Portugal Box Office for Ryuichi Sakamoto: Coda (2018)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $6,795 | Details |
| Worldwide Box Office | $998,885 | Details |
| Further financial details... | ||
Synopsis
One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. The evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following cancer, his haunting awareness of life crisis leads to a resounding new masterpiece.
Metrics
Movie Details
| Portugal Releases: | August 15th, 2024 (Limited) |
| Video Release: | November 3rd, 2020 by Mubi |
| MPAA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Keywords: | Set in Japan, Composer, Movie Business, House Music / Electronica |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Kadosawa, Alex Digital, Dentsu Music and Entertainment, Cineric, Borderland Media |
| Production Countries: | Japan, United States |
| Languages: | English, Japanese |
Theater Averages: Sorry isn’t a Bother
July 12th, 2018
Sorry to Bother You dominated the theater average chart this week with an average of $45,454 in 16 theaters. As I previously mentioned, this is the sixth-best opening average for a limited release this year. Ant-Man and the Wasp earned top spot on the weekend chart and second place here with an average of $18,025. Three Identical Strangers remained in the $10,000 club with an average of $13,427 in 51 theaters and should have no trouble expanding further. Ryuichi Sakamoto: Coda earned $12,827 in its lone theater, which is excellent for a documentary. Leave No Trace remained in the $10,000 club with an average of $10,892 in 37 theaters. It will continue to expand.
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Limited and VOD Releases: Nothing to be Sorry About
July 6th, 2018
It’s a short week for limited releases; however, that doesn’t mean there’s nothing to talk about. Sorry to Bother You is earning some of the best reviews of the week and it has the loudest buzz. Meanwhile, Whitney is playing in over 450 theaters and could reach the top ten.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2024/08/16 | - | $761 | 2 | $381 | $1,385 | 1 | |
| 2024/08/23 | - | $1,544 | +103% | 4 | $386 | $4,697 | 2 |
| 2024/08/30 | - | $926 | -40% | 2 | $463 | $6,795 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $12,397 | 10 | 10 | 25 | $28,311 | 4/22/2024 |
| China | 12/20/2019 | $132,035 | 0 | 0 | 0 | $721,945 | 2/1/2020 |
| North America | 7/6/2018 | $12,827 | 1 | 9 | 35 | $117,460 | |
| Portugal | 8/15/2024 | $761 | 2 | 4 | 8 | $6,795 | 9/4/2024 |
| Russia (CIS) | 8/14/2020 | $188 | 1 | 3 | 14 | $2,638 | 10/19/2022 |
| South Korea | 5/23/2018 | $0 | 0 | 47 | 118 | $106,726 | 8/21/2018 |
| United Kingdom | 6/29/2018 | $15,010 | 13 | 13 | 13 | $15,010 | 7/5/2018 |
| Worldwide Total | $998,885 | 9/4/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Ryuichi Sakamoto | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Stephen Schible | Director |
| Eric Nyari | Producer |
| Yoshiko Hashimoto | Producer |
| Neo Sora | Director of Photography |
| Tom Richmond | Director of Photography |
| Hisayo Kushida | Editor |
| Tom Paul | Sound Designer |
| Tsuguhiko Kadokawa | Executive Producer |
| Hisaou Wakaizumi | Executive Producer |
| Shuichi Machida | Executive Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.