Germany Box Office for Rojo — Wenn alle schweigen, ist keiner unschuldig (2018)
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| Theatrical Performance (US$) | ||
| Germany Box Office | $0 | Details |
| Worldwide Box Office | $522,980 | Details |
| Further financial details... | ||
Synopsis
In the mid-seventies, a strange man arrives in a quiet provincial city. In a restaurant, without any apparent reason, he starts insulting Claudio, a renowned lawyer. The community supports the lawyer and the stranger is humiliated and thrown out of the place. Later that night the stranger, who is determined to wreak a terrible vengeance, intercepts Claudio and his wife Susana. The lawyer then takes a path of no return involving death, secrets and silences.
Metrics
Movie Details
| Germany Releases: | October 15th, 2020 (Limited), released as Rojo — Wenn alle schweigen, ist keiner unschuldig |
| MPAA Rating: | Not Rated |
| Running Time: | 109 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Pucará Cine, Desvia Filmes, Ecce Films, Viking Film, Sutor Kolonko, Bord Cadre, Le Tiro, Jempsa, INCAA, FSA, Ancine, BRDE, Aide aux Cinemas du Monde, CNC, Ibermedia, The Netherlands Film Fund, Hubert Bals Fund, World Cinema Fund, Film- und Medienstiftung NRW, Mecenazgo de la Ciudad de Buenos Aires, Cinema do Brasil, Le Fresnoy, Fundación Typa, Tres Puertos Cine, Riviera Lab, The Cinemart, Rotterdam-Berlinale Express, Berlinale Coproduction Market |
| Production Countries: | Argentina, Belgium, Brazil, France, Germany, Switzerland |
| Languages: | Spanish |
Theater Averages: Endgame Bids Farewell to One of Its Records
July 18th, 2019
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The Farewell topped the theater average chart with an average of $87,833 in four theaters. This was not only the best of the weekend, it overtook Avengers: Endgame for the best theater average of the year. Anytime a film does better than Endgame, it is serious reason to celebrate. The Art of Self-Defense was well back with an average of $16,339 in seven theaters. This is still a good start, but I don’t know if it is good enough for its planned wide expansion. The final film in the $10,000 club was Sword of Trust with an average of $11,256 in two theaters.
More...
Limited and VOD Releases: The Art of Goodbyes and Swordplay
July 12th, 2019
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For the first time in a while, there are a lot of limited releases to talk about. This includes a trio that have a real shot at mainstream success: The Art of Self-Defense, The Farewell, and Sword of Trust. It is very unlikely all three will thrive at the box office, but hopefully one of them will.
More...
Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 10/26/2018 | $37,114 | 57 | 57 | 115 | $72,367 | 3/30/2019 |
| France | 7/5/2019 | $121,840 | 65 | 85 | 150 | $229,560 | 7/21/2019 |
| Germany | 10/15/2020 | $0 | 0 | 0 | 0 | $0 | |
| North America | 7/12/2019 | $12,479 | 2 | 7 | 23 | $94,757 | |
| Spain | 8/2/2019 | $39,024 | 27 | 29 | 77 | $111,222 | 8/22/2019 |
| United Kingdom | 9/6/2019 | $15,074 | 15 | 15 | 15 | $15,074 | 9/11/2019 |
| Worldwide Total | $522,980 | 9/11/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Dario Grandinetti | Claudio |
Supporting Cast
| Andrea Frigerio | Susana |
| Alfredo Castro | Detective Sinclair |
| Laura Grandinetti | Paula |
| Diego Cremonesi | Strange Man |
| Susana Pampin | Music Teacher |
| Claudio Martínez Bel | Vivas |
| Rudy Chenicoff | Magician |
| Mara Bestelli | Mabel |
| Rafael Federman | Santiago |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Benjamín Naishtat | Director |
| Benjamín Naishtat | Screenwriter |
| Barbara Sarasola-Day | Producer |
| Federico Eibuszyc | Producer |
| Emmanuel Chaumet | Co-Producer |
| Rachel Daisy Ellis* | Co-Producer |
| Marleen Slot | Co-Producer |
| Ingmar Trost | Co-Producer |
| Jamal Zeinal Zade | Associate Producer |
| Dan Wechsler | Associate Producer |
| Pedro Sotero | Director of Photography |
| Julieta Dolinsky | Art Director |
| Andrés Quaranta | Editor |
| Vincent van Warmerdam | Composer |
| María Laura Berch | Casting Director |
| Jam Monti | Costume Designer |
| Simon Apostolou | Sound Mixer |
| Mariano Fernández | Line Producer |