China Box Office for Rush (2013)

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Rush poster
Theatrical Performance (US$)
China Box Office $2,730,000Details
Worldwide Box Office $98,159,204Details
Home Market Performance
North America DVD Sales $5,043,570 Details
North America Blu-ray Sales $7,650,819 Details
Total North America Video Sales $12,694,389
Further financial details...

Synopsis

Set against the sexy and glamorous "golden age" of Formula 1 racing, Rush portrays the true story of the rivalry between gifted English playboy James Hunt and his disciplined Austrian opponent, Niki Lauda. Taking us into their personal lives and clashes on and off the Grand Prix racetrack, Rush follows the two drivers as they push themselves to the breaking point of physical and psychological endurance, where there is no shortcut to victory and no margin for error.

Metrics

Movie Details

Production Budget:$38,000,000
China Releases: December 11th, 2015 (Wide)
Video Release: January 28th, 2014 by Universal Home Entertainment
MPAA Rating: R for sexual content, nudity, language, some disturbing images and brief drug use.
(Rating bulletin 2263, 3/13/2013)
Running Time: 123 minutes
Keywords: Auto Racing, Biography, Medical and Hospitals, Comeback, Professional Rivalry, Biographical Drama, 1970s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Universal Pictures, Cross Creek Pictures, Exclusive Media Group, Imagine Entertainment, Revolution Studios, Working Title Films
Production Countries: United Kingdom, United States
Languages: English, German, Italian

DVD and Blu-ray Releases for January 28th, 2014

January 28th, 2014

There are a large number of first run releases coming out this week on the home market, five in total. This is a huge amount. This week, the latest season of Downton Abby also comes out on the home market, and it is the best selling new release of the week, at least according to Amazon.com. So at the top, it is a really busy week. On the other hand, there's very little depth. Beyond those six releases, there's not a lot to talk about. Out of all of the movies on this week's list, Rush is the best movie, but the DVD and Blu-ray Combo Pack are only good and not great. On the other hand, Cloudy with a Chance of Meatballs 2 on Blu-ray or 3D Blu-ray is the best total package. Meanwhile, I finally got a chance to review Carrie (the screener arrived late) and it was better than I thought it would be and the Blu-ray Combo Pack is worth picking up, especially if you haven't seen the original movie. More...

2014 Awards Season: Slave Hustles to the Top

December 14th, 2013

12 Years a Slave poster

Hollywood Foreign Press Association announced their Golden Globe nominations this week, and a clear picture is forming. 12 Years a Slave was again the recipient of the most nominations, but this time it was a tie, as it and American Hustle both grabbed seven nominations. If you look down the list of other multi-nominated films, you will find a number of familiar faces. More...

2014 Awards Season: SAG a Slave to Slave

December 14th, 2013

12 Years a Slave poster

SAG handed out nominations over the week, and like with the Independent Spirit Awards, 12 Years a Slave led the way and earned four nominations. It wasn't the only film that was singled out. More...

International Box Office: Gravity Stable On Top

October 16th, 2013

Gravity remained in first place with a nearly identical result as last weekend. It was up a barely noticeable amount to $28.5 million on 5,785 screens in 38 markets for a two-week total of $68.3 million internationally. This hold is even more impressive, as its only major market debut came in Brazil, where it opened in second place with $1.67 million on 219 screens. On the other hand, it was down just 9% in Australia with $3.03 million on 471 screens over the weekend for a two-week total of $8.29 million. It fell a little more in Germany down 17% to $3.04 million on 614 screens over the weekend for a two-week total of $8.12 million. In both of those markets, it remained in first place. It fell faster in Russia down 48% landing in second place with $3.88 million on 1,155 million screens over the weekend for a total of $14.12 million after two weeks of release. More...

International Box Office: Gravity Throws Around its Weight

October 11th, 2013

Gravity opened in first place on the international chart with $28.4 million on 4,830 screens in 27 markets. This includes a number of first place openings, led by Russia, where it made $7.57 million on 1,219 screens. It also earned first place in Germany with $3.65 million on 569 screens over the weekend for a total opening of $3.87 million. Australia was right behind with $3.35 million on 469. Italy contributed $2.75 million on 399, while in Spain it earned $2.26 million on 325. More...

Weekend Wrap-Up: Gravity Earns Tons of Money

October 8th, 2013

Gravity crushed expectations, and records, over the weekend with more than $55 million. This topped the previous biggest October weekend by more than $3 million. On the other hand, Runner Runner went nowhere opening well below the lower end of predictions. Overall, the box office rose 16% from last year reaching $127 million. Unfortunately, last year had much better depth and 2013 was 11% lower in the year-over-year comparison. 2013 is still ahead of 2012, but the lead has been cut to just 0.9% at $8.05 billion to $7.98 billion. More...

Weekend Predictions: Gravity has the Weight to Win

October 3rd, 2013

There are two films opening wide this week: Gravity and Runner Runner. However, while the two films share a release date, they are at the opposite ends when it comes to box office potential and critical acclaim. Gravity should have an easy time winning the race for the top of the box office chart, and if its reviews can translate into Awards Season buzz, then it should have very strong legs. On the other hand, many analysts expect Runner Runner to stumble out of the gate and disappear before the end of the month. This weekend last year, Taken 2 opened with just under $50 million, which is too much for Gravity to match. Frankenweenie earned $11 million during its opening weekend, which is a figure Runner Runner should match, but might not. Overall, 2013 looks a lot weaker than 2012 was. More...

Weekend Wrap-Up: Partially Cloudy

October 1st, 2013

It wasn't a great weekend at the box office, as four of the five films in the top five missed expectations. On the other hand, no film in the top five really bombed, so it wasn't a bad weekend either. It was solidly mediocre. Cloudy with a Chance of Meatballs 2 opened in top spot with just over $34 million. This was better than its predecessor opened with, but below the lofty expectations. Overall, the box office pulled in $109 million over the weekend, which was 26% higher than last weekend. On the other hand, it was 9% lower than the same weekend last year. Year-to-date, 2013 still has a lead over 2012, but it has shrunk a little bit over the past two weeks. After this weekend, the lead was down to 1.2%, or $7.90 billion to $7.81 billion. It's not reason to panic, yet, but an extended losing streak late in the year is harder to recover from than one that happens in spring. More...

Weekend Estimates: Meatballs Makes Tasty Debut

September 29th, 2013

As expected, Cloudy with a Chance of Meatballs 2 will be the comfortable winner of this weekend's box office race with a healthy $35 million beginning, according to Sony's Sunday estimate. That puts the film on course for the 4th-biggest weekend in September and is about $5 million ahead of the opening for the first film in the franchise. Given hopes of a $40 million debut, the film could be said to have underperformed slightly (and it will almost certainly not top the original's $124.8 million domestic total), but given the timing of the release, the studio will have reason for modest celebration in the midst of their worst year since 2005. The top of the chart in general has a middling-to-good-enough look to it this weekend. More...

Weekend Predictions: Blue Skies Ahead

September 27th, 2013

Cloudy with a Chance of Meatballs 2 leads a group of four wide releases (three wide releases and a wide expansion, if you want to get technical). It should have no problem being the biggest hit of the weekend. It has a good chance of having the biggest opening weekend of the month. The other films coming out this week will be fighting for a smaller portion of the overall box office, but that's to weak competition, all should grab a spot in the top five. Last year, September ended with Hotel Transylvania, which debuted with $42.52 million; that's a good target for Cloudy with a Chance of Meatballs 2. Second place went to Looper, which pulled in $20.80 million. That will top any of the other new releases coming out this week, but I'm hoping there will be better depth this year and 2013 can eke out a win. More...

Per Theater Chart: Enough is Never Enough

September 24th, 2013

There were two major releases on the per theater chart with Enough Said pulling in an average of $58,200 in four theaters, while it has made $287,000 from Wednesday through Sunday. The only other film in the $10,000 club was Rush with an average of $37,458 in five theaters. This bodes well for it wide expansion on Friday. More...

Weekend Estimates: Prisoners Starts Awards Season

September 22nd, 2013

Ever since Argo won the Oscar for Best Picture, the industry has been talking and thinking about the strategy of releasing a film ahead of all the other award hopefuls and building buzz through the season. The first test of this theory comes this weekend with one wide release and one platform release. The wide release, Prisoners, will comfortably top the chart with a very respectable $21.4 million from 3,260 theaters. While hardly in record-setting territory, it is very close to Argo's $19.5 million from 3,232 venues. Audience responses have been good (with 90% audience positive reviews on Rotten Tomatoes, for example), but next week's drop will be a big indicator of whether the film will have the chops for an awards run: Argo declined just 15% in its second weekend. Prisoners will need to do something similar before there's real talk of nominations to come. More...

Analysis: That Music You Hear? It's Probably By Hans Zimmer

September 22nd, 2013


Top-grossing people in technical roles

Last week I unveiled our new People Records section and talked about some of top performers across different types of acting, from the blockbusting superstars to the unsung heroes, to the cameo kings and queens. We've added some more charts to the record section this week, this time covering technical roles, and once more there's a lot of data to be mined. More...

Rush Out to See Limited Releases this Weekend

September 20th, 2013

There are a few films on this week's list earning overwhelmingly positive reviews, including the The Wizard of Oz 3D re-release. This film might do well enough to reach the top ten. Rush opens in two theaters before expanding wide next weekend, so its per theater average is not as important, but could still do well. Enough Said is the big limited release hit of the week. The film has a lot of buzz, a sad real world story, and amazing reviews. It will likely come out on top. More...

2013 Preview: September

September 1st, 2013

August ended, and we should be very grateful for that. Lee Daniels' The Butler was a surprise hit, while We're the Millers did better than expected. However, most other films that were expected to be solid hits failed to live up to expectations. Fortunately, August of 2012 was even worse, so 2013 regained the lead on the year-to-year comparison during the month. Looking forward, there is exactly one film that will likely become more than a midlevel hit in September: Cloudy with a Chance of Meatballs 2. That film has a chance to reach $100 million in total. Most of the rest of the new releases will be lucky if they get halfway there. Fortunately, September of 2012 was even worse. Hotel Transylvania was a surprise hit, earning nearly $150 million, and there were a few others that topped $50 million, but there were also several outright bombs. If we can avoid those types of bombs, then 2013 should continue its winning streak. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/12/11 9 $1,660,000   18,058 $92   $1,660,000 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
China 12/11/2015 $1,660,000 18058 18058 18058 $2,730,000 9/27/2018
Czech Republic 10/4/2013 $0 0 1 1 $838,909 10/19/2022
North America 9/20/2013 $187,289 5 2,308 9,212 $26,947,624 12/5/2014
United Kingdom 9/13/2013 $0 0 1 1 $12,767,043 7/17/2020
 
Rest of World $54,875,628
 
Worldwide Total$98,159,204 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Chris Hemsworth James Hunt
Daniel Brühl Niki Lauda

Supporting Cast

Olivia Wilde Suzy Miller
Alexandra Maria Lara Marlene Lauda
Pierfrancesco Favino Clay Regazzoni
David Calder Louis Stanley
Natalie Dormer Nurse Gemma
Stephen Mangan Alastair Caldwell
Christian McKay Lord Hesketh
Alistair Petrie Stirling Moss
Julian Rhind-Tutt Anthony "Bubbles" Horsley
Colin Stinton Teddy Mayer
Augusto Dall'Ara Enzo Ferrari
Ilario Calvo Luca Di Mantezemolo
Patrick Baladi John Hogan
Vincent Riotta Lauda's Mechanic
Martin Savage McLaren Mechanic
Jamie Sives BRM Mechanic
Simon Taylor English Race Announcer
Rob Austin Brett Lunger
Tom Wlaschiha Harald Ertl
Cristian Solimeno Arturo Merzario
James Norton Guy Edwards
Josephine De La Baume Agnes Bonnet
Geoffrey Streatfield Peter Hunt
Julien Vialon Peter Metternich
Douglas Reith Awards Presenter
Polly Furnival Hunt's Awards Girlfriend
Brooke Johnston Pan Am Stewardess
Hannah Britland BOAC Stewardesses
Lisa McAllister BOAC Stewardess
Hans-Eckart Eckhardt Lauda's Grandfather
Vanessa Zachos Female Hunt Fan
Val Jobara Test Driver
Xavier Laurent Test Drivers
Zack Nizato Hasemi
Akira Koieyama Takahara
Klaus D. Mund Niki's German Doctor
Folker Banik German Doctor
Andreas Engelmann German Priest
Jochen Kolenda German GP Marshall
Roger Nevares Spanish Official
Vanda Dadras Guest of Curd Jurgens
Raffaello DeGruttola Giovanni
Luca Zizzari Italian Official
Alan Ferrera Frech Photographer
Bob Constanduros Crystal Palace Race Announcer
Christian Feist German Race Announcer
Marco Canadea Italian Race Announcer
Eiji Mihara Japanese Announcer
Demetri Goritsas American Journalist
Jay Simpson British Journalist
Philippe Spall French Journalsist
Erich Redman German Journalist
Marcello Walton Italian Jounalist
Masashi Fujimoto Japanese Journalist
Rob Cavazos Spanish Journalist
Paolo Barone Ferrari Mechanic
Frencesco Fronte Ferrari Mechanic
Morris Morrison Ferrari Mechanic
Luca Naddeo Ferrari Mechanic
Cristian Stelluti Ferrari Mechanic
Scott Hopkins McLaren Mechanic
Matthew Watkinson McLaren Mechanic
Anthony Wolfe McLaren Mechanic
Mark Wright McLaren Mechanic

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ron Howard Director
Peter Morgan Screenwriter
Andrew Eaton Producer
Eric Fellner Producer
Brian Oliver Producer
Peter Morgan Producer
Brian Grazer Producer
Ron Howard Producer
Guy East Executive Producer
Nigel Sinclair Executive Producer
Tobin Armbrust Executive Producer
Tim Bevan Executive Producer
Tyler Thompson Executive Producer
Todd Hallowell Executive Producer
Anthony Dod Mantle Director of Photography
Mark Digby Production Designer
Dan Hanley Editor
Mike Hill Editor
Hans Zimmer Composer
Julian Day Costume Designer
Nina Gold Casting
Anita Overland Co-Producer
Jim Hajicosta Co-Producer
Daniel Hetzer Co-Producer
Kay Niessen Co-Producer
Jens Meurer Co-Producer
Mark Mallouk Co-Executive Producer
Peter Mallouk Co-Executive Producer
Fae Hammond Make-up and Hair Designer
Jody Johnson Visual Effects Supervisor
Moriah Etherington-Sparks Visual Effects Producer
Alex Hope Visual Effects Producer
Cass Marks Unit Production Manager
Lee Grumett Assistant Director
Todd Hallowell Second Unit Director
Michael Wood Second Unit Camera
Patrick Rolfe Supervising Art Director
Michelle Day Set Decorator
Danny Hambrook Production Sound Mixer
Nick Angel Music Supervisor
Frank Kruse Supervising Sound Editor
Emma Zee Post-Production Supervisor
Franklin Henson Stunt Coordinator
Katrina dunn Art Director
Chris Wyatt Art Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.