China Box Office for Rush (2013)
Theatrical Performance (US$) | ||
China Box Office | $2,730,000 | Details |
Worldwide Box Office | $98,159,204 | Details |
Home Market Performance | ||
North America DVD Sales | $5,043,570 | Details |
North America Blu-ray Sales | $7,650,819 | Details |
Total North America Video Sales | $12,694,389 | |
Further financial details... |
Synopsis
Set against the sexy and glamorous "golden age" of Formula 1 racing, Rush portrays the true story of the rivalry between gifted English playboy James Hunt and his disciplined Austrian opponent, Niki Lauda. Taking us into their personal lives and clashes on and off the Grand Prix racetrack, Rush follows the two drivers as they push themselves to the breaking point of physical and psychological endurance, where there is no shortcut to victory and no margin for error.
Metrics
Movie Details
Production Budget: | $38,000,000 |
China Releases: | December 11th, 2015 (Wide) |
Video Release: | January 28th, 2014 by Universal Home Entertainment |
MPAA Rating: | R for sexual content, nudity, language, some disturbing images and brief drug use. (Rating bulletin 2263, 3/13/2013) |
Running Time: | 123 minutes |
Keywords: | Auto Racing, Biography, Medical and Hospitals, Comeback, Professional Rivalry, Biographical Drama, 1970s |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Universal Pictures, Cross Creek Pictures, Exclusive Media Group, Imagine Entertainment, Revolution Studios, Working Title Films |
Production Countries: | United Kingdom, United States |
Languages: | English, German, Italian |
DVD and Blu-ray Releases for January 28th, 2014
January 28th, 2014
There are a large number of first run releases coming out this week on the home market, five in total. This is a huge amount. This week, the latest season of Downton Abby also comes out on the home market, and it is the best selling new release of the week, at least according to Amazon.com. So at the top, it is a really busy week. On the other hand, there's very little depth. Beyond those six releases, there's not a lot to talk about. Out of all of the movies on this week's list, Rush is the best movie, but the DVD and Blu-ray Combo Pack are only good and not great. On the other hand, Cloudy with a Chance of Meatballs 2 on Blu-ray or 3D Blu-ray is the best total package. Meanwhile, I finally got a chance to review Carrie (the screener arrived late) and it was better than I thought it would be and the Blu-ray Combo Pack is worth picking up, especially if you haven't seen the original movie.
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2014 Awards Season: Slave Hustles to the Top
December 14th, 2013
Hollywood Foreign Press Association announced their Golden Globe nominations this week, and a clear picture is forming. 12 Years a Slave was again the recipient of the most nominations, but this time it was a tie, as it and American Hustle both grabbed seven nominations. If you look down the list of other multi-nominated films, you will find a number of familiar faces.
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2014 Awards Season: SAG a Slave to Slave
December 14th, 2013
SAG handed out nominations over the week, and like with the Independent Spirit Awards, 12 Years a Slave led the way and earned four nominations. It wasn't the only film that was singled out.
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International Box Office: Gravity Stable On Top
October 16th, 2013
Gravity remained in first place with a nearly identical result as last weekend. It was up a barely noticeable amount to $28.5 million on 5,785 screens in 38 markets for a two-week total of $68.3 million internationally. This hold is even more impressive, as its only major market debut came in Brazil, where it opened in second place with $1.67 million on 219 screens. On the other hand, it was down just 9% in Australia with $3.03 million on 471 screens over the weekend for a two-week total of $8.29 million. It fell a little more in Germany down 17% to $3.04 million on 614 screens over the weekend for a two-week total of $8.12 million. In both of those markets, it remained in first place. It fell faster in Russia down 48% landing in second place with $3.88 million on 1,155 million screens over the weekend for a total of $14.12 million after two weeks of release.
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International Box Office: Gravity Throws Around its Weight
October 11th, 2013
Gravity opened in first place on the international chart with $28.4 million on 4,830 screens in 27 markets. This includes a number of first place openings, led by Russia, where it made $7.57 million on 1,219 screens. It also earned first place in Germany with $3.65 million on 569 screens over the weekend for a total opening of $3.87 million. Australia was right behind with $3.35 million on 469. Italy contributed $2.75 million on 399, while in Spain it earned $2.26 million on 325.
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Weekend Wrap-Up: Gravity Earns Tons of Money
October 8th, 2013
Gravity crushed expectations, and records, over the weekend with more than $55 million. This topped the previous biggest October weekend by more than $3 million. On the other hand, Runner Runner went nowhere opening well below the lower end of predictions. Overall, the box office rose 16% from last year reaching $127 million. Unfortunately, last year had much better depth and 2013 was 11% lower in the year-over-year comparison. 2013 is still ahead of 2012, but the lead has been cut to just 0.9% at $8.05 billion to $7.98 billion.
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Weekend Predictions: Gravity has the Weight to Win
October 3rd, 2013
There are two films opening wide this week: Gravity and Runner Runner. However, while the two films share a release date, they are at the opposite ends when it comes to box office potential and critical acclaim. Gravity should have an easy time winning the race for the top of the box office chart, and if its reviews can translate into Awards Season buzz, then it should have very strong legs. On the other hand, many analysts expect Runner Runner to stumble out of the gate and disappear before the end of the month. This weekend last year, Taken 2 opened with just under $50 million, which is too much for Gravity to match. Frankenweenie earned $11 million during its opening weekend, which is a figure Runner Runner should match, but might not. Overall, 2013 looks a lot weaker than 2012 was.
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Weekend Wrap-Up: Partially Cloudy
October 1st, 2013
It wasn't a great weekend at the box office, as four of the five films in the top five missed expectations. On the other hand, no film in the top five really bombed, so it wasn't a bad weekend either. It was solidly mediocre. Cloudy with a Chance of Meatballs 2 opened in top spot with just over $34 million. This was better than its predecessor opened with, but below the lofty expectations. Overall, the box office pulled in $109 million over the weekend, which was 26% higher than last weekend. On the other hand, it was 9% lower than the same weekend last year. Year-to-date, 2013 still has a lead over 2012, but it has shrunk a little bit over the past two weeks. After this weekend, the lead was down to 1.2%, or $7.90 billion to $7.81 billion. It's not reason to panic, yet, but an extended losing streak late in the year is harder to recover from than one that happens in spring.
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Weekend Estimates: Meatballs Makes Tasty Debut
September 29th, 2013
As expected, Cloudy with a Chance of Meatballs 2 will be the comfortable winner of this weekend's box office race with a healthy $35 million beginning, according to Sony's Sunday estimate. That puts the film on course for the 4th-biggest weekend in September and is about $5 million ahead of the opening for the first film in the franchise. Given hopes of a $40 million debut, the film could be said to have underperformed slightly (and it will almost certainly not top the original's $124.8 million domestic total), but given the timing of the release, the studio will have reason for modest celebration in the midst of their worst year since 2005. The top of the chart in general has a middling-to-good-enough look to it this weekend.
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Weekend Predictions: Blue Skies Ahead
September 27th, 2013
Cloudy with a Chance of Meatballs 2 leads a group of four wide releases (three wide releases and a wide expansion, if you want to get technical). It should have no problem being the biggest hit of the weekend. It has a good chance of having the biggest opening weekend of the month. The other films coming out this week will be fighting for a smaller portion of the overall box office, but that's to weak competition, all should grab a spot in the top five. Last year, September ended with Hotel Transylvania, which debuted with $42.52 million; that's a good target for Cloudy with a Chance of Meatballs 2. Second place went to Looper, which pulled in $20.80 million. That will top any of the other new releases coming out this week, but I'm hoping there will be better depth this year and 2013 can eke out a win.
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Per Theater Chart: Enough is Never Enough
September 24th, 2013
There were two major releases on the per theater chart with Enough Said pulling in an average of $58,200 in four theaters, while it has made $287,000 from Wednesday through Sunday. The only other film in the $10,000 club was Rush with an average of $37,458 in five theaters. This bodes well for it wide expansion on Friday.
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Weekend Estimates: Prisoners Starts Awards Season
September 22nd, 2013
Ever since Argo won the Oscar for Best Picture, the industry has been talking and thinking about the strategy of releasing a film ahead of all the other award hopefuls and building buzz through the season. The first test of this theory comes this weekend with one wide release and one platform release. The wide release, Prisoners, will comfortably top the chart with a very respectable $21.4 million from 3,260 theaters. While hardly in record-setting territory, it is very close to Argo's $19.5 million from 3,232 venues. Audience responses have been good (with 90% audience positive reviews on Rotten Tomatoes, for example), but next week's drop will be a big indicator of whether the film will have the chops for an awards run: Argo declined just 15% in its second weekend. Prisoners will need to do something similar before there's real talk of nominations to come.
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Analysis: That Music You Hear? It's Probably By Hans Zimmer
September 22nd, 2013
Top-grossing people in technical roles
Last week I unveiled our new People Records section and talked about some of top performers across different types of acting, from the blockbusting superstars to the unsung heroes, to the cameo kings and queens. We've added some more charts to the record section this week, this time covering technical roles, and once more there's a lot of data to be mined.
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Rush Out to See Limited Releases this Weekend
September 20th, 2013
There are a few films on this week's list earning overwhelmingly positive reviews, including the The Wizard of Oz 3D re-release. This film might do well enough to reach the top ten. Rush opens in two theaters before expanding wide next weekend, so its per theater average is not as important, but could still do well. Enough Said is the big limited release hit of the week. The film has a lot of buzz, a sad real world story, and amazing reviews. It will likely come out on top.
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2013 Preview: September
September 1st, 2013
August ended, and we should be very grateful for that. Lee Daniels' The Butler was a surprise hit, while We're the Millers did better than expected. However, most other films that were expected to be solid hits failed to live up to expectations. Fortunately, August of 2012 was even worse, so 2013 regained the lead on the year-to-year comparison during the month. Looking forward, there is exactly one film that will likely become more than a midlevel hit in September: Cloudy with a Chance of Meatballs 2. That film has a chance to reach $100 million in total. Most of the rest of the new releases will be lucky if they get halfway there. Fortunately, September of 2012 was even worse. Hotel Transylvania was a surprise hit, earning nearly $150 million, and there were a few others that topped $50 million, but there were also several outright bombs. If we can avoid those types of bombs, then 2013 should continue its winning streak.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/12/11 | 9 | $1,660,000 | 18,058 | $92 | $1,660,000 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
China | 12/11/2015 | $1,660,000 | 18058 | 18058 | 18058 | $2,730,000 | 9/27/2018 |
Czech Republic | 10/4/2013 | $0 | 0 | 1 | 1 | $838,909 | 10/19/2022 |
North America | 9/20/2013 | $187,289 | 5 | 2,308 | 9,212 | $26,947,624 | 12/5/2014 |
United Kingdom | 9/13/2013 | $0 | 0 | 1 | 1 | $12,767,043 | 7/17/2020 |
Rest of World | $54,875,628 | ||||||
Worldwide Total | $98,159,204 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Chris Hemsworth | James Hunt |
Daniel Brühl | Niki Lauda |
Supporting Cast
Olivia Wilde | Suzy Miller |
Alexandra Maria Lara | Marlene Lauda |
Pierfrancesco Favino | Clay Regazzoni |
David Calder | Louis Stanley |
Natalie Dormer | Nurse Gemma |
Stephen Mangan | Alastair Caldwell |
Christian McKay | Lord Hesketh |
Alistair Petrie | Stirling Moss |
Julian Rhind-Tutt | Anthony "Bubbles" Horsley |
Colin Stinton | Teddy Mayer |
Augusto Dall'Ara | Enzo Ferrari |
Ilario Calvo | Luca Di Mantezemolo |
Patrick Baladi | John Hogan |
Vincent Riotta | Lauda's Mechanic |
Martin Savage | McLaren Mechanic |
Jamie Sives | BRM Mechanic |
Simon Taylor | English Race Announcer |
Rob Austin | Brett Lunger |
Tom Wlaschiha | Harald Ertl |
Cristian Solimeno | Arturo Merzario |
James Norton | Guy Edwards |
Josephine De La Baume | Agnes Bonnet |
Geoffrey Streatfield | Peter Hunt |
Julien Vialon | Peter Metternich |
Douglas Reith | Awards Presenter |
Polly Furnival | Hunt's Awards Girlfriend |
Brooke Johnston | Pan Am Stewardess |
Hannah Britland | BOAC Stewardesses |
Lisa McAllister | BOAC Stewardess |
Hans-Eckart Eckhardt | Lauda's Grandfather |
Vanessa Zachos | Female Hunt Fan |
Val Jobara | Test Driver |
Xavier Laurent | Test Drivers |
Zack Nizato | Hasemi |
Akira Koieyama | Takahara |
Klaus D. Mund | Niki's German Doctor |
Folker Banik | German Doctor |
Andreas Engelmann | German Priest |
Jochen Kolenda | German GP Marshall |
Roger Nevares | Spanish Official |
Vanda Dadras | Guest of Curd Jurgens |
Raffaello DeGruttola | Giovanni |
Luca Zizzari | Italian Official |
Alan Ferrera | Frech Photographer |
Bob Constanduros | Crystal Palace Race Announcer |
Christian Feist | German Race Announcer |
Marco Canadea | Italian Race Announcer |
Eiji Mihara | Japanese Announcer |
Demetri Goritsas | American Journalist |
Jay Simpson | British Journalist |
Philippe Spall | French Journalsist |
Erich Redman | German Journalist |
Marcello Walton | Italian Jounalist |
Masashi Fujimoto | Japanese Journalist |
Rob Cavazos | Spanish Journalist |
Paolo Barone | Ferrari Mechanic |
Frencesco Fronte | Ferrari Mechanic |
Morris Morrison | Ferrari Mechanic |
Luca Naddeo | Ferrari Mechanic |
Cristian Stelluti | Ferrari Mechanic |
Scott Hopkins | McLaren Mechanic |
Matthew Watkinson | McLaren Mechanic |
Anthony Wolfe | McLaren Mechanic |
Mark Wright | McLaren Mechanic |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ron Howard | Director |
Peter Morgan | Screenwriter |
Andrew Eaton | Producer |
Eric Fellner | Producer |
Brian Oliver | Producer |
Peter Morgan | Producer |
Brian Grazer | Producer |
Ron Howard | Producer |
Guy East | Executive Producer |
Nigel Sinclair | Executive Producer |
Tobin Armbrust | Executive Producer |
Tim Bevan | Executive Producer |
Tyler Thompson | Executive Producer |
Todd Hallowell | Executive Producer |
Anthony Dod Mantle | Director of Photography |
Mark Digby | Production Designer |
Dan Hanley | Editor |
Mike Hill | Editor |
Hans Zimmer | Composer |
Julian Day | Costume Designer |
Nina Gold | Casting |
Anita Overland | Co-Producer |
Jim Hajicosta | Co-Producer |
Daniel Hetzer | Co-Producer |
Kay Niessen | Co-Producer |
Jens Meurer | Co-Producer |
Mark Mallouk | Co-Executive Producer |
Peter Mallouk | Co-Executive Producer |
Fae Hammond | Make-up and Hair Designer |
Jody Johnson | Visual Effects Supervisor |
Moriah Etherington-Sparks | Visual Effects Producer |
Alex Hope | Visual Effects Producer |
Cass Marks | Unit Production Manager |
Lee Grumett | Assistant Director |
Todd Hallowell | Second Unit Director |
Michael Wood | Second Unit Camera |
Patrick Rolfe | Supervising Art Director |
Michelle Day | Set Decorator |
Danny Hambrook | Production Sound Mixer |
Nick Angel | Music Supervisor |
Frank Kruse | Supervising Sound Editor |
Emma Zee | Post-Production Supervisor |
Franklin Henson | Stunt Coordinator |
Katrina dunn | Art Director |
Chris Wyatt | Art Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.