $1,679 | $135,672 | 2 |
| 2017/07/07 | 15 | $21,781 | -59% | 32 | $681 | $18,156 | 3 |
| 2017/07/14 | 21 | $25,401 | +17% | 32 | $794 | $231,799 | 4 |
| 2017/07/21 | 22 | $16,367 | -36% | 28 | $585 | $265,659 | 5 |
| 2017/07/28 | 28 | $13,898 | -15% | 30 | $463 | $294,205 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/2/2017 | $38,391 | 0 | 0 | 0 | $64,196 | 1/1/2019 |
| Australia | 10/27/2017 | $64,882 | 18 | 23 | 127 | $301,108 | 3/8/2018 |
| Bulgaria | 7/14/2017 | $539 | 0 | 0 | 0 | $539 | 2/26/2019 |
| France | 3/24/2017 | $1,828,729 | 0 | 0 | 0 | $4,962,364 | 6/27/2018 |
| Italy | 6/2/2017 | $128,116 | 0 | 0 | 0 | $320,716 | 7/26/2017 |
| Lithuania | 8/4/2017 | $2,841 | 27 | 27 | 46 | $7,916 | 9/20/2017 |
| Netherlands | 6/23/2017 | $43,393 | 32 | 32 | 186 | $294,205 | 8/3/2017 |
| North America | 7/21/2017 | $21,341 | 3 | 44 | 287 | $603,582 | |
| Portugal | 7/7/2017 | $5,381 | 6 | 6 | 15 | $19,310 | 8/3/2017 |
| Russia (CIS) | 5/12/2017 | $14,183 | 40 | 40 | 60 | $45,088 | 1/1/2019 |
| Slovakia | 1/19/2018 | $879 | 9 | 9 | 9 | $879 | 1/29/2018 |
| South Korea | 3/22/2018 | $24,025 | 90 | 90 | 121 | $75,175 | 10/12/2018 |
| Spain | 8/3/2018 | $73,847 | 64 | 69 | 179 | $235,357 | 8/24/2018 |
| United Kingdom | 7/7/2017 | $25,457 | 20 | 20 | 20 | $25,457 | 7/13/2017 |
| Worldwide Total | $6,955,892 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Martin Provost | Director |