Poland Box Office for Ron Usterka (2021)
Theatrical Performance (US$) | ||
Poland Box Office | $1,183,191 | Details |
Worldwide Box Office | $58,234,808 | Details |
Home Market Performance | ||
North America DVD Sales | $794,141 | Details |
North America Blu-ray Sales | $1,604,526 | Details |
Total North America Video Sales | $2,398,667 | |
Further financial details... |
Synopsis
A wonderful walking, talking, digitally-connected ’bot sweeps the world and becomes every kid’s new Best Friend. But when an eleven-year-old boy ends up with one that doesn’t work, his attempts to teach it become an exploration of what real friendship means in a world of algorithms and social media.
Metrics
Movie Details
Poland Releases: | October 22nd, 2021 (Wide), released as Ron Usterka |
Video Release: | December 7th, 2021 by Fox Home Entertainment |
MPAA Rating: | PG for some rude material, thematic elements and language. (Rating bulletin 2688 (cert #53016), 7/7/2021) |
Running Time: | 106 minutes |
Keywords: | Robot, Family Adventure, Social Media, Middle School, Bullies, Internet |
Source: | Original Screenplay |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | Locksmith Animation |
Production Countries: | United Kingdom, United States |
Languages: | English |
Weekend estimates: Eternals out the gate with a strong $71 million
November 7th, 2021
The Marvel Cinematic Universe’s 26th outing is opening this weekend very much in line with similar releases in the franchise. Eternals will land with $71 million domestically, according to Disney’s Sunday-morning estimate. That’s about $4 million less than Shang-Chi earned in September, which was in turn about $5 million less than Black Widow’s $80-million opening in July. But it’s also very much in line with what Doctor Strange opened with before the pandemic. In short, the MCU looks to be doing fine.
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Weekend predictions: Eternals’ $9.5 million in previews points to weekend in the mid-70s
November 5th, 2021
Disney’s Eternals, the latest outing for the MCU, got off to a strong start on Thursday evening, with $9.5 million in preview earnings, according to the studio. That’s a bit more than Shang-Chi’s $8.8 million, but somewhat less than the $13.2 million earned by Black Widow. That points to an opening weekend in the mid-$70 millions.
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Weekend estimates: top three stay the same as bevy of new releases fight over the scraps
October 31st, 2021
There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far.
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Weekend estimates: Dune lands with $40.1 million stateside, hits $220 million worldwide
October 24th, 2021
While Dune isn’t quite living up to the most optimistic predictions, it’s doing enough to be considered a success so far, with Warner Bros. projecting it will earn $40.1 million domestically by close of business today. That includes $9.03 million from 404 IMAX screens, which amounts to 22.5% of the nationwide total—one of the highest opening-weekend shares for IMAX in history. Clearly a segment of the population is keen to see it in all its glory on the biggest screen possible. All told, it’ll do $17.8 million in business from IMAX screens around the world this weekend.
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Weekend predictions: Dune earns $5.1 million from previews, and heads to $40-million or so opening weekend
October 22nd, 2021
Dune, one of the longest-awaited films in recent history, finally makes its domestic theatrical debut this weekend, and Warner Bros. will be anxiously awaiting results to see if it has the potential to launch a major franchise—something that doesn’t happen very often in this business. With a reported $5.1 million from previews on Thursday night, the news is good so far. While that’s somewhat behind the best starts of the pandemic era, it’s a very respectable score for a non-sequel, and sets the film on a path towards something around $40 million this weekend. That’s better than what our model expected, given its simultaneous release on HBO Max.
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Ron’s Gone Wrong trailer
October 5th, 2021
Animated adventure opens in theaters on October 22 ... Full Movie Details.
A wonderful walking, talking, digitally-connected ’bot sweeps the world and becomes every kid’s new Best Friend. But when an eleven-year-old boy ends up with one that doesn’t work, his attempts to teach it become an exploration of what real friendship means in a world of algorithms and social media.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/10/22 | - | $242,310 | 0 | $334,016 | 1 | ||
2021/10/29 | - | $123,775 | -49% | 0 | $524,282 | 2 | |
2021/11/05 | - | $170,327 | +38% | 0 | $755,627 | 3 | |
2021/11/12 | - | $161,874 | -5% | 0 | $1,002,095 | 4 | |
2021/11/19 | - | $64,651 | -60% | 0 | $1,094,497 | 5 | |
2021/11/26 | - | $21,149 | -67% | 0 | $1,130,326 | 6 | |
2021/12/03 | - | $8,662 | -59% | 0 | $1,146,815 | 7 | |
2021/12/10 | - | $5,562 | -36% | 0 | $1,168,193 | 8 | |
2021/12/17 | - | $2,103 | -62% | 0 | $1,173,718 | 9 | |
2021/12/24 | - | $57 | -97% | 0 | $1,174,099 | 10 | |
2021/12/31 | - | $552 | +868% | 0 | $1,175,255 | 11 | |
2022/01/07 | - | $105 | -81% | 0 | $1,175,414 | 12 | |
2022/01/14 | - | $317 | +202% | 0 | $1,175,805 | 13 | |
2022/01/21 | - | $418 | +32% | 0 | $1,177,293 | 14 | |
2022/01/28 | - | $77 | -82% | 0 | $1,178,395 | 15 | |
2022/02/04 | - | $329 | +327% | 0 | $1,179,298 | 16 | |
2022/02/18 | - | $567 | 0 | $1,182,376 | 18 | ||
2022/02/25 | - | $233 | -59% | 0 | $1,183,147 | 19 | |
2022/03/04 | - | $44 | -81% | 0 | $1,183,191 | 20 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/21/2021 | $148,383 | 0 | 0 | 0 | $638,559 | 10/20/2022 |
Australia | 10/28/2021 | $370,756 | 346 | 346 | 1583 | $1,714,815 | 10/20/2022 |
Austria | 10/28/2021 | $52,190 | 0 | 0 | 0 | $232,805 | 10/20/2022 |
Belgium | 10/20/2021 | $100,700 | 0 | 0 | 0 | $712,148 | 10/20/2022 |
Brazil | 10/21/2021 | $281,091 | 0 | 0 | 0 | $685,433 | 10/20/2022 |
Chile | 10/21/2021 | $127,397 | 0 | 0 | 0 | $383,125 | 10/20/2022 |
Colombia | 10/21/2021 | $138,885 | 0 | 0 | 0 | $450,785 | 10/20/2022 |
Croatia | 10/21/2021 | $0 | 0 | 0 | 0 | $0 | |
Czech Republic | 10/22/2021 | $74,046 | 183 | 183 | 494 | $189,725 | 10/22/2022 |
Denmark | 10/14/2021 | $0 | 0 | 0 | 0 | $81,082 | 10/20/2022 |
Finland | 10/22/2021 | $59,187 | 90 | 90 | 237 | $175,279 | 10/20/2022 |
France | 10/20/2021 | $442,363 | 0 | 0 | 0 | $4,734,350 | 10/20/2022 |
Germany | 10/28/2021 | $282,131 | 0 | 0 | 0 | $1,029,919 | 10/20/2022 |
Hong Kong | 10/21/2021 | $270,486 | 0 | 0 | 0 | $837,138 | 10/20/2022 |
India | 10/29/2021 | $9,708 | 0 | 0 | 0 | $16,063 | 10/20/2022 |
Indonesia | 12/31/2021 | $28,114 | 0 | 0 | 0 | $37,117 | 10/20/2022 |
Italy | 10/21/2021 | $407,661 | 0 | 0 | 0 | $1,101,694 | 10/20/2022 |
Japan | 10/22/2021 | $269,080 | 0 | 0 | 0 | $992,915 | 10/20/2022 |
Lithuania | 10/29/2021 | $17,555 | 17 | 18 | 76 | $110,232 | 10/20/2022 |
Malaysia | 10/21/2021 | $4,329 | 0 | 0 | 0 | $13,218 | 1/4/2022 |
Mexico | 10/21/2021 | $430,437 | 0 | 0 | 0 | $1,380,455 | 10/20/2022 |
Netherlands | 10/13/2021 | $88,438 | 236 | 236 | 1046 | $963,896 | 10/20/2022 |
New Zealand | 10/28/2021 | $32,871 | 76 | 76 | 506 | $173,105 | 10/20/2022 |
North America | 10/22/2021 | $7,300,225 | 3,560 | 3,560 | 14,770 | $23,009,270 | 1/10/2023 |
Norway | 10/22/2021 | $57,754 | 0 | 0 | 0 | $151,609 | 10/20/2022 |
Poland | 10/22/2021 | $242,310 | 0 | 0 | 0 | $1,183,191 | 10/20/2022 |
Portugal | 10/14/2021 | $62,909 | 70 | 77 | 381 | $246,221 | 12/28/2021 |
Romania | 10/22/2021 | $41,128 | 138 | 138 | 664 | $179,285 | 10/20/2022 |
Russia (CIS) | 10/21/2021 | $1,378,638 | 1676 | 1676 | 6088 | $3,951,214 | 10/20/2022 |
Singapore | 10/21/2021 | $32,072 | 0 | 0 | 0 | $98,914 | 10/20/2022 |
Slovakia | 10/21/2021 | $30,601 | 76 | 76 | 267 | $83,563 | 3/9/2022 |
South Korea | 10/27/2021 | $482,812 | 904 | 904 | 1690 | $1,216,729 | 10/20/2022 |
Spain | 10/22/2021 | $379,713 | 328 | 329 | 1716 | $1,820,396 | 10/20/2022 |
Sweden | 10/29/2021 | $60,704 | 0 | 0 | 0 | $420,566 | 2/17/2022 |
Switzerland | 10/20/2021 | $16,950 | 0 | 0 | 0 | $173,158 | 10/20/2022 |
Switzerland (German Speaking) | 10/21/2021 | $0 | 0 | 0 | 0 | $0 | |
Taiwan | 10/29/2021 | $77,142 | 0 | 0 | 0 | $241,263 | 10/20/2022 |
Thailand | 10/28/2021 | $4,483 | 0 | 0 | 0 | $6,280 | 10/20/2022 |
Turkey | 10/22/2021 | $59,281 | 239 | 242 | 767 | $360,417 | 10/20/2022 |
United Kingdom | 10/22/2021 | $1,194,021 | 557 | 600 | 4730 | $5,833,915 | 5/25/2022 |
Venezuela | 10/21/2021 | $9,037 | 0 | 0 | 0 | $40,088 | 10/20/2022 |
Rest of World | $2,564,871 | ||||||
Worldwide Total | $58,234,808 | 1/10/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Zach Galifianakis | Ron |
Jack Dylan Grazer | Barney |
Supporting Cast
Olivia Colman | Donka |
Ed Helms | Graham |
Justice Smith | Marc |
Rob Delaney | Andrew |
Kylie Cantrall | Savannah |
Ricardo Hurtado | Rich |
Marcus Scribner | Alex |
Thomas Barbusca | Jayden |
Ava Morse | Ava |
Bentley Kalu | American Cop |
Audrey Hsieh | Harper |
Iara Nemirovsky | Ellie |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Sarah Smith | Director |
Jean-Philippe Vine | Director |
Octavio Rodriguez | Co-Director |
Peter Baynham | Screenwriter |
Sarah Smith | Screenwriter |
Julie Lockhart | Producer |
Lara Breay | Producer |
Elisabeth Murdoch | Executive Producer |
Peter Baynham | Executive Producer |
Sarah Smith | Executive Producer |